SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas King"/1) | (@(roleclean,performerclean) "Thomas King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5708 matches on Author, 3185 matches on Performance Comments, 2689 matches on Performance Title, 1930 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Strangers at Home Author(s): Thomas Linley Sr.

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Palmer; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady (with the Epilogue Song)-Miss Biggs.
Cast
Role: Thomas Actor: Hollingsworth

Music: Incidental: Vocal Parts-Mrs Bland, Miss Leak; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro

Performances

Mainpiece Title: Measure For Measure

Performance Comment: The Duke-Kemble; Angelo-Barrymore; Escalus-Aickin; Claudio-C. Kemble; Lucio-Palmer; Gentlemen-Surmont, Trueman; Provost-Caulfield; Friar Peter-Packer; Elbow-Wewitzer; Froth-Fisher; Clown-Suett; Abhorson-Wentworth; Barnardine-Hollingsworth; Thomas-Maddocks; Isabella-Mrs Siddons; Mariana-Mrs Powell; Francisca-Miss Tidswell; Mrs Overdone-Mrs Maddocks.
Cast
Role: Thomas Actor: Maddocks

Afterpiece Title: The Virgin Unmaskd

Cast
Role: Thomas Actor: Fisher

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Virgin Unmaskd

Performance Comment: As17991129, but Thomas-_.
Cast
Role: Thomas Actor: Fisher

Song: As17991213

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Virgin Unmaskd

Performance Comment: As17990919, but Miss Lucy-Mrs Jordan; Thomas-_.
Cast
Role: Thomas Actor: Fisher

Performances

Mainpiece Title: Speculation

Afterpiece Title: Marian

Performance Comment: Sir Henry Freeman (with Old Towler)-Incledon; Edward-Hill; Robin-Simmons; Thomas-Denman; Peggy-Mrs Chapman; Patty-Miss Wheatley; Kitty-Mrs Iliff; Fanny-Mrs Sydney; Marian (with a New Song) He has left me-the Youth, the dear youth I adore (Dramatic Censor, II, 198), written by T. Dutton, the Music by Mazzinghi-Miss Waters (1st appearance in that character).
Cast
Role: Thomas Actor: Denman

Afterpiece Title: The Soldiers Festival

Cast
Role: Aid@de@camp Actor: King

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Event Comment: Benefit for Bologna Sen., Mrs Follett & Sloper. [Mainpiece: Epilogue by Thomas Palmer.] Receipts: #445 (95.4; 7.17; tickets: 341.19)

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: Oscar and Malvina

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Entertainment: End: a Variety of Imitations-Rees

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Agreeable Surprise

Performance Comment: Lingo-Fawcett; Sir Felix Friendly-Suett; Compton-Bannister; Eugene-Trueman; Chicane-Davenport; John-J. Palmer; Thomas-Abbot; Laura-Mrs Mountain (1st appearance in that character); Mrs Cheshire-Mrs Davenport; Fringe-Miss Gaudry; Cowslip-Mrs Gibbs.
Cast
Role: Thomas Actor: Abbot

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: Obi

Performance Comment: As18000702 but Chorus of Negro Men-_Fisher, Sawyer, +Thomas; added: Jonkanoo (Master of the Ceremonies)-Hawtin; Chorus of Negresses-Mrs _Castelle.
Cast
Role: Chorus of Negro Men Actor:

Performances

Mainpiece Title: Obi

Performance Comment: As18000718 but Three@Finger'd Jack-J. Palmer; Sam-Chippendale; Negro Robbers-_Chippendale, T. Trueman; Chorus of Negro Men-_Linton, _Dibble, _Aylmer, _Willoughby, _Thomas.

Afterpiece Title: Sighs

Related Works
Related Work: The Deserted Daughter Author(s): Thomas Holcroft

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review or The Wags of Windsor

Performance Comment: Characters-Suett, Farley, Johnstone, Emery, Fawcett, Trueman, Chippendale, Atkins, Mrs Gibbs, Mrs Mountain, Miss DeCamp, Miss Leserve; Cast from text (J. Cawthorn, 1808): Mr Deputy Bull-Suett; +Capt. Beaugard-Farley; +Looney Mactwolter-Johnstone; +John Lump-Emery; +Caleb Quotem-Fawcett; +Charles Williams-Trueman; +Dubbs-Chippendale; +Serjeant-Atkins; +Grace Gaylove-Mrs Gibbs; +Lucy-Mrs Mountain; +Phoebe Whitethorn-Miss DeCamp; +Martha-Miss Leserve Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Dibble, Aylmer, Thomas, Willoughby.

Performances

Mainpiece Title: The Review

Performance Comment: See18000901, but Chorusses-Abbot, Sawyer, Little, Kenrick, Caulfield Jun., Fisher, Aylmer, Thomas, Willoughby, Dibble .

Afterpiece Title: The Deaf Lover

Afterpiece Title: Obi

Event Comment: The King's Company. Pepys, Diary: To the Theatre and there saw King and no King, well acted

Performances

Mainpiece Title: A Kinge And No Kinge

Related Works
Related Work: King and No King Author(s): Thomas Harris
Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. Pepys, Diary: My wife and I...to the Theatre, where we seated ourselves close by the King, and Duke of York, and Madame Palmer, which was great content; and, indeed, I can never enough admire her beauty. And here was Bartholomew Fayre, with the puppet-show, acted to-day, which had not been these forty years (it being so satyricall against Puritanism, they durst not till now, which is strange they should already dare to do it, and the King to countenance it), but I do never a whit like it the better for the puppets, but rather the worse

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: Boswell, (Restoration Court Stage, p. 280) lists this as by the King's Company, which had given it on 23 July 1662. Pepys, Diary: Hearing that there was a play at the Cockpit (and my Lord Sandwich, who came to town last night, at it), I do go thither, and by very great fortune did follow four or five gentlemen who were carried to a little private door in a wall, and so crept through a narrow place and come into one of the boxes next the King's, but so as I could not see the King or Queene, but many of the fine ladies, who yet are really not so handsome generally as I used to take them to be, but that they are finely dressed. Here we saw The Cardinall, a tragedy I had never seen before, nor is there any great matter in it. The company that came in with me into the box, were all Frenchmen that could speak no English, but Lord! what sport they made to ask a pretty lady that they got among them that understood both French and English to make her tell them what the actors said

Performances

Mainpiece Title: The Cardinal

Event Comment: The King's Company. See 5 Feb. Pepys, Diary: [The Slighted Maid] being done, we took coach and to court, and there got good places, and saw The Wilde Gallant, performed by the King's house, but it was ill acted, and the play so poor a thing as I never saw in my life almost, and so little answering the name, that from beginning to end, I could not, nor can at this time, tell certainly which was the Wild Gallant. The King did not seem pleased at all, all the whole play, nor any body else, though Mr Clerke whome we met here did commend it to us....Now as my mind was but very ill satisfied with these two plays themselves, so was I in the midst of them sad to think of the spending so much money and venturing upon the breach of my vow, which I found myself sorry for, I bless God, though my nature would well be contented to follow the pleasure still. But I did make payment of my forfeiture presently, though I hope to save it back again by forbearing two plays at court for this one at the Theatre, or else to forbear that to the Theatre which I am to have at Easter. But it being my birthday and my day of liberty regained to me, and lastly, the last play that is likely to be acted at Court before Easter, because of the Lent coming in, I was the easier content to fling away so much money

Performances

Mainpiece Title: The Wild Gallant

Performances

Mainpiece Title: The Slighted Maid

Performance Comment: Edition of 1663: Salerno-Harris; Iberio-Betterton; Filomarini-Metborn; Lugo-Smith; Arviedo-Cadiman; Corbulo-Young; Peralta-Underhill; Gioseppe-the Elder Noke; Vindex-Sandford; Decio-Mrs Gibbs; Pyramena-Mrs Betterton; Diacelia-Mrs Long; Leandra-Mrs Williams; Menanthe-the Younger Noke; Joan-Turner; Instrumental Vocal and Recitative Musick by Mr John? Banister-; the Prologue to the King-; the Prologue to the House-; the Epilogue-The Slighted Maid; Epilogue to the King-.
Cast
Role: the Prologue to the King Actor:
Role: Epilogue to the King Actor: .

Performances

Mainpiece Title: The Step mother

Performance Comment: Edition of 1664: Sylvanus-Sandford; Filamor-Bettertun; Adolph-Young; Tetrick-Underhill; Fromund-Price; Crispus-Smith; Capito-Metborn; Gracchus-Lovell; Sergius-Rob. Noke; Pontia-Mrs Williams; Caesarina-Mrs Bettertun; Violinda-Mrs Davies; Brianella-Mrs Long; The Prologue to the King- at the Cockpit at White-Hall; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Performances

Mainpiece Title: Wit Without Money

Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham
Event Comment: The King's Company. Pepys, Diary: After dinner, with my wife, to the King's house to see The Mayden Queene, a new play of Dryden's, mightily commended for the regularity of it, and the strain and wit; and, the truth is, there is a comical part done by Nell, which is Florimell, that I never can hope ever to see the like done again, by man or woman. The King and Duke of York were at the play. But so great performance of a comical part was never, I believe, in the world before as Nell do this, both as a mad girle, then most and best of all when she comes in like a young gallant; and hath the motions and carriage of a spark the most that ever I saw any man have. It makes me, I confess, admire her

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

Event Comment: The King's Company. Pepys, Diary: My wife and Mercer and I away to the King's play-house, to see the Scornfull Lady; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in....[After attending lif] to the King's house, upon a wager of mine with my wife, that there would be no acting there to-day, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of the play

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, my eyes being so bad since last night's straining of them, that I am hardly able to see, besides the pain which I have in them. The play was a new play; and infinitely full: the King and all the Court almost there. It is The Storme, a play of Fletcher's; which is but so-so, methinks; only there is a most admirable dance at the end, of the ladies, in a military manner, which indeed did please me mightily....And there comes my wife home from the Duke of York's playhouse. Two songs, printed somewhat later in Choice Songs and Ayres, The First Book, 1673, may have been prepared for this revival: Hark the storm grows, set by Robert Smith; and Cheer up my mates, set by Pelham Humphrey

Performances

Mainpiece Title: The Storm

Related Works
Related Work: A Commonwealth of Women Author(s): Thomas D'Urfey
Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344. Pepys, Diary: Thence Bruncker and I to be the King's House, thinking to have gone into a box above, for fear of being seen, the King being there, but the play being 3 acts done we would not give 4s., and so away

Performances

Mainpiece Title: The English Monsieur