SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Goodwin"/1) | (@(roleclean,performerclean) "Thomas Goodwin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5448 matches on Author, 649 matches on Performance Comments, 400 matches on Event Comments, 127 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: In Mr G. fine Scene with Thomas , Just as he was going to trust him with the Secret the House was very Silent and Mr G. very fine a fellow in the Gallery bawld out--Speak louder--It disconcerted Mr G. very much (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Waller's Bill (hosier) #30 16s. 9d.; Mr Pryer [Turner] #3 2s.; Mr Bannizter [sic] for two songs #5 5s. Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne
Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan
Event Comment: Benefit for Thomas? Sheridan. Mainpiece: Written by Congreve and now carefully revised, and corrected, by expunging the exceptionable passages, not acted these twenty years. [See 25 May 1758.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Syrens

Dance: End: The Italian Gamesters-the Zuchellis. [Query: Gardeners or the dance called simply The Gamesters? See17751011.

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: By Command of Their Majesties. [Mainpiece in place of Sir Thomas Overbury; afterpiece of Comus, both announced on playbill of 4 Feb.] Receipts: #268 2s. (267.13; 0.9)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Cross Purposes

Dance: End II: As17761123; End: The Villagers, as17770122

Event Comment: Mrs Hartley being taken ill, Sir Thomas Overbury [announced on playbill of 11 Feb.] is obliged to be deferred till Monday. Receipts: #167 6s. (164.10.6; 2.15.6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: The Jovial Crew

Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Performances

Mainpiece Title: L'allegro Il Penseroso; Judas Maccabaeus

Afterpiece Title: The Song of Moses; Judas Maccabaeus

Music: As17770214

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Performance Comment: Characters-Wroughton, Lee Lewes, Robson, Fearon, Wewitzer, Booth, Mrs Whitefield, Mrs Lessingham; [Larpent MS 429 lists the parts: Mr Warren, Sir James Middleton, The Hon. Capt. Turner, Mr Green, Robert, Thomas, Miss Warren, Miss Louisa Warren.] Address to the Public-Mrs Lessingham.

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Event Comment: Benefit for Thomas Ansell, Pilfold, Woolley, Symmonds Furkins & Roberts. Tickets delivered by Clarridge, Doe, Wells, Longley, Francis, Brandon, Walker, Varley will be taken this Night. Receipts: #278 11s. 6d. (21.8.6; 0.6.0; tickets: 256.17.0) (charge: none listed)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Dance: End: New Comic Dance, as17770425

Event Comment: Mainpiece: Not acted these 3 years [acted 6 May 1776]. With Accompaniments to the Airs composed by Thomas? Linley Sen?.. Public Advertiser, 10 Nov.: "Jenny Diver forgot her song...and continued inflexibly silent till a Wag behind the Scenes assumed her Voice, and sung the Song for her"; ibid, 15 Nov., identifies this wag as Bannister, who sang "in a feigned voice." [Webster was from the Crow Street Theatre, Dublin.] Receipts: #192 6s. 6d. (167.2.0; 24.16.0; 0.8.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: III: a Hornpipe-Blurton. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Hamlet [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; CO 3, by Abraham Portal. Larpent MS 445; not published]: The Overture and Music [by Thomas Linley Jun.] entirely new. With New Scenes, Dresses and Decorations. Words of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 19 Feb. 1778: This Day at Three will be published the Songs in The Cady of Bagdad (6d.). Receipts: #180 0s. 6d. (130.9.0; 49.7.6; 0.4.0)

Performances

Mainpiece Title: Cymbeline

Related Works
Related Work: The Injured Princess; or, The Fatal Wager Author(s): Thomas D'Urfey

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton
Related Work: Henry the Third of France Stabb'd by a Fryer: With the Fall of the Duke of Guise Author(s): Thomas Shipman
Related Work: Henry and Emma; or, The Nut Brown Maid Author(s): Thomas Arne
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

Song: Masquerade Scene As17771031

Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: AEsop

Event Comment: Mainpiece: With Alterations [by Thomas Hull]

Performances

Mainpiece Title: The Comedy Of Errors

Related Works
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Comedy of Errors Author(s): Thomas Hull

Afterpiece Title: The Touchstone

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): Thomas Otway

Song: III: song in character-Mrs Farrell

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Thomas Linley? Sen.. Receipts: #191 10s. (190.1; 1.9)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wonders of Derbyshire

Dance: End II: Minuet de la Cour, as17780919; Allemande, as17780919; III: a Hornpipe-Blurton

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Afterpiece: Not acted these 13 years [acted 5 May 1770]. With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan; and new music by Thomas Linley Sen.]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [when it was captured by the British from the Spaniards on 26 Oct. 1779. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. With New Dresses and Decorations. "The scenemen blundered egregiously all through the entertainment. During the siege of the fort so much gunpowder was fired off that the stage was so filled with smoke that the officers, men, were scarcely discernible from the boxes" (London Chronicle, 4 Jan.). Receipts: #203 2s. 6d. (154.7.0;47.17.0; 0.18.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Fortunatus

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Deuce is in Him

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. Receipts: #77 1s. (53.18; 22.11; 0.12)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Citizen

Dance: End II: The Butterfly-the Miss Stageldoirs; III: a Hornpipe-Walker; End: Country Dance-the Characters

Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #147 13s. 6d. (107/15/0; 39/18/6; 0/0/0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Robinson Crusoe

Related Works
Related Work: Robinson Crusoe; or, Harlequin Friday Author(s): Thomas Linley Sr.

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Thomas Southerne
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Thomas Linley Sr.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal; or, The Tars of Old England

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Padlock

Dance: In Act III of mainpiece Hornpipe by Mills; End of mainpiece, as17840320athi

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Related Works
Related Work: Lord Russel Author(s): Thomas Stratford