SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Earl of Haddington"/1) | (@(roleclean,performerclean) "Thomas Earl of Haddington")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5496 matches on Author, 739 matches on Performance Comments, 468 matches on Event Comments, 298 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Virgin Martyr

Related Works
Related Work: The Virgin Martyr Author(s): Thomas Dekker

Performances

Mainpiece Title: The Virgin Martyr

Related Works
Related Work: The Virgin Martyr Author(s): Thomas Dekker

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Masque

Related Works
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: The Queen's Mask Author(s): Thomas Heywood

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Changeling

Performance Comment: An edition of 1668 lists no actors' names. For an earlier cast, see16600223@1.
Related Works
Related Work: The Changeling Author(s): Thomas Middleton

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Royal Shepherdess

Performance Comment: [Adapted by ThomasShadwell from John Fountain, The Rewards of Virtue.] Edition of 1669: Prologue-; Epilogue-.
Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Performances

Mainpiece Title: The Royal Shepherdess

Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Performances

Mainpiece Title: The Royal Shepherdess

Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Performances

Mainpiece Title: The Royal Shepherdess

Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Performances

Mainpiece Title: The Royal Shepherdess

Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Performances

Mainpiece Title: The Royal Shepherdess

Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Performances

Mainpiece Title: Claricilla

Related Works
Related Work: Claricilla Author(s): Thomas Killigrew

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell

Performances

Mainpiece Title: King And No King

Related Works
Related Work: King and No King Author(s): Thomas Harris

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Performance Comment: [Altered from John Webster, Appius and Virginia, probably by ThomasBetterton.] Downes (Roscius Anglicanus, p. 30): Virginius-Betterton; Appius-Harris; Virginia-Mrs Betterton. [An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.An edition of 1679, with the name of John Webster on the title page, has no prologue, no epilogue, no actors' names.
Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton

Performances

Mainpiece Title: The Roman Virgin; Or, The Unjust Judge

Related Works
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): Thomas Betterton
Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Related Works
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche Debauched Author(s): Thomas Duffett
Related Work: The Queen's Mask Author(s): Thomas Heywood