Event Comment: Afterpiece [1st time; P 2 (?), by Thomas King. MS not in Larpent; not published; synopsis of action in Public Advertiser, 27 Dec.]: With Variety of new Scenes, Dresses and Decorations. With a Grand View of the Cumberland Fleet sailing for the Cup, and a Song and Chorus in Honour of the Institution. To conclude with a Pageant Rural and Pantomimical. [These were included in all subsequent performances.] The Music partly new and partly compiled [by Thomas Linley Sen.] from the best Masters. The Paintings by Greenwood and other eminent Artists. Nothing under Full Price will be taken. Account-Book, 17 Feb. 1783: Paid King in full for Harlequin's Wedding #47 1s. Receipts: #231 (225/10; 5/10)

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen</a>.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen</a>. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Event Comment: Afterpiece [1st time; P 2, by Richard Brinsley Sheridan; music by Thomas Linley Sen.]: With entire new Scenery, Machinery, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his Direction. Nothing under Full Price will be taken. Receipts: #257 19s. (249.16; 8.3)

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Event Comment: Afterpiece [1st time; MF 2, by Mark Londsale. Prologue by the author {London Chronicle, 10 Nov.)]: The Overture, new Airs and Accompaniments composed by [Thomas] Linley [Sen.]. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1784: This Day is published The Spanish Rivals (1s.). Receipts: #160 2s. 6d. (104/12/0; 54/18/0; 0/12/6)

Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Event Comment: Afterpiece: In one Act. [For Miss Leak's 1st appearance as Sally see HAY 24 Feb.] Powell: Thomas & Sally rehearsed at 1 0; The Inconstant at 11; The Jew at 12.30 (for Suett and Miss Tidswell). Receipts: #540 (462/7/6; 76/7/0; 1/5/6)

Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters [Purcell, Sacchini, et al.]; the rest of the Music, the Overture, Accompaniments, &c. by Linley [Sen.]. [The scenery by Greenwood {Public Advertiser, 15 Dec). In 1792 this opera was altered by the author as The Algerine Slave.] Public Advertiser, 11 Jan. 1786: This Day is published The Strangers at Home (1s. 6d.). Receipts: #200 1s. (183/6/0; 16/10/0; 0/5/0)

Event Comment: Mainpiece: Some Airs compiled from best Masters. Rest of Music, the Overture, Accompaniments, &c. by Linley? Sen</a>. Afterpiece: With a Sea-Fightv and Processionv. [These were included in both subsequent performances.] Receipts: #201 16s. (154.15; 45.18; 1.3)

Event Comment: Afterpiece: Not acted these 2 years. To conclude with a Splendid Representation of the Fairy's Palacev. The Paintings by Greenwood. The Music compiled and composed by Linley? Sen</a>. Books of the Songs, Introduction, &c. to be had at the Theatre. Receipts: #121 9s. (92.0.0; 27.18.6; 1.10.6)

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters; the rest of the Music, the Overture, Accompaniments, &c. by Linley? Sen</a>. With variety of new Scenery ["A view of Calcuttav, from a painting done on the spot by Hodges, opens the piece" (Public Advertiser, 26 Feb.)], Dresses and Decorations. Public Advertiser, 6 Mar. 1788: This Day is published Love in the East (1s. 6d.). Receipts: #207 8s. 6d. (172.8.0; 33.9.6; 1.11.0)

Event Comment: Mainpiece: Not acted these 2 years. Some of the Airs compiled from the best Masters. The rest of the Music, the Overture, Accompanimedts, &c. by Linley? Sen</a>. [Mrs Edwards was from the hay.] Receipts: #197 16s. 6d. (169.19.0; 26.14.6; 1.3.0)

Event Comment: Benefit for Spencer and Nix. 1st piece: Some of the Music compiled from the best Masters. The rest of the Music, the Overture, Accompaniments, &c. by Linley? Sen.. Receipts: #252 4s. 6d. (44.17.0; 27.0.0; 3.11.6; tickets: 176.16.0) (charge: #110 11s. 10d.)

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Event Comment: Benefit for Mrs Yates [who is named in the Account-Book, but not on the playbill]. Mainpiece: Not acted these 4 years. Monody: Not performed these 3 years [performed 28 Mar. 1781]. With Vocal and Instrumental Music [by Thomas Linley Sen.]. Receipts: #187 10s. 6d. (136/2/0; 51/7/0; 0/1/6; tickets: none listed) (charge: #76 14s. 9d.)

Event Comment: [Afterpiece in place of COMUS, advertised on playbill of 11 June.) Powell: Clandestine Marriage rehearsed at 10 (King ill; Barrymore one scene); Lodoiska at 12 (Bannister Sen. not call'd; Danby, Denman, Reynoldson, Hobler, Horsfall, Dorion Jun., G. D'Egville, Hamoir absent). Receipts: #114 2s. 6d. (74/19/0; 33/10/6; 5/13/0)

Event Comment: Afterpiece: Not acted these 10 years [acted 18 Feb. 1789]. With new Scenery, Dresses, and Decorations. Musick by late Mr Linley. The Scenery of First Part by Greenwood and his assistants, of Second Part by Marinari and his assistants. The Machinery and Decorations by Cabanel, Johnston, Jacobs. The Dresses by Johnston, Gay, Miss Rein. [Synopsis of plot (T. Becket, 1797).] Account-Book, 24 Dec.: Parrot bought and Cage for Robinson Crusoe #3 5s. 6d.; Paid Hunt, fireworker #2 3s. Receipts: #326 9s. (257.1; 62.13; 6.15)

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Event Comment: Benefit for Sedgwick. Afterpiece [1st time; MF 2, by Samuel Birch. Larpent MS 983; not published; synopsis of plot in Universal Magazine, May 1793 p. 389]: The Music principally composed by Attwood, with selections from Mozart, Ferrari, Martin y Soler?, Linley? Sen.. And a new Overture by Shaw. Morning Herald, 25 Apr.: Tickets to be had of Sedgwick at his house, Kennington-Green. Receipts: #379 14s. 6d. (70.18.0; 52.12.0; 3.1.6; tickets: 253.3.0) (charge: #162 5s. 1d.)