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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Attwood"/1) | (@(roleclean,performerclean) "Thomas Attwood")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6239 results for: Keyword - Thomas Attwood
We found 5448 matches on Author, 605 matches on Performance Comments, 395 matches on Event Comments, 60 matches on Performance Title, and 0 matches on Roles/Actors.

5501
27 April 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

5502
02 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970221

5503
06 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

5504
11 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

5505
13 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous, as17970511, but Mme _Hilligsberg

Ballet: End Opera: Sapho et Phaon. As17970406

5506
16 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Ballet: Sapho et Phaon. As17970513

5507
20 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970513

Ballet: Sapho et Phaon. As17970513

5508
04 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Acis et Galatie, as17970615 End Opera: Pizarre, as17970211

5509
08 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970620

5510
22 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617

5511
09 December 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

5512
26 December 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End Opera: Le Triomphe de Themis- [see17971220]

5513
16 January 1798 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: La Chasse d'Amour, as17980102; End Opera: Le Triomphe de Themis, as17971226

5514
31 January 1798 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971230

5515
24 April 1800 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000322

5516
29 April 1800 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Mariage Mexicain, as18000225; Pas de Quatre of Panurge-; End Opera: Hyppomene et Atalante, as18000322

5517
03 May 1800 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000429

5518
15 May 1799 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

5519
14 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0, Composed By g

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; The soldier tir'd-Miss Barclay (Arne); Shake the dome-Chorus (Solomon); Let me wander not unseen, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); Serbo in petto-Mrs Bland (Attwood); I come not, Honour and arms, Canst thou for this, Go baffled coward-Incledon, Reinhold (Samson); Softly sweet-Mrs Crouch (Alexander's Feast); Hallelujah for the Lord God omnipotent reigneth-Chorus (The Messiah).

Afterpiece Title: Grand Selection 3

5520
23 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Cantata-Reinhold (Giordani); But thou didst not leave-Master Welsh (The Messiah); Trio-Kelly, Morelli, Mrs Crouch; Song-Mrs Bland (Attwood); Shake the dome-Chorus (Solomon); Song-Mrs Crouch; accompanied on the harp-Meyer; Little these evils, Why does the God of Israel sleep?-Incledon (Samson); Worthy is the lamb-Chorus (The Messiah).

5521
13 May 1794 @ Covent Garden

Event Comment: Benefit for Munden. 2nd piece hst time; MF 2 , by Samuel Birch. MS: Larpent 1011; not published]: The Overture and Music composed by Attwood. Books of the Songs to be had at the Theatre. Murning Chronicle, 28 Apr.: Tickets to be had of Munden, No. 6, Frith-street, Soho. Receipts: #423 5s. (132/12/6; 6/18/0; tickets: 283/14/6)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: THE PACKET-BOAT; or, A Peep behind the Veil

Related Works
Related Work: The Packet Boat; or, A Peep behind the Veil Author(s): Joseph Attwood

Afterpiece Title: BRITISH FORTITUDE AND HIBERNIAN FRIENDSHIP

Monologue: 1794 05 13 End of Act I of 1st piece A Plague on both your Houses; or, A Peep into New Drury and Covent-Garden Theatres, to conclude with a Comic Song, in the Character of an Old Woman of Eighty, by Munden

5522
02 October 1795 @ Covent Garden

Event Comment: Afterpiece: The Music by Attwood. Receipts: #189 13s. 6d. (171.10.6; 18.3.0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Related Works
Related Work: The Poor Sailor; or, Little Ben and Little Bob Author(s): Thomas Attwood

Dance: Afterpiece to conclude with: Hornpipe incidental to the Piece,-Byrn, Holland, Mrs Watts, Mlle St.Amand

5523
28 November 1797 @ Drury Lane Theatre

Event Comment: Afterpiece: The Airs composed by Attwood. Receipts: #87 2s. (53.17.0; 32.3.6; 1.1.6)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Fast Asleep

5524
19 December 1797 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 1, by John O'Keeffe. Larpent MS 1188; not published]: The Overture and Music by Attwood. European Magazine, Jan. 1798, p. 42: Written with allusion to Their Majesties' attendance at St. Paul's [on this day, at a thanksgiving service held in honor of the recent naval victories of Howe, St. Vincent and Duncan]. Receipts: #289 17s. (286.11; 3.6)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Britain's Brave Tars

Related Works
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): Thomas Attwood

Song: As17971102

5525
05 November 1660 @ The Red Bull Theatre

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money