Event Comment: Benefit for Clinch. Doors opened at half past 5. Play to begin at Half an Hour after 6. [Afterpiece written by Sheridan for Clinch, traditionally in gratitude for his saving The Rivals from damnation. (See Thomas Moore's Life of Sheridan [London, 1825], I, 148). The Westminster Magazine for May adds to cast: Irish Corporal-Fox; Soldiers-$Davies, $Wewitzer, Chaplin, and reviews the piece briefly: St Patrick's day is replete with broad humor, homely jests, and extravagant caricature. The language in general shewed the author a man of honour and observation; the situations were whimsical and produced that mirth which the audience in the Prologue were invited to partake of....The jests were occasionally too low and vulgar, and his scene too extravagantly absurd. The main drift of the Prologue was to tell the Audience that a fine Spring impeded the theatrical harvest; and that at this season the benefits of Nature were the greatest enemies to the Performer's Benefits."

Event Comment: In Mr G. fine Scene with Thomas , Just as he was going to trust him with the Secret the House was very Silent and Mr G. very fine a fellow in the Gallery bawld out--Speak louder--It disconcerted Mr G. very much (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Waller's Bill (hosier) #30 16s. 9d.; Mr Pryer [Turner] #3 2s.; Mr Bannizter [sic] for two songs #5 5s. Receipts: #242 6s. (Treasurer's Book)

Event Comment: Mainpiece: By Particular Desire. The Comedy of Old City Manners oblig'd to be deferr'd. On 31 Dec. (Sunday) died Th. Weston of Drury Lane Theatre (Winston MS 11). [See Memoirs of Thomas Weston that Celebrated Comedian (London, 1776, 59 pp). This year appeared A Serious Disuasion from Frequenting the Playhouse, by Jacob Orton (22 pp. pub. in Shrewsbury). His text is taken from Bulstrode's charge to the Grand Jury of Middlesex, 21 April 1718. "One Playhouse ruin'd more souls than fifty churches are able to save."] Paid Mr Grist on acct per Mr D. G. #20; Three extra trumpets 6 nights #6 15s. Supernumeraries for the Jubilee continued to cost 14s. 10d. during its run. Receipts: #219 12s. 6d. (Treasurer's Book)

Event Comment: Benefit for Thomas? Sheridan. Mainpiece: Written by Congreve and now carefully revised, and corrected, by expunging the exceptionable passages, not acted these twenty years. [See 25 May 1758.

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Event Comment: By Command of Their Majesties. [Mainpiece in place of Sir Thomas Overbury; afterpiece of Comus, both announced on playbill of 4 Feb.] Receipts: #268 2s. (267.13; 0.9)

Event Comment: Mrs Hartley being taken ill, Sir Thomas Overbury [announced on playbill of 11 Feb.] is obliged to be deferred till Monday. Receipts: #167 6s. (164.10.6; 2.15.6)

Event Comment: Ode [1st time; composed by Thomas Linley Jun. (see 18 Mar. 1778), text by John Hoadly]

Event Comment: Benefit for Thomas Ansell, Pilfold, Woolley, Symmonds Furkins & Roberts. Tickets delivered by Clarridge, Doe, Wells, Longley, Francis, Brandon, Walker, Varley will be taken this Night. Receipts: #278 11s. 6d. (21.8.6; 0.6.0; tickets: 256.17.0) (charge: none listed)

Event Comment: Mainpiece: Not acted these 3 years [acted 6 May 1776]. With Accompaniments to the Airs composed by Thomas? Linley Sen?.. Public Advertiser, 10 Nov.: "Jenny Diver forgot her song...and continued inflexibly silent till a Wag behind the Scenes assumed her Voice, and sung the Song for her"; ibid, 15 Nov., identifies this wag as Bannister, who sang "in a feigned voice." [Webster was from the Crow Street Theatre, Dublin.] Receipts: #192 6s. 6d. (167.2.0; 24.16.0; 0.8.6)

Event Comment: Hamlet [announced on playbill of 18 Feb.] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; CO 3, by Abraham Portal. Larpent MS 445; not published]: The Overture and Music [by Thomas Linley Jun.] entirely new. With New Scenes, Dresses and Decorations. Words of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 19 Feb. 1778: This Day at Three will be published the Songs in The Cady of Bagdad (6d.). Receipts: #180 0s. 6d. (130.9.0; 49.7.6; 0.4.0)

Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Event Comment: Mainpiece: With Alterations [by Thomas Hull]

Event Comment: Mainpiece: With Accompaniments to the Airs composed by Thomas Linley? Sen.. Receipts: #191 10s. (190.1; 1.9)

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Event Comment: Afterpiece: Not acted these 13 years [acted 5 May 1770]. With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan; and new music by Thomas Linley Sen.]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [when it was captured by the British from the Spaniards on 26 Oct. 1779. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. With New Dresses and Decorations. "The scenemen blundered egregiously all through the entertainment. During the siege of the fort so much gunpowder was fired off that the stage was so filled with smoke that the officers, men, were scarcely discernible from the boxes" (London Chronicle, 4 Jan.). Receipts: #203 2s. 6d. (154.7.0;47.17.0; 0.18.6)

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. Receipts: #77 1s. (53.18; 22.11; 0.12)

Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #147 13s. 6d. (107/15/0; 39/18/6; 0/0/0)

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)