SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Arne Jun"/1) | (@(roleclean,performerclean) "Thomas Arne Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5630 matches on Author, 2315 matches on Performance Comments, 783 matches on Event Comments, 310 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. The date of the premiere is not certain, but reference to it in the Gentleman's Journal, May 1693 (issued in June 1693), suggests that it appeared in May: We have had since my last a new Comedy called, The Female Vertuosos, something in it was borrowed from Moliere's Femmes Savantes, and as it hath Wit and Humour, it cannot but please in the perusal, as in the representation (p. 168). One song, Love thou art best of human joys, to words by Anne, Countess of Winchelsea, was set by Henry Purcell

Performances

Mainpiece Title: The Female Vertuosos

Related Works
Related Work: The Female Vertuosos Author(s): Thomas Wright

Performances

Mainpiece Title: The Richmond Heiress

Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The Lancashire Witches

Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part I

Related Works
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, The Third Part: With the Marriage of Mary the Buxome Author(s): Thomas D'Urfey
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey
Related Work: An Eclogue; or, Representation in Four Parts Author(s): Thomas Jordan
Related Work: The Amorous Bigotte: With the Second Part of Tegue O Divelly Author(s): Thomas Shadwell
Related Work: The Atheist; or, The Second Part of the Souldiers Fortune Author(s): Thomas Otway
Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Related Works
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote Author(s): Thomas D'Urfey
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, The Third Part: With the Marriage of Mary the Buxome Author(s): Thomas D'Urfey

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Performances

Mainpiece Title: The Lover's Luck

Related Works
Related Work: The Lover's Luck Author(s): Thomas Dilke

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Related Works
Related Work: The Unhappy Kindness; or, A Fruitless Revenge Author(s): Thomas Scott

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

Related Works
Related Work: Cinthia and Endimion; or, The Loves of the Deities Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The City Lady; Or, Folly Reclaim'd

Related Works
Related Work: The City Lady; or, Folly Reclaim'd Author(s): Thomas Dilke

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

Performances

Mainpiece Title: The Libertine

Related Works
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell
Related Work: The Libertine Author(s): Thomas Shadwell

Performances

Mainpiece Title: Cinthia And Endimion

Related Works
Related Work: Cinthia and Endimion; or, The Loves of the Deities Author(s): Thomas D'Urfey

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 24-26 June 1697, suggests that it was probably first acted not later than May 1697, and there is no specific indication of a premiere earlier than May. In Songs Compleat, 1719, the music for one song is attributed to Croft

Performances

Mainpiece Title: The Intrigues At Versailles; Or, A Jilt In All Humours

Related Works
Related Work: The Intrigues at Versailles; or, A Jilt in all Humours Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The Lancashire Witches

Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

Performances

Mainpiece Title: The Pretenders; Or, The Town Unmask'd

Related Works
Related Work: The Pretenders; or, The Town Unmask'd Author(s): Thomas Dilke

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne
Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Related Works
Related Work: The Famous History of the Rise and Fall of Massaniello Author(s): Thomas D'Urfey