SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas King Esq"/1) | (@(roleclean,performerclean) "Thomas King Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5708 matches on Author, 3212 matches on Performance Comments, 2694 matches on Performance Title, 2194 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene. See also Nicoll, Restoration Drama, p. 350

Performances

Mainpiece Title: The Rover

Related Works
Related Work: Thomaso; or, The Wanderer Author(s): Thomas Killigrew
Event Comment: The United Company. BM Sloane MS 3929, newsletter: 19 May 1688: On Munday last the King prince and princess were to see a play called the Squire of Alsatia. [I owe this quotation to Professor John Harold Wilson.

Performances

Mainpiece Title: The Squire Of Alsatia

Related Works
Related Work: The Squire of Alsatia Author(s): Thomas Shadwell
Event Comment: The United Company. The date of the first performance is not known, but the Dedication is dated 5 May 1690; the play was entered in the Term Catalogues, May 1690; and it was advertised in the London Gazette, No. 2557, 12-15 May 1690. Although the play may not have been first acted until mid-April, it may have been given in late March 1690. Dedication, Edition of 1690: I have no reason to complain of the reception of this Play. A song, The fire of love in youthful blood, the music composed by R. King, is in Apollo's Banquet, 1691

Performances

Mainpiece Title: The Amorous Bigotte With The Second Part Of Tegue O Divelly

Related Works
Related Work: The Amorous Bigotte: With the Second Part of Tegue O Divelly Author(s): Thomas Shadwell
Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Related Works
Related Work: Thomaso; or, The Wanderer Author(s): Thomas Killigrew
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage hater Matched

Performance Comment: Edition of 1692: L. Brainless-Bowman; Sir Philip Freewit-Monfort; Sir Lawr. Limber-Sandford; Capt. Darewell-Hodson; Myn Here Van Grin-Leigh; Bias-Bright; Solon-Dogget; Callow-Bowen; MacBuffle-Trefuse; Thummum-Smeaton; Splutter-Colly Cibber?; Lady Subtle-Mrs Barry; Lady Bumfiddle-Mrs Cory; Phaebe-Mrs Bracegirdle; Berenice-Mrs Lassels; La Pupsey-Mrs Butler; Margery-Mrs Lawson; Prologue Mr Monford Enters, meets Mrs Bracegirdle dressed in Boy's Cloaths, who seeing her him, Endeavours to go back, but he taking hold of her, speaks-Mr Monford; Epilogue-La Pupsey with her Lapdog in Masquerade.
Related Works
Related Work: The Marriage-Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Match'd Author(s): Thomas D'Urfey
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the Dedication of the play is dated 15 Jan. 1696@7 suggests that it was probably first acted not later than December 1696. The play was advertised in the Post Man, 21-23 Jan. 1696@7. The music was set by John Eccles. Dedication, Edition of 1697: I make you a Present of a Play, that miscarri'd on the first Nights Performance; tho' afterwards, without any farther Discouragement, it kept it self alive till the third day was over, and then I must confess the City Lady expir'd....This I am confident on, that the like Unfortunate Accidents which attended this Comedy, wou'd have been sufficient to have Dam'd a much better Play. The tedious waiting to have the Curtain drawn, after the Prologue was spoke, occasion'd by Mr Underhill's violent Bleeding, put the Audience out of Humour, and made it susceptible of the least Disgust; and when once the Torrent of its Displeasure break bounds, nothing cou'd put a stop to his Vehemence. After Mr Underhill was no longer able to come upon the Stage, scarce any thing was done but by Halves, and in much Confusion; in the midst of which, I think my self oblig'd to applaud the Justice I receiv'd from the Incomparable Mrs Barry. I very well know that the Ode in the third Act seems to be introduc'd something unseasonably. It was made and set long since, in hopes of having it perform'd before the King, at his return from Flanders; and the Music being so finely compos'd by Mr John Eccles, I was loath it shou'd be wholly lost to the Town. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: The City Lady Or Folly Reclaimd

Related Works
Related Work: The City Lady; or, Folly Reclaim'd Author(s): Thomas Dilke
Event Comment: Rich's Company. Post Boy, 28-30 May 1700: This Day at the King's Play-house, will be Acted the Tempest, or the Enchanted Island, with some Additional Entertainments, at the Request of several Seafaring Men

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Event Comment: For the Entertainment of his Excellency Don Luiz da Cunha, Envoy Extraordinary from the King of Portugal. At 5:30 p.m. All which will be preformed without omission

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter

Song: Henry Purcell's celebrated Trumpet Song, The Fife and Harmony of War-; The Mad Song in Don Quixote-Boman, by request

Dance: Chacone-Mrs Elford; a new Entry-Fairbank; Venetian, a new Whim-Godwin

Music: New Italian Trumpet Sonatas-

Event Comment: Benefit Lovelace and King (boxkeepers)

Performances

Mainpiece Title: Venice Preservd

Event Comment: At the Desire of several Persons of Quality. N.B. The Tickets deliver'd to Subscribers will be taken at this Play, or on Monday Night, which is the last time of Acting till after Southwark Fair. Original Weekly Journal, 30 Aug.: The King hath order'd the Comedians gf the Theatre Royal in Drury-Lane to perform at Hampton-Court, during his Majesty's stay there, for which Service they are to be allow'd 100l. extraordinary each Night they Act

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Dance: As17180802

Entertainment: The diverting Entertainment of the Dancing Dogs, newly arriv'd from France, who had been shewn at Court with much success

Event Comment: Benefit King, Boxkeeper

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Hob

Event Comment: His Royal Highness the Duke present. Mainpiece: By Terence. Afterpiece: Imitated from the Phormio by Moliere, and translated into English by Mr Otway, with some Alterations; acted by the younger King's Scholars

Performances

Mainpiece Title: Phormio

Afterpiece Title: The Cheats of Scapin

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway

Performances

Mainpiece Title: The Rover

Related Works
Related Work: Thomaso; or, The Wanderer Author(s): Thomas Killigrew

Dance: DDrunken Peasant-Roger; Polonese-Rainton, Miss Robinson; Whitsun Holiday-Boval, Mrs Mills

Event Comment: For the Entertainment of the Indian King and Chiefs. Receipts: #156 19s

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: The Fatal Marriage Or The Innocent Adultery

Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: Cephalus and Procris

Event Comment: By His Majesty's Command. Benefit Mlle Salle. The Boxes being all taken, and many Places more demanded, the Pit and Boxes, at the Request of several Ladies of Quality, will be put together. Receipts: money #119 12s.; tickets #74 17s. [King, Queen, Prince, and three eldest Princesses present.

Performances

Mainpiece Title: The Cheats Of Scapin

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway

Afterpiece Title: The School Boy

Dance: I: Les Charactere de la Dance-Salle, Mlle Salle; II: Scottish Dance-Salle, Mrs Legar; III: New French Tambourin-Mlle Salle; After I Farce: Two Pierrots-Poitier, Nivelon; II: French Peasant A@la@Mode de l'Opera-Poitier, Mlle Salle

Event Comment: Benefit Wilcocks, Mines, and Widow Gardiner. Receipts: money #6 6s., tickets #103 11s. Daily Post, 25 May: We hear, that when His Majesty removes to Hampton-Court, the Theatre in that Palace will be open'd, and Plays acted by the King's Company of Comedians

Performances

Mainpiece Title: The Royal Merchant

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Afterpiece Title: Flora

Cast
Role: Sir Thomas Actor: Hippisley

Dance: SScottish Dance-Mrs Bullock; Last new Comic Dance-Newhouse, Miss Wherrit

Event Comment: For the Entertainment of several Foreign Persons of Distinction. Receipts: #176 1s. [King, Queen, Prince, Duke, and Princesses present.

Performances

Mainpiece Title: The Amorous Widow Or The Wanton Wife

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Afterpiece Title: Perseus and Andromeda or The Cheats of Harlequin

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Otway. Afterpiece: A new Dramatick Piece of One Act: Being the Sequel to the King and the Miller of Mansfield. [By Robert Dodsley.

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Sir John Cockle at Court

Performance Comment: Sir John Cockle-Miller; King-Cibber; Sir Timothy Flash-Beard; Greenwood-Hill; French Cooke-Woodward; Miss Kitty-Mrs Clive; Mrs Starch-Miss Tollett; Vintner-Turbutt; Joe-Marshall; Barber-Ray; Taylor-Gray; Attendants-Raftor, Woodburn, Leigh; Edition of 1738 adds: Prologue-Cibber; Epilogue-Mrs Clive.
Cast
Role: King Actor: Cibber

Dance: V: Ballet-Denoyer, Haughton, Miss Thompson

Performances

Mainpiece Title: The Orphan

Performance Comment: Chamont-the Gentleman who performed King Richard (Garrick); Castalio-W. Giffard; Polydore-Giffard; Acasto-Paget; Chaplain-Vaughan; Ernesto-Julian; Serina-Miss Hippisley; Florella-Mrs Yates; Monimia-Mrs Giffard.
Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Honest Yorkshireman

Event Comment: RRylands: Benefit Fausan. At the Particular desire of several Ladies of Quality. Three rows of the Pit will be rail'd in at the Price of the Boxes. Tickets and places to be had of Mr West at the Green Door in Duke's St, Lincoln's Inn Fields; and at Mr Bradshaws, King's Arms in Russel St., near the theatre. Tickets deliver'd out for As You Like It will be taken this night, the play being oblig'd to be chang'd on Account of the indisposition of Mr Milward. Receipts: #173

Performances

Mainpiece Title: The Miser

Related Works
Related Work: The Miser Author(s): Thomas Shadwell

Dance: I: A New Dance call'd Le Petit Scaramouche-the Fausans; III: Les Matelotes, as17411110; V: A New Dance call'd Arlequin Petit@Maitre-the Fausans

Event Comment: Benefit Beard. Tickets and places to be had at Beard's lodgings in Red Lyon St., near Lamb's Conduit, and of Bradshaw at the Kings Arms, &c. Servants will be allow'd to keep Places on the stage, which will be carefully inclosed to prevent the ladies from taking cold. Receipts: #207

Performances

Mainpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne

Afterpiece Title: The Mock Doctor

Event Comment: Benefit Delane. Tickets to be had at Delane's Lodgings, in Queen's Court, King St., Covent Garden; Places to be taken for Boxes of Hobson at the stage door of the theatre

Performances

Mainpiece Title: Venice Preserved Or A Plot Discovered

Related Works
Related Work: Venice Preserv'd; or, A Plot Discover'd Author(s): Thomas Otway

Afterpiece Title: The Virgin Unmasked

Cast
Role: Thomas Actor: Raftor

Song: II: Beard; III: The Noontide Air from Comus-Miss Edward; IV: Lowe

Event Comment: Benefit Delane. Tickets at his lodgings in Queen's Court, in King St., Covent Garden; and at the Bedford Coffee House in the Great Piazza. Places for the Boxes to be Taken at the stage door of the theatre

Performances

Mainpiece Title: The Orphan

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Anatomist

Dance: Muilment, Mrs Auguste

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved Or A Plot Discoverd

Related Works
Related Work: Venice Preserv'd; or, A Plot Discover'd Author(s): Thomas Otway

Afterpiece Title: The Double Disappointment Cross