SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas DUrfey"/1) | (@(roleclean,performerclean) "Thomas DUrfey")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5448 matches on Author, 611 matches on Performance Comments, 402 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Thomasand Sally

Performance Comment: Thomas-Bannister; Squire-Brett; Dorcas-Mrs Love; Sally-Mrs Jewell.
Cast
Role: Thomas Actor: Bannister

Dance: As17740613

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Thomasand Sally

Performance Comment: Thomas-Bannister; Squire-Davies; Dorcas-Mrs Thompson; Sally-Mrs Jewell.
Cast
Role: Thomas Actor: Bannister

Entertainment: End: Imitations vocal and rhetorical-Bannister

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Performance Comment: Thomas-Bannister; The Squire-DuBellamy; Dorcas-Mrs Love; Sally-Mrs Jewell.
Cast
Role: Thomas Actor: Bannister

Dance: End: Dance-. [This was included in all subsequent performances.

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Poor Soldier

Song: Stand to your Guns my Hearts of Oak-Bannister

Opera: In course Evening: The Tobacco Box; or, The Soldier's Farewell. Thomas-Mrs Martyr; Kate-Mrs Mountain

Performance Comment: Thomas-Mrs Martyr; Kate-Mrs Mountain.
Cast
Role: Thomas Actor: Mrs Martyr
Event Comment: Thomas Lilleston, one of Rhodes' actors, was brought before the Middlesex Sessions, charged with acting a play on this date. (See Hotson, Commonwealth and Restoration Stage, p. 197.)

Performances

Event Comment: Thomas Shadwell, the Poet Laureat, presented an Ode on the King's Birth-Day, which was published in 1692

Performances

Event Comment: Thomas Gray to Horace Walpole, 3 Jan.: I went to King Arthur last night, which is exceeding fine; they have a new man to supply Delane's place, one Johnson, with ye finest person & face in the world to all appearance; but as awkward, as a Button-maker; in short, if he knew how to manage his Beauties to advantage, I should not wonder, if all the Women run mad for him: the inchanted part of the play, is not Machinery, but actual magick: the second scene is a British temple enough to make one go back a thousand years, & really be in ancient Britain: the Songs are all Church-musick, & in every one of ye Chorus's Mrs Chambers sung ye chief part, accompanied with Roarings, Squawlings & Squeakations dire. Mrs Giffard is by way of Emmeline, & should be blind, but, heaven knows! I would not wish to see better than she does, & seems to do; for when Philidel restores her to sight, her eyes are not at all better than before; she is led in at first, by a Creature, yet was more like a Devil by half, than Grimbald himself; she took herself for Madame la Confidente, but every body else took her to be in the Circumstances of Damnation: when Emmeline comes to her sight, she beholds this Mrs Matilda first, & cries out Are Women all like thee? such glorious Creatures! which set the people into such a laugh, as lasted the whole Act: the Frost Scene is excessive fine; the first Scene of it is only a Cascade, that seems frozen: with the Genius of Winter asleep & wrapt in furs, who upon the approach of Cupid, after much quivering, & shaKing sings the finest song in the Play: just after, the Scene opens, & shows a view of arched rocks covered with Ice & Snow to ye end of ye Stage; between the arches are upon pedestals of Snow eight Images of old men & women, that seem frozen into Statues, with Icicles hanging about them & almost hid in frost, & from ye end come Singers, viz: Mrs Chambers, &: & Dancers all rubbing their hands & chattering with cold with fur gowns & worsted gloves in abundance. Gray, Correspondence, I, 36-37

Performances

Mainpiece Title: King Arthur

Related Works
Related Work: King Arthur; or, The British Worthy Author(s): Thomas Arne
Related Work: Arthur and Emmeline Author(s): Thomas ArneThomas Linley Sr.

Performances

Mainpiece Title: The Constant Couple

Song: A New Song written by Mr Durfey, Set and-Mr Leveridge

Dance: Irish Dance-Claxton; five dances (two new)-Devonshire Girl

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Devil to Pay

Song: I: Rise Glory, in the Opera Rosamond, by Arne-Beard; II: A Song-Miss Thomas; III: (By desire) a Ballad-Beard; IV: A Pastoral Dialogue by Arne-Miss Thomas, Beard

Performances

Mainpiece Title: Sir Thomas Overbury

Performance Comment: Edition of 1724 lists: Earl of Northampton-Bridgwater; Earl of Somerset-Cibber Jr; Sir ThomasOverbury-Savage; Sir George Elloways-Keith; Lady Frances Howard-Mrs Campbell; Isabella-Mrs Bret; Cleora-Mrs Davidson; Prologue by Aaron Hill-Cibber Jr; Epilogue by Aaron Hill-Mrs Bret.
Cast
Role: Sir ThomasOverbury Actor: Savage

Performances

Mainpiece Title: Sir Thomas Overbury; Who Was Poison'd In The Tower, In The Reign Of King James The First

Cast
Role: Sir ThomasOverbury Actor: Savage

Performances

Mainpiece Title: Sir Thomas Overbury; Who Was Poison'd In The Tower, In The Reign Of King James The First

Cast
Role: Sir ThomasOverbury Actor: Savage

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Parly Actor: Mrs Thomas.

Song: Miss Thornowets

Dance: new %Dance of Fawns-Burny, D'Anfoy (his first on this stage), Sandham, Eaton, Miss Sandham, Mrs Thomas; Two Pierrots-Burny, Eaton

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Myrtilla Actor: Mrs Thomas.

Song: Miss Thornowets

Dance: Burney, D'Anfoy, Sandham, Eaton, Miss Sandham, Mrs Thomas; particularly Pierrots, Fawns-

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Queen Mab

Song: IV: Miss Thomas, proper to the play

Performances

Mainpiece Title: Merope

Afterpiece Title: The Englishman in Paris

Song: Beard, Miss Thomas

Dance: Devisse, Mlles Auretti, Auguste

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The King and the Miller of Mansfield

Song: III: Miss Thomas

Dance: II: The Pierrot's Dance, as17540504; IV: A Hornpipe to the tune of Ali Croaker-Walker

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The King and the Miller

Dance: III: The Pierrot's Dance, as17540504; V: A Hornpipe-Walker

Song: Dialogue call'd% Damon and Chloe-Master Reinhold, Miss Thomas

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The King and the Miller

Dance: III: The Pierrot's Dance, as17540504; V: A Hornpipe-Harrison

Song: IV: Miss Thomas

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The King and the Miller

Song: II, IV: Singing-Miss Thomas

Related Works
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey

Dance: III: Hornpipe to tune of Ali Croaker-Walker

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Devil to Pay

Song: II: Miss Thomas

Dance: IV: Hornpipe to tune of Ali Croaker-Walker

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Miss in Her Teens

Song: I: Hooly and Fairly-Beard; IV: Miss Thomas

Dance: II: A Hornpipe-the Little Swiss; V: Louvre, Minuet-Dennison, Mrs Addison

Performances

Mainpiece Title: La Serva Padrona

Entertainment: Musical Imitations-Bannister; Singing-Miss Harper, Miss Thomas

Performances

Mainpiece Title: La Serva Padrona

Entertainment: Singing-Miss Harper, Miss Thomas

Performances

Mainpiece Title: La Serva Padrona

Entertainment: Singing-Miss Harper, Mrs Thomas