SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Killigrew Esq"/1) | (@(roleclean,performerclean) "Thomas Killigrew Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5450 matches on Author, 666 matches on Event Comments, 636 matches on Performance Comments, 63 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Norris. Tickets at Stage Door. Rec'd Cash #73 11s. 6d., plus #73 6s. from tickets. Total #146 17s. 6d. Paid Blandford (Tallow Chandler) #17 18s.; Paid Mr Field for Mr Killigrew's 9 s[hares] for 100 nights #105 (Treasurer's Book). Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Song: Between the acts: Miss Norris

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq</i>., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq</a>; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Event Comment: Written by the most Ingenious William Wycherly Esq. And for the Reputation of the most Judicious Author, care is taken to have each part performed to the best advantage

Performances

Mainpiece Title: The Country Wife

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Event Comment: Written by the late famous Poet Laureat John Dryden, Esq. Note, The Subscribers' Tickets Pass every Night there is Acting at Greenwich, tho' it be on a Benefit Night

Performances

Mainpiece Title: Aurengzebe

Song:

Dance:

Event Comment: [By Nicholas Rowe.] Never Acted before. The Medley, 22 April: Whereas Nicodemus Somebody, Esq</i>; alias The Merry Mr Pack, belonging to the Play-house in Lincolns-Inn-Fields, was on Wednesday Night last very noisy and troublesome in the first Gallery of Theatre-Royal in Drury-lane, he's desir'd hereby, when out of his own House, to behave himself with a little more Manners and Discretion, and not distinguish himself again by his ill-natur'd Gestures and frequent Hissings

Performances

Mainpiece Title: Lady Jane Gray

Music: In: a cantata, The Meditation by Pepusch-Mrs del'Epine, Mrs Barbier

Event Comment: Written by Mr Rowe, Esq. Receipts: #50 15s. 6d

Performances

Mainpiece Title: Tamerlane

Song: As17150513

Dance: Spanish Entry, Scaramouch-Thurmond, lately arriv'd from Ireland

Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.

Performances

Event Comment: Written by the late $N. Rowe, Esq.

Performances

Mainpiece Title: The Ambitious Stepmother

Event Comment: Benefit a Gentleman in Misfortunes. Written by Aaron Hill, Esq. All the Characters being entirely new Dress'd. N.B. The putting off the Play so long was occasion'd by the Indisposition of one of the principal Performers, and the Tickets deliver'd out for 4th, the 11th, and the 17th Instant will be taken this Day

Performances

Mainpiece Title: Elfrid; Or, The Fair Inconstant

Event Comment: First Piece; [Author unknown. Apparently not published.] A New Farce of Two Acts. Second Piece: Written by Aaron Hill, Esq. Third Piece: The Words by Mr Motteux, and set to Musick by Mr Eccles

Performances

Mainpiece Title: It Should Have Come Sooner: Being The Historick, Tragic Comic Humours Of Exchange Alley

Afterpiece Title: The Walking Statue

Afterpiece Title: Acis and Galatea

Dance: Saraband-Miss Tenoe; Drunken Man-Harper

Music: As17230625

Event Comment: Second Piece: Written by $Aaron Hill, Esq.

Performances

Mainpiece Title: It Should Have Come Sooner

Afterpiece Title: The Walking Statue

Afterpiece Title: The Tricks of Harlequin

Dance: Two Farmers and Their Wives-Boval, Miss Tenoe, others

Song: Smug Upon Tuesday-Mrs Willis; A Dialogue between a Rake and a Country Maid-Miss Tenoe, Miss Lindar

Event Comment: At the particular Desire of several Ladies of Quality. Written by N. Rowe, Esq. late Poet Laureat

Performances

Mainpiece Title: The Fair Penitent

Song: As17251208

Event Comment: At the particular Desire of several Ladies of Qualiy&ty. Written by N. Rowe, Esq. late Poet-Laureat

Performances

Mainpiece Title: The Fair Penitent

Event Comment: Written by $Osborne Sidney Wandesford, Esq.

Performances

Mainpiece Title: Fatal Love; Or, The Degenerate Brother

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

Event Comment: DDaily Post, 28 Sept.: Yesterday Morning [27 Sept.] between Nine and Ten o'Clock, Robert Wilks, Esq., one of the Patentees and Managers of his Majesty's Company of Comedians, died, at his House in Bow-street, Covent-Garden

Performances