SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas DUrfey"/1) | (@(roleclean,performerclean) "Thomas DUrfey")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5448 matches on Author, 611 matches on Performance Comments, 402 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Bonds without Judgement

Song: As17870515

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Love a-la-Mode

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: NINA

Related Works
Related Work: Nina Author(s): William Thomas Parke

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970221

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous, as17970511, but Mme _Hilligsberg

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Ballet: Sapho et Phaon. As17970513

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970513

Ballet: Sapho et Phaon. As17970513

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Acis et Galatie, as17970615 End Opera: Pizarre, as17970211

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970620

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End Opera: Le Triomphe de Themis- [see17971220]

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: La Chasse d'Amour, as17980102; End Opera: Le Triomphe de Themis, as17971226

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971230

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000322

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Mariage Mexicain, as18000225; Pas de Quatre of Panurge-; End Opera: Hyppomene et Atalante, as18000322

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000429

Performances

Mainpiece Title: The Rival Sisters; Or, The Violence Of Love

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Performances

Mainpiece Title: Alphonso King Of Naples

Event Comment: The Ode is in D'Urfey, Wit and Mirth, I, 70-71. Gentleman's Journal, January 1691-2, pp. 4-5: On that day [22 Nov.] or the next when it falls on a Sunday, as it did last time, most of the Lovers of Music, whereof many are persons of the first Rank, meet at Stationers-Hall in London, not thro' a Principle of Superstition, but to propagate the advancement of that divine Science. A splendid Entertainment is provided, and before it is always a performance of Music by the best Voices and Hands in Town; the Words, which are always in the Patronesses praise, are set by some of the greatest Masters in Town. This year Dr John Blow, that famous Musician, composed tne Music, and Mr Durfey, whose skill in things of that nature is well enough known, made the Words....Whilst the Company is at Table, the Hautboys and Trumpets play successively. Mr Showers hath taught the latter of late years to sound with all the softness imaginable, they plaid us some flat Tunes, made by Mr Finger, with a general applause, it being a thing formerly though impossible upon the Instrument design'd for a sharp Key

Performances

Mainpiece Title: Concert

Performance Comment: An Ode for the Anniversary Feast of St Cecilia. The Words by ThomasD'Urfey. The Music by Dr John Blow.

Performances

Mainpiece Title: Sir Hercules Buffoon; Or, The Poetical Squire

Performance Comment: Edition of 1684: Prologue [by Tho. Durfey Gent-J. Haynes [Com; Epilogue [Wrote and spoke-J. H. [Joseph Haines] (Com.)Joseph Haines] (Com.)