SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas King"/1) | (@(roleclean,performerclean) "Thomas King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5449 matches on Author, 3185 matches on Performance Comments, 2689 matches on Performance Title, 1930 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Event Comment: Paid Colman the clear receipt of last Monday Night for the Oxonian, and the Alterations of The Rehearsal and King Lear, #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance-Arnauld, Miss Valois

Event Comment: By Particular Desire [i.e., done in honor of the King's birthday]

Performances

Mainpiece Title: The Mayor Of Garratt

Afterpiece Title: The Stratagem

Dance: As17680530

Music: CConcerto on Violin-Barthelemon

Event Comment: By Special License from the Lord Chamberlain, For One Night Only. Benefit for Lee. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:00 p.m. Both pieces By Particular Desire. Present, the King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Damon and Phillida

Event Comment: Both pieces By Particular Desire. Present, The King of Denmark. Receipts: #244 7s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Related Works
Related Work: The Injured Princess; or, The Fatal Wager Author(s): Thomas D'Urfey

Afterpiece Title: Orpheus and Eurydice, with the Metamorphoses of Harlequin

Dance: III: [See17671009.] The Merry Sailors-Aldridge

Event Comment: To begin at 6 o'clock. Doors open at 5 o'clock. Send servants at 4 o'clock. King of Denmark. Ranger-Mr Garrick (Cross Diary). Both pieces By Command of Their Majesties

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Padlock

Event Comment: Doors open at 5. Play to begin exactly at 6. Rec'd from the King of Denmark #40. Receipts: #142 18s. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Upholsterer

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Event Comment: Paid Younger for license for the Court of Alexander #2 2s. Gave King's Footmen #2 2s.; Chairmen #2 2s.; Queen's Footmen #2 2s. & Chairmen #2 2s. (Account Book). Receipts: #210 12s

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Shylock Actor: King

Afterpiece Title: A Trip to Scotland

Performance Comment: As17700925, but Miss Flack-Miss Burton; Chambermaid-Miss Platt; Dances-Mrs King.
Cast
Role: Dances Actor: Mrs King.

Dance: III: Comic Dance, as17701025

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Mother Shipton

Performance Comment: [As17710129 but to avoid confusion full cast listed]. Lewes, Quick, Morris, Rayner, King, Holtom, Hamilton, Thompson, Wild, Banks, Bates, Walters, Baker, DuBellamy, Miss Twist; Dances-Fishar, Hamoir, Sga Manesiere, Miss Hamoir.
Related Works
Related Work: The Life of Mother Shipton Author(s): Thomas Thomson
Event Comment: N.B. Mr King Being indisposed, Mr Vernon has obligingly undertaken (at a short notice) to play his part in the Masque this evening. Paid Garter Supers, 10 nights #46 3s.; Paid Mr Weston's note to Glascot, paid to Greenwood #9 10s. (Treasurer's Book). Receipts: #132 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Institution of the Garter

Event Comment: Mainpiece: By Particular Desire. Mr King being Ill Mrs Reddish play'd Belcour (not the thing) (Hopkins Diary). Paid Tallow Chandler's Bill (2nd) #42 6s. (Treasurer's Book). Receipts: #171 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Institution of the Garter

Event Comment: Timon published at 1s. 6d. Tomorrow will be publish'd, Beautifully printed, The Theatres: A poetical Dissection by Sir Nicholas Nipclose, printed for John Bell. [See 17 Dec. and 1 Jan. 1772.] King's share of Bristol Theatre purchas'd by Dodd (Winston MS 10). Paid Mr Weston's Bill to Mr Best #4 5s. 6d. (Treasurer's Book). Receipts: #136 13s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell
Related Work: Timon of Athens Author(s): Thomas ShadwellThomas Hull

Afterpiece Title: The Guardian

Related Works
Related Work: The Guardian Outwitted Author(s): Thomas Arne
Related Work: Love Finds the Way Author(s): Thomas HullThomas Murphy
Related Work: The School for Guardians Author(s): Thomas Murphy
Event Comment: Mainpiece: By Desire. Gave King's Footmen by Hough #2 2s., his Chairmen, by Roberts, #2 2s.; Queen's Footmen by Ballintine #2 2s., her Chairmen by Price, #2 2s. (Account Book). [Those who actually paid over these gratuities are listed every time. Apparently for accounting purposes?] Receipts: #120 3s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): Thomas Arne
Event Comment: Mr Garrick Bays 1st time these four years Very fine House (Hopkins Diary). Mrs King many years actress and dancer will leave the stage at her Benefit. Garrick [will] play for her (Winston MS 10). Paid Marshall & Co. (plumbers) #11 9s. 6d.; Mr Racket (taylor) #20 6d.; Mr Hatsell (mercer) #29 6d.; Mr Ireland (upholsterer) #34 7s.; Barrow & Co (oil merchants) #88 10s.; Printer's Bill #8 12s. (Treasurer's Book). Receipts: #280 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Dance: V: A Comic Dance-Daigville, Sga Vidini

Event Comment: Great Applause to Mr G. House (Hopkins Diary). N.B. King Arthur which was to be performed this evening for Mr Barry's Benefit, is oblig'd to be deferred till further notice, on account of his continuing ill. Receipts: #266 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Mayor of Garratt

Dance: V: Comic Dance, as17720326

Event Comment: Mrs Usher Alicia (very bad) (Hopkins Diary). Benefit for Grimaldi, Messink and Giorgi. Paid half year's King's Tax and Window Lights for St Martin's to Lady Day last, #48 3s. 4d. (Treasurer's Book). Receipts: #205 9s. Charges: #40 13s. Profits to Grimaldi, Messink & Georgi: #164 16s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin's Invasion

Dance: II: A New Double Hornpipe-Mas. White, Miss Lings; IV: New Tambourine Dance-Mas. Byrn, Miss Byrn, Miss Wilkinson, scholars to Sg Giorgi (playbill)

Event Comment: Proprietor of Marlebone Gardens, Mr Arnold, summoned to Bow St. to pay penalty of #5 for causing Fireworks to be made contrary to the Act of 9th and 10th of William III. Opinion of the Bench he was not fineable (Public Advertiser). Letter to Garrick in consequence of his moving the Court of the King's Bench for leave to file an information against author of Love in the Suds &c. will shortly be publish'd by D. Kendk. Was publish'd 7 July Folio 2s. 6d. an quarto 1s. 6d. 2nd edn. (Winston MS 10, from Burney News Clippings.

Performances

Event Comment: Afterpiece: With alterations and additions, particularly Two Views of the Eruption of Mt Vesuviusv. [See 26 Dec. 1771.] Garrick has withdrawn his motion, King's Bench (Winston MS 10). [See 2 July 1772.] Paid Mrs Abington's cloaths, 2 weeks, #2; Paid Messrs Baddeley, Jacobs, Lings & Mrs Egerton, salary short-paid last week, 18s. 6d.; Paid Mr Weston's note to Mr Spencer #10 10s. [Mrs Abington's contract seems to have included #60 for clothes which she provided for herself. The amount was paid to her in 26 weekly payments of #2 each and 10 payments of #1 each throughout the season. No further listing of this expenditure will be made.] Paid 3 days salary list at #80 16s. 1d. per diem, #242 8s. 3d.; Mr S. French, 6 days, #1 10s. (Treasurer's Book). Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Witches; or, A Trip to Naples

Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell
Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: By Particular Desire. Gave King's footmen by Desse #2 2s.; his chairmen by Wright #2 2s.; Queen's footmen by Rumford #2 2s.; her Chairmen by Webster #2 2s. (Account Book). Receipts: #135 14s

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Harlequin Sorcerer

Event Comment: Mainpiece: By Particular Desire. Paid Mrs Baks for walking 13 nights in King Henry VIII to 15th Inst.: #3 5s. (Account Book). [Mrs Baks as a walking super seems to have done better in salary at 4s. 1d. per night than did the men (Gard &c.) who perform'd as Ostriches, Asses, Hogs &c. in the afterpieces at 2s. 6d. per night. The difference may have depended upon whether one was a mute in a mainpiece or an afterpiece.] Receipts: #159 2s

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Golden Pippin

Dance: IV: The Fingalian Dance with Double Hornpipe, as17720921; End: New Dance, as17730206

Event Comment: Rec'd Stopages #29 10s. 6d.; Paid salary list #522 18s.; Mr King 29 nights additional salary (29th inst. incl.) #14 10s.; Mr Loutherbourg's draft #120. Receipts: #241 15s. 6d. (Treaurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: A Trip to Scotland