SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Attwood"/1) | (@(roleclean,performerclean) "Thomas Attwood")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5448 matches on Author, 605 matches on Performance Comments, 395 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Yates. Mainpiece: A Tragedy (Written by Voltaire) and translated by [Dr Thomas Francklin] the Author of The Earl of Warwick. Pit and Boxes will be laid together. Ladies are desired to send their servants by 4 o'clock. Mrs Yates will be particularly oblig'd to those Ladies, and Gentlemen, who have seats in the Pit, if they will be co kind as to come as early as possible to prevent confusion in getting their places. [Genest V, 242, conjectures the following assignment of parts: Orestes-Smith; Aegisthus-Bensley; Pammenes-Clarke; Pylades-Perry; Electra-Mrs Yates; Clytemnestra-Mrs Ward; Iphisa-Mrs Bulkley.] Charges #65 7s. 6d. Balance to Mrs Yates #39 1s. plus #180 10s. from 722 Box tickets (Account Book). Total House value #284 18s. 6d. Receipts: #104 8s. 6d. (Account Book)

Performances

Mainpiece Title: Orestes

Related Works
Related Work: Electra Author(s): Thomas Francklin

Afterpiece Title: Catherine and Petruchio

Dance: End: The Garland, as17681028

Event Comment: Paid Wm Gard for performing in the Lyon 12 Nights #1 10s. Paid Thomas Singleton for the same #1 10s.; Paid Henry Williams for performing the Bells 4 nights #1 10s. (Account Book). [Epilogue is Larpent MS 306.] Receipts: #194 2s

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne

Afterpiece Title: Harlequin's Jubilee

Event Comment: DDialogue-Epilogue, an Address to the Town-Sparks and Keen, as Lord Chief Justice Joker and his Attorney General. Benefit for Sparks. Afterpiece: By Thomas Sheridan. [The Dialogue-Epilogue is Larpent MS 309.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Brave Irishman

Related Works
Related Work: Captain O'Blunder; or, The Brave Irishman Author(s): Thomas Sheridan

Entertainment: II: The Paraphrase of Shakespeare's Seven Ages of Man-King

Dance: End: As17700428

Event Comment: Afterpiece: A New Comic Opera. The Music by Hooke, [text attributed to Thomas Bridges. Prologue spoken in the character of Flora by Mrs Gardner. At the conclusion Dido hangs herself in her own garters. She is cut down and gives her hand to Iarbas.

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne

Afterpiece Title: Dido

Related Works
Related Work: Dido Author(s): Thomas Bridges

Dance: End: Double Hornpipe-Mas. and Miss West

Performances

Mainpiece Title: A Cure For Dotage

Performance Comment: Reinhold, Bannister, Miss Thomas, Mrs Thompson.

Entertainment: Singing-Miss Catley; Medley Cantata-Reinhold, By Particular Desire after the first part; Musical Imitations-Bannister; Song (By Desire) Water Parted from the Sea, after the manner of the original-Miss Catley; Concerto on Organ-Reinhold; Solo on Violin-Reeves

Event Comment: Mainpiece: By Particular Desire. Paid Mr Clutterbuck's Balance of Last year #147 4s. 4d.; Paid Mr Thomas French for painting (27 days) #10 6s.; Chorus 1 night (16th inst.) #2 6d. (Treasurer's Book). Receipts: #114 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Padlock

Dance: V: A Comic Dance, as17710921

Event Comment: Paid Mr Thomas French, 8 days, #3 4s.; Mr Caley, (hatter), #2 2s. (Treasurer's Book). Receipts: #153 10s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell
Related Work: Timon of Athens Author(s): Thomas ShadwellThomas Hull

Afterpiece Title: The Register Office

Event Comment: Afterpiece: By Desire. N.B. The Institution of the Garter will be laid aside after this night (playbill). Paid Mr Davies on note #5; Miss Hopkins 29 nights at 2s. 6d. per night, #3 12s. 6d.; Mr Thomas French 7 days #2 16s.; Master Brown 12 nights last season and 3 nights this season #5 12s. 6d.; (Treasurer's Book). Receipts: #221 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Institution of the Garter

Event Comment: Rec'd from Thomas and Arnold for use of the Organ this season #21, and for coals burnt at the Oratorios #2 2s. Rec'd #54 14s. 8d. in payment of deficiencies for last season's benefit performances from Dumay, Curtat, Merryfield and Wignell. Paid Garton (treasurer) 11 Oratorio nights for renters #110. Paid Phillips in full for his performance this season #21 (Account Book). Receipts: #117 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Mother Shipton

Related Works
Related Work: The Life of Mother Shipton Author(s): Thomas Thomson
Event Comment: Benefit for Sg Daigville & Signa Vidini. [24 April letter signed Ned Shuter dated from his Majesty's Bench of Justice, St Georges Fields: "Theatrical Memoirs giving circumstantial account of my family-Admit my father was a chairman, my mother sold oysters in winter and cucumbers in summer. I was not born in a cellar but in a two pair of stairs front room at one Mrs Merit's an eminent Chimney Sweeper, Vine Street, St Giles" (Winston MS 10). Thomas Weston's apology for the delay of his Benefit. It was owing to his distressed affairs which he had new laid open to the managers. See comment form Edinburg Evening Courant, 29 April.] Paid Renters #88 for Oratorio nights; Mr Dibdin's draft on managers #50; Master Brown 5 nights, #1 17s. 6d.; Rec'd from Messrs Smith and Stanley charges for 11 Oratorio nights at 28# per night, plus candles &c . #342 4s.; Rec'd stopages #9 16s. 6d. (Treasurer's Book). Receipts: #151 4s. Charges: #65 11s. Profits to Daigville & Sga Vidini: #85 13s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Mayor of Garratt

Dance: I: The European in America (for 1st time this Season)-Messieurs Daigvilles, Miss Ross, Sga Vidini; II: A Comic Dance, as17720326 V: Psiche, a Grand Historical Ballet (Never performed before)-Daigville, Giorgi, Sga Daigville, Miss Ross, Sga Vidini

Event Comment: Benefit for Thomas Linley Jun

Performances

Mainpiece Title: A Concert

Event Comment: Mainpiece: A Comedy [by William Kenrick] never performed before. [The play failed to succeed. Kenrick accounts for the failure in his Preface to the 1773 edition by reference to the Macklin affair (See 23 Oct., 30 Oct. and 18 Nov.) He quotes from the Public Advertiser (22 Nov.): "On Saturday last a new comedy called the Duellist was performed, for the first time, at Covent Garden Theatre. Previous to the curtain being drawn up, the following written handbill was dispersed about the house. 'Mr Macklin has been pursued by a malicious party to such a pitch of rancour, that at last they have succeeded so far in their cursed designs, as to get him discharged this theatre, and thereby have deprived him of the means of a livelihood; therefore if the public have any spirit, they will not suffer the new play to begin till Mr Colman promises that Mr Macklin shall be engaged again.' This handbill found its way into the green-room, and had a very visible effect on the performers, as was plainly evident from their confusion. The piece was received with great marks of approbation, and given out again for Monday, which was attended with some hissing, but that was greatly overpowered by the general applause of the audience. The overture to Thomas and Sally being attended to with silence, the greatest part of the author's friends quitted the theatre; which being taken advantage of by a party in the gallery, a riot ensued, and the entertainment was not suffered to go on till another play was given out for Monday." Kenrick agrees with this account, then analyses several other objections which he dismisses, to wit, in the play (a) too lengthy a satire on lawyers, (b) an indelicate passage in Latin (omitted from the printed version); in the audience, a conspiracy of Garrick and Bickerstaffe against him; and lack of a claque of his own friends to carry through their suport of him. Macklin's name appears on the playroll this night, but only for a accumulated 4 days of pay #8 16s. (Account Book).] Receipts: #221 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Duellist

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Mrs Bulkley. Mainpiece: A New Comedy [by a Lady] never perform'd in this Kingdom. As performed with Universal Applause at the Theatre Royal in Dublin. [The Edition of 1774 lists the Irish Actors. The characters are: Mowbray, Sir Thomas O'Shaughnesy; Admiral Swivel; Leslie; Egerton; Capt. Egerton; Issacher; Donald M'Pherson; Strap; Elfrida Audley; Henrietta Egerton; Mrs Ornel; Mrs Issacher; Jenny, a Mantua Maker, a Maid; French servants and porters. Genest suggests a casting for ten of the characters.] Charges: #66 6s. 6d. Profit to Mrs Bulkley #33 17s., plus #93 13s. from tickets Box 232; Pit 177; Gallery 91). Paid Mrs Carne half year' salary due Lady day last #15. Paid half year's water rent due Xmas last #4. Receipts: #100 3s. 6d. (Account Book)

Performances

Mainpiece Title: The South Briton

Afterpiece Title: The Apprentice

Dance: IV: A Double Hornpipe-Mas. Blurton, Miss Besford; End I Farce: A Minuet-Aldridge, Mrs Bulkley

Monologue: Interlude.End: True Blue. As 26 March

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Dance: End: The Vintage Festival, as17741007

Event Comment: In Mr G. fine Scene with Thomas , Just as he was going to trust him with the Secret the House was very Silent and Mr G. very fine a fellow in the Gallery bawld out--Speak louder--It disconcerted Mr G. very much (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Waller's Bill (hosier) #30 16s. 9d.; Mr Pryer [Turner] #3 2s.; Mr Bannizter [sic] for two songs #5 5s. Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne
Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan
Event Comment: Benefit for Thomas? Sheridan. Mainpiece: Written by Congreve and now carefully revised, and corrected, by expunging the exceptionable passages, not acted these twenty years. [See 25 May 1758.

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Syrens

Dance: End: The Italian Gamesters-the Zuchellis. [Query: Gardeners or the dance called simply The Gamesters? See17751011.

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Afterpiece Title: Miss in her Teens

Event Comment: By Command of Their Majesties. [Mainpiece in place of Sir Thomas Overbury; afterpiece of Comus, both announced on playbill of 4 Feb.] Receipts: #268 2s. (267.13; 0.9)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Cross Purposes

Dance: End II: As17761123; End: The Villagers, as17770122

Event Comment: Mrs Hartley being taken ill, Sir Thomas Overbury [announced on playbill of 11 Feb.] is obliged to be deferred till Monday. Receipts: #167 6s. (164.10.6; 2.15.6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: The Jovial Crew

Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Performances

Mainpiece Title: L'allegro Il Penseroso; Judas Maccabaeus

Afterpiece Title: The Song of Moses; Judas Maccabaeus

Music: As17770214

Performances

Mainpiece Title: Othello

Afterpiece Title: The Experiment

Performance Comment: Characters-Wroughton, Lee Lewes, Robson, Fearon, Wewitzer, Booth, Mrs Whitefield, Mrs Lessingham; [Larpent MS 429 lists the parts: Mr Warren, Sir James Middleton, The Hon. Capt. Turner, Mr Green, Robert, Thomas, Miss Warren, Miss Louisa Warren.] Address to the Public-Mrs Lessingham.

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Event Comment: Benefit for Thomas Ansell, Pilfold, Woolley, Symmonds Furkins & Roberts. Tickets delivered by Clarridge, Doe, Wells, Longley, Francis, Brandon, Walker, Varley will be taken this Night. Receipts: #278 11s. 6d. (21.8.6; 0.6.0; tickets: 256.17.0) (charge: none listed)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Dance: End: New Comic Dance, as17770425

Event Comment: Mainpiece: Not acted these 3 years [acted 6 May 1776]. With Accompaniments to the Airs composed by Thomas? Linley Sen?.. Public Advertiser, 10 Nov.: "Jenny Diver forgot her song...and continued inflexibly silent till a Wag behind the Scenes assumed her Voice, and sung the Song for her"; ibid, 15 Nov., identifies this wag as Bannister, who sang "in a feigned voice." [Webster was from the Crow Street Theatre, Dublin.] Receipts: #192 6s. 6d. (167.2.0; 24.16.0; 0.8.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: III: a Hornpipe-Blurton. [This was danced, as here assigned, in all subsequent performances.