Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Lewis OBeirne"/1) | (@(roleclean,performerclean) "Thomas Lewis OBeirne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
8223 results for: Keyword - Thomas Lewis O'Beirne
We found 6438 matches on Author, 1770 matches on Performance Comments, 488 matches on Event Comments, 66 matches on Performance Title, and 0 matches on Roles/Actors.

8026
04 June 1787 @ Drury Lane Theatre

Event Comment: Tickets delivered by Sherratt, Gibson, Gilles, W. Purser, Lyon, Pilsbury, Brady, Dowglas, Street, Gardner, Bayne, Standen, Mrs Brigg, Mrs Finney, Mrs Lewis will be admitted. Receipts: #284 19s. 6d. (36.2.0; 7.19.6; 0.15.0; tickets: 240.3.0)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: The Humourist

Cast
Role: Thomas Actor: Phillimore

Dance: As17861205; End: Minuet and Cotillion-Master Warburton, Miss Taylor, others

Song: As17861205

8027
06 June 1788 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Appleby, Bayne, Dale Jun., Daglish, Douglas, Gardiner, Gillis, Kirk, Lyon, Standen, Pilsbury, Mrs Lewis] will be admitted. Receipts: #192 1s. (7.11.0; 2.14.6; 0.15.6; tickets: 181.0.0)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The First Floor

Dance: End: Minuet de la Cour and Allemande-Kirk, Miss J. Stageldoir

8028
15 December 1790 @ Covent Garden

Event Comment: [The playbill announces The Suspicious Husband, but "The performance at this house was changed yesterday evening in consequence of the indisposition of Lewis, and Rose and Colin with The German Hotel were substituted for The Suspicious Husband"(Diary, 16 Dec.).] Receipts: #145 14s. 6d. (135.4.6; 10.10.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The German Hotel

Afterpiece Title: Robin Hood

8029
11 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Hue and Cry

Performance Comment: Characters-Whitfield Hollingsworth, Bland, Bannister Jun., Burton, Suett, Phillimore, Williames, Maddocks, Lyons, Alfred, Webb, Miss Collins, Mrs Williames; Larpent MS lists the parts: Count Abeville, Don Lewis, Don Juan, Perroquet, Fabio, Sanchez, Corregidore, Jailor, Grim, Donna Leonora, Inis. Prologue-Bannister Jun.
Related Works
Related Work: The Chimera; or, An Hue and Cry to Change Alley Author(s): Thomas Odell

8030
25 November 1794 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Lewis, but he "was prevented, by a cold and hoarseness, from performing the part of Gingham" (Morning Herald 27 Nov.). The name of his subsitute is not mentioned.] Receipts: #308 2s. (294.14; 13.8)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Hercules and Omphale

8031
10 January 1795 @ Covent Garden

Event Comment: [as mainpiece the playbill announces The Dramatist, but "In consequence of the indisposition of Lewis, The Dramatist was obliged to be postponed...The Comedy of Errors was the substitute" (Morning Post, 12 Jan.).] Receipts: #220 2s. (190.0; 30.2),

Performances

Mainpiece Title: The Comedy Of Errors

Related Works
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Comedy of Errors Author(s): Thomas Hull

Afterpiece Title: Hercules and Omphale

8032
19 May 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor; Epilogue by Matthew Gregory Lewis (London Chronicle, 21 May). Larpent MS 1212 (which lists the following unassigned parts: Old Man, Clerk, Countryman, Boy, Postilion, Waiter, Man); not published]. Receipts: #197 13s. (140.18; 55.11; 1.4)

Performances

Mainpiece Title: She's Eloped

Afterpiece Title: The Virgin Unmask'd

8033
08 April 1799 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: Not acted these 2 years. Afterpiece [1st time; F 2, probably based on Die Zwillingsbruder, by Friedrich Ludwig Schroder]: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis]. With Songs [composer unknown. Larpent MS 1245; not published]. Morning Chronicle, 3 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #599 3s. 6d. (315.3.6; 63.4.0; 0.1.0; odd money: 4.2.0; tickets: 216.13.0) (charge: #211 1s. 8d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Twins; or, Is It He, or his Brother

Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne
Related Work: The Perfidious Brother Author(s): Lewis Theobald
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis

Song: By permission of Dibdin End I: Advice; or, Old Mary and John-Bannister Jun; End II: The Country Club-Bannister Jun; III: Tom Tough-Bannister Jun

8034
22 April 1799 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Mainpiece [1st time; C 5, based partly on Die Indianer in England, by August Friedrich Ferdinand von Kotzebue. Prologue, Epilogue by the author (see text)]: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis]. Receipts: #706 5s. 6d. (350.16.6; 42.4.0; odd and after-money: 7.4.6; tickets: 306.0.6) (charge: free)

Performances

Mainpiece Title: The East Indian

Related Works
Related Work: The East Indian Author(s): Matthew Gregory Lewis

Afterpiece Title: The Romp

Related Works
Related Work: Love for Money; or, The Boarding School Author(s): Thomas D'Urfey

8035
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Related Works
Related Work: The Fair Maid of the West Author(s): Thomas Heywood
Related Work: Henry and Emma; or, The Nut Brown Maid Author(s): Thomas Arne

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performance Comment: Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone.

8036
07 December 1799 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis, also the author of Prologue and Epilogue (see text)]. "The Epilogue was spoken by Bannister Jun. in the character of Queen Elizabeth, who ascends from a trap in the middle of the stage, and who is supposed to have obtained the permission of Pluto to revisit her kingdom, in order to witness the representation of the East Indianv" (Monthly Mirror, Dec. 1799, p. 367). Receipts: #200 13s. 6d. (131.11.0; 67.9.6; 1.13.0)

Performances

Mainpiece Title: The East Indian

Related Works
Related Work: The East Indian Author(s): Matthew Gregory Lewis

Afterpiece Title: The Prize

8037
30 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Song: In: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; In course Evening: Crazy Jane-Mrs Bland; In 3rd piece: a new ballad, The Fisherman and the River Queen (Written and Composed by M. G. Lewis, Esq, M. P., Author of Crazy Jane.)-Mrs Bland

Performance Comment: G. Lewis, Esq=, M. P., Author of Crazy Jane.)-Mrs Bland.

8038
29 October 1659 @ The City, London

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: London's Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.

8039
13 April 1660 @ Fishmonger's Hall

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 71: 13 April 1660: His Excellency [Monk] with the Councill of State dined att on of the Halls in London [Fishmongers], and now by this time haveing dined att 9 of the cheifest Halls in London; and att every Hall theire were after diner a kind of a stage play and many prety anticks, som the citizan and soldier, others the country Tom and citty Dick [see 28 March 1660], att many Halls were dancing and singing, many shapes and ghostes and the like

Performances

8040
23 April 1660 @ no theater listed

Event Comment: On this date General Monk and the Council of State issued an order forbidding stage plays. (See Hotson, Commonwealth and Restoration Stage, p. 196, and The Diurnal of Thomas Rugg, ed. Sachse, pp. 61, 67.)

Performances

8041
23 June 1660 @ The Red Bull Theatre

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

8042
05 July 1660 @ The City, London

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

8043
16 August 1660 @ Whitehall or St. James's

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

8044
29 October 1660 @ The City, London

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

8045
November 1660 @ no theater listed

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 127: Playes much in reques and great resort to them

Performances

8046
08 December 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

8047
28 May 1661 @ The Red Bull Theatre

Event Comment: The Prologue, with the date of performance given as 28 May 1661, is in Thomas Jordan's A Royal Arbour of Loyal Poesie, 1664. See also Wiley, Rare Prologues and Epilogues, p. 326. This is possibly George Jolly's company. See also 23 March 1660@1

Performances

Mainpiece Title: The Poor Man's Comfort

8048
28 September 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

Performance Comment: [Monsieur Thomas] .

8049
13 November 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

Performance Comment: [Monsieur Thomas] .

8050
19 April 1662 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

Performance Comment: [Monsieur Thomas] .