SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas King"/1) | (@(roleclean,performerclean) "Thomas King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5708 matches on Author, 3185 matches on Performance Comments, 2689 matches on Performance Title, 1930 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Wilson. Public Advertiser, 1 May: Tickets to be had of Mrs Wilson, No. 13, King-street, Covent Garden. Receipts: #196 4s. 6d. (30.13.0; 22.10.6; 1.5.0; tickets: 141.16.0) (charge: #106 6s. 11d.)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Sir Patrick O'Neale-Moody; Nephew-R. Palmer; Bates-Wilson; Thomas-Burton; Kecksey-Dodd; Widow Brady-Mrs Wilson (1st appearance in that character); Epilogue Song-Mrs Wilson.
Cast
Role: Thomas Actor: Burton

Dance: End I afterpiece: The Irish Fair-the Miss Stageldoirs

Event Comment: [The playbill assigns Claudius to Packer, but "Archer, on the sudden indisposition of Packer, put on the robes of majesty, which seemed to sit sufficiently easy upon him" (Monthly Mirror, Sept. 1799, p. 175.] "The agitation of Hamlet in the course of the Play which he prepares to try the King, and his violent transports on gaining the certainty of his uncle's villainy by the effect of the piece were strongly characterized" (Morning Chronicle, 20 Sept.). Receipts: #330 17s. (245.19; 84.14; 0.4)

Performances

Mainpiece Title: Hamlet

Performance Comment: Claudius-Archer; Hamlet-Kemble; Polonius-Dowton; Horatio-Holland; Laertes-C. Kemble; Rosencrantz-Clarke; Guildenstern-Trueman; Osrick-Palmer; Priest-Webb; Marcellus-Surmont; Bernardo-Wentworth; Francisco-Evans; Ghost of Hamlet's Father-Barrymore; Grave@diggers-King, Sparks; Players-Maddocks, Ryder; Gertrude-Mrs Powell; Ophelia-Miss Biggs (1st appearance in that character); Actress-Miss Tidswell.
Cast
Role: Grave@diggers Actor: King, Sparks

Afterpiece Title: The Virgin Unmaskd

Performance Comment: Goodall-Maddocks; Blister-Suett; Coupee-Bannister Jun.; Quaver-Dignum; Thomas-Fisher; Miss Lucy-Mrs Bland.
Cast
Role: Thomas Actor: Fisher
Event Comment: The Duke's Company. The date of the first performance is uncertain, but the fact that Luttrell dated his separately printed copies of the Prologue and Epilogue 5 April 1682 (Huntington Library) sets a probability that the play first appeared within a week to ten days preceding that date. The Prologue and Epilogue, separately printed, have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 89-91. A Prologue Intended for Vertue Bertray'd, by Thomas Shadwell, is reprinted in Welbeck Niscellany 3, A Collection of Poems by Several Hands, ed. Francis Needham, 1934. Some details in it suggest the "Dead Time" preceding Easter, when the Court was gone, the Russian ambassador departed, the Moroccan Ambassador shortly to go. The Russian ambassador left on 15 Feb. 1681@2 OS (see Evelyn, Diary), and the Prologue refers to the execution of Colonel Vratz and his accomplices on 10 March 1681@2 (Evelyn, Diary)

Performances

Mainpiece Title: Vertue Betrayd Or Anna Bullen

Performance Comment: Edition of 1682: Prologue- Spoken to Anna Bullen by a Person of Quality; King Harry-Smith; Cardinal-Gillow; Northumberland-Wiltshire; Piercy-Betterton; Rochford-Jos. Williams; Anna Bullen-Mrs Barry; Lady Diana Talbot-Mrs Petty; Epilogue-.
Cast
Role: King Harry Actor: Smith
Event Comment: Mainpiece: Not acted this season. Benefit for Johnston (housekeeper). No Building on Stage. Tickets deliver'd for This Night will be taken. [The playbill lists this night as the first appearance of Vernon and Champness in the characters of Squire and Thomas, but see 9 April, where they had appeared in them.

Performances

Mainpiece Title: The Drummer

Performance Comment: Tinsel-King; Sir George Truman-Havard; Vellum-Yates; Fantome-Packer; Butler-Love; Gardiner-Johnston; Coachman-Moody; Lady Truman-Mrs Pritchard; Abigail-Mrs Clive.
Cast
Role: Tinsel Actor: King

Afterpiece Title: Thomasand Sally

Performance Comment: As17630503, but Squire-Vernon; Thomas-Champness.
Cast
Role: Thomas Actor: Champness.

Dance: II: The Irish Lilt, as17621023

Event Comment: HHamlet, Mr Garrick (Cross Diary). Wit's Last Stake by Thomas King, as it is performed at Drury Lane, published at 1s

Performances

Mainpiece Title: Hamlet

Cast
Role: Player King Actor: Burton

Afterpiece Title: Damon and Phillida

Event Comment: The King's Company. An edition, undated but possibly issued about this time, refers to its being acted at Vere Street. The edition has no cast, no prologue, no epilouge. Pepys, Diary: Sir W. Pen and his daughter and I and my wife to the Theatre, and there saw Father's own Son, a very good play, and the first time I ever saw it

Performances

Mainpiece Title: Fathers Own Son

Performance Comment: [Monsieur Thomas] .
Event Comment: The King's Company. Pepys, Diary: To the Theatre, and there saw Father's own son again

Performances

Mainpiece Title: Fathers Own Son

Performance Comment: [Monsieur Thomas] .
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118

Performances

Mainpiece Title: Fathers Own Son

Performance Comment: [Monsieur Thomas] .
Event Comment: Account-Book: Tickets delivered by Ledger, Claremont, Goostree. Mrs Dick, Mrs Egan will be admitted. 2nd piece [1st time; M. INT 1, by Richard Cumberland. Larpent MS 1111; not published]: To conclude with an Illumination, Transparency, and a Rural Procession. The Music partly selected, and partly composed, by Shield. The Harp by Weippert. The Bells by Lawrence. With appropriate Scenery, Dresses, and Decorations. [Written in honour of the Royal Marriage" [see dl, 13 May] (Morning Herald, 19 May). "If we are to have these repeated Congratulations, let them be written by men of spirit and invention. The public are miserably placed, in cases like the present: between a respect for their King and a respect for their own understandings, they know not how to act" (Monthly Visitor, May 1797, pp. 454-55, which also includes a brief synopsis of the plot). Receipts: #254 9s. 6d. (84.0.0; 11.2.6; tickets: 159.7.0)

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Village Fete

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

Performance Comment: Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray.
Event Comment: MMiss Thomas sung for ye first time in ye Chaplet-very well (Cross). Receipts: #150 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Chaplet

Performance Comment: As17520923, but Laura-Miss Thomas. first appearance on any stage.
Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Dance: Mlle Auretti

Event Comment: Benefit for my Self & Wife, Miss Thomas had Tickets (Cross). Last time for mainpiece this season. Tickets of Cross at his house in Crown Court, Little Russel St., Covent Garden. Receipts: #195(Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherds Lottery

Performance Comment: Collin-Beard; Thyrsis-Master Vernon; Dorylas-Wilder; Phillis(first time)-Miss Thomas; Daphne-Mrs Clive;To conclude with a Pastoral Dance-Piettro, Mad Janeton Auretti.
Cast
Role: Phillis Actor: Miss Thomas

Dance: CCountry Amusements, as17530412

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog Or Wine Does Wonders

Performance Comment: Europeans- Incledon, Johnstone, Bologna Jun., Claremont, Clarke, Wilde, Gray, Curties, Whitmore, Blurton, Silvester,Little, Fairclough, Linton Jun., Smith, Hitchcock, Sawyer, Master Little, Master Ramage, Master Bernard, Master Platt [Miss Mitchell, Mrs Mills; Indians- [H. Johnson, Munden, Townsend, Emery, Hill, Farley, Klanert, Abbot, Thompson, Street, Russel, Tett, Linton, Everett, Oddwell, ThomasKenrick, Master Sawyer, Master Speare, Master Slape, Master Goodwin, Master Standen [Mrs Chapman, Miss Sims, Miss Gray, Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton, A Young Lady (1st appearance on any stage [Miss Waters]); [Cast from Songs (T. Rickaby, 1798), and playbill of 24 Oct. 1799: [Europeans. Sidney-Incledon; Liffey-Johnstone; Officers-Bologna Jun., Clarke, Curties, Whitmore, Blurton, Silvester; English Prisoners-Claremont, Wilde, Gray; Eliza-Miss Mitchell; Margaret-Mrs Mills; [Indians. Zemaun-H. Johnston; Chellingoe-Munden; Holkar-Townsend; Rajah-Emery; Govinda-Hill; Officer-Farley; Guards and Attendants-Klanert, Abbot, Thompson; Soldiers-Street, Russel, Tett, Everett, Oddwell, Thomas; Indian Officer-Linton; Alminah-Mrs Chapman; Agra-Miss Sims; Orsana-Miss Gray; Women of the Zenana-Miss Wheatley, Miss Walcup, Mrs Wybrow, Mrs Watts, Mrs Bologna, Mrs Iliff, Mrs Castelle, Miss Leserve, Mrs Masters, Mrs Norton, Mrs Gilbert, Mrs Whitmore, Mrs Lloyd, Miss Burnett, Mrs Blurton; Zelma-Miss Waters. [Little-Master Platt, Kenrick-Master Standen are unassigned.]

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: 2nd piece [1st time; F 1, by Thomas John Dibdin; incidental music by John Moorehead]: Altered from [Die Witwe und das Reitpferd, This Day is published The Horse and the Widow (1s.). 3rd piece: Altered into Two acts. Receipts: #187 17s. 6d. (180.6.6; 7.11.0)

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Albert and Adelaide

Performance Comment: Principal Characters-Incledon, Emery, Clarke, Betterton, Townsend, Miss Gilbert, Simmons, Claremont, Mrs Atkins, Miss Walcup, Mrs Whitmore, Mrs Chapman; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee; Chorus of Guards in the Castle-Linton, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel. [And see17981211.]And see17981211.]
Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: King Edward Actor: Moon
Role: King John Actor: Wintersell
Role: Epilogue to the King Actor: .
Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VI; the Artful acquisition of the Crown by King Richardv; the Murder of young King Edward V, and his brother in the Tower; The landing of the Earl of Richmond, and the death of King Richard in the memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster. With many other Historical passages. [This descriptive passage accompanies all notices of the play this season and will not be recorded here further.

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-Garrick; Richmond-Havard; King Henry-Berry; Buckingham-Mills; Duke of York-Miss Cibber; Queen-Mrs Roberts; Lady Anne-Mrs Mills; Duchess of York-Miss Bennett; Stanley-Winstone; Lord Mayor-Taswell; King Edward V-Mrs Ridout; Tressel-Turbutt; Ratcliff-Woodburn; Norfolk-Blakes; Catesby-Marr; Lieutenant-Ray; Oxford-Green; Tirrel-Vaughan; Forest-Gray; Dighton-Wright; Blunt-Raftor.
Cast
Role: King Henry Actor: Berry
Role: Buckingham Actor: Mills
Role: King Edward V Actor: Mrs Ridout

Song: II: Song-Beard

Music: IV: Concerto-Veracini

Dance: V: Grand Serious Ballet, as17421005

Event Comment: Benefit for King. The Play was very Imperfect. Bon Ton is a Comedy in Two Acts. Written 15 or 16 years ago Mr G. out of Friendship for Mr King gave it him to get up for his Benefit-It was verY well perform'd & receiv'd with the highest Applause (Hopkins Diary). Mainpiece: Not acted these 16 years. [See 29 Jan. 1759.] Part of Pit laid into boxes. Paid 4 days salary, list #377 4s.; J. French on acct #5 5s.; Mr Carter in full for Music for Rival Candidates #42 (Treasurer's Book). [Rather unfavorable review of Bon Ton in Westminster Magazine for March. Ascribes it to Burgoyne, with touches form Garrick.] Receipts: #291 2s. 6d. Charges: #66 7s. 6d. Profits to King: #224 15s. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Performance Comment: Duke-Smith; Claudio-Reddish; Angelo-Palmer; Escalus-J. Aickin; Clown-Parsons; Provost-Davies; Friar Peter-Usher; Elbow-Wright; Barnardine-Keen; Abhorson-Carpenter; Lucio-King; Mariana-Miss Hopkins; Juliet-Miss Platt; Mistress Overdone-Mrs Bradshaw; Francisca-Mrs Johnson; Isabella-Mrs Yates.
Cast
Role: Lucio Actor: King

Afterpiece Title: Bon Ton or High Life Above Stairs

Performance Comment: Parts by King, Dodd, Parsons, Baddeley, Burton, Brereton, Lamash, Wheeler, Miss Pope, Miss Platt, Mrs Abington, Prologue-King; Sir John Trotley-King; Lord Minikin-Dodd; Davy-Parsons; Col. Tivy-Brereton; Jessamy-Lamash; Mignon-Burton; Lady Minikin-Miss Pope; Gymp-Miss Platt; Miss Titup-Mrs Abington; Riffle-Baddeley; Whisp-Wheeler (the parts of Riffle and Whisp removed after 1st performance) (Genest, V, 449).
Cast
Role: Prologue Actor: King
Role: Sir John Trotley Actor: King
Event Comment: Benefit for Palmer [whose 1st recorded appearance as King Richard was at Canterbury, 8 Mar. 1780]. Morning Herald, 26 Aug.: Tickets to be had of Palmer, No. 39, Great Pultney-street, Golden-square

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: King Henry Actor: R. Palmer
Role: King Richard Actor: Palmer
Role: King Henry Actor: Aickin

Afterpiece Title: The Hodge Podge or A Receipt to make a Benefit

Afterpiece Title: The Son in Law

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Performances

Mainpiece Title: The Lancashire Witches

Cast
Role: Thomas Actor: Cross.
Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Lancashire Witches

Cast
Role: Thomas Actor: Cross.
Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Lancashire Witches

Cast
Role: Thomas Actor: Cross.
Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Lancashire Witches

Cast
Role: Thomas Actor: Cross.
Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Lancashire Witches

Cast
Role: Thomas Actor: Cross.
Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Orphan

Cast
Role: Serina Actor: Mrs Thomas
Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Dance: As17291114

Performances

Mainpiece Title: Tunbridge Walks

Cast
Role: Lucy Actor: Mrs Thomas.
Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

Dance:

Performances

Mainpiece Title: Tunbridge Walks

Cast
Role: Lucy Actor: Mrs Thomas.
Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

Dance: As17291125; Two Pierrots-