SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Tho Chapman"/1) | (@(roleclean,performerclean) "Tho Chapman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1350 matches on Performance Comments, 225 matches on Event Comments, 28 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [The play is opened by Mrs Beverley and Charlotte, and when Mrs Siddons came on she was hissed because of a widespread report that she had refused to act for Brereton's benefit in Dublin. "A considerable period of time was lost; it might be forty minutes before the play began . . . We could perceive that the lady supported herself with a great degree of firmness under this very aweful trial--a trial which, in great measure, determined her future fame--perhaps her residence in this metropolis" (Town and Country Magazine, Oct. 1784, p. 510). "The Breretons have used her shockingly--Mrs B. was mean enough to sneak off the stage and leave her to stand the insults of a malicious party tho' she knew the whole disturbance was on her account and that her husband had at least been obliged to contradict the reports that concern'd him" (Betsy Sheridan, Journal, 1960, p. 32). Mrs Siddons explained to the audience that the stories circulated against her were "calumnies." She had, in fact, on 19 Aug., acted Jane Shore in Dublin for Brereton's benefit (Dublin Public Register, 19 Aug. 1784). "Though Mrs Siddons delivered this address with her usual judgment and articulation, and it was received with reiterated bursts of applause, yet she was so agitated when off the stage as to be very near fainting, and continued for some time much flurried" (Public Advertiser, 6 Oct.).] Receipts: #304 5s. (291/13; 12/11; 0/1)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Burton
Event Comment: Benefit for Vestris. Tickets, 10s. 6d. each, to be had of Vestris, No. 8, Great Suffolk-street, Charing-cross. 2nd ballet: With a great Variety of magnificent Scenery and Decorations executed by Gaetano Marinari. [Synopsis of action in Morning Post, 23 Mar.] "Vestris and Baccelli, tho' incomparable in some parts of the art, are far inferior as actors to Lepicq and Rossi... One evident amendment of the Ballet may be compression and curtailment. As it was, the curtain did not drop till twelve o'clock" (Public Advertiser, 25 Mar.)

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertissement Villageois, as17860218, but Sga Angiolini in place of Sga Carolina; End of Opera a Grand Pantomime Ballet in 3 acts, Le Premier Navigateur; ou, La Force de I'Amour (originally composed by Gardel Sen., and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi

Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa Or The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Sidney; Thomas-Wilson; Huntsmen and Sailors-The rest of the Company; Dorcas-Mrs Fowler; Sally-Mrs Sterne.
Cast
Role: Thomas Actor: Wilson

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

Performances

Mainpiece Title: Othello

Cast
Role: Montano Actor: Thompson

Afterpiece Title: Orpheus and Eurydice or The Metamorphoses of Harlequin

Performance Comment: [Edition of 1739 (Tho. Wood) lists the parts: Orpheus, Pluto, Ascalax, Furies, Friends, Harlequin, Pantaloon, Gawkey, Drudge, Taylor, Shoemaker, Drawer, Hostler, Porter, Eurydice, Rhodope, Nymphs, Bacchants, Colombine, Mrs Mannerly, Witch, Frothwell, Maid, Dwarf Woman.]

Performances

Mainpiece Title: At Hay The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Scale-Fawcett; Scruple-Maddocks; Mr Worthy-read byWhitfield; Captain Plume-Wroughton; Captain Brazen-Dodd; Serjeant Kite (1st time; with O! what a charming thing's a battle)-Caulfield; Bullock-Moody; Coster Pearmain-Hollingsworth; Tho. Appletree-Burton; Welch Collier-Suett; Constable-Banks; Sylvia (with a song)-Mrs Jordan; Melinda-Miss Heard (1st appearance in that character); Lucy-Miss Tidswell; Rose-Miss Pope.

Afterpiece Title: The Mariners

Related Works
Related Work: The Mariners Author(s): Thomas Attwood

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940312but added: Mrs Bland. Leader as17940312ART I. God save the King (CORONATION ANTHEMS). He layeth the beams. O had I Jubal's Lyre (JOSHUA). Let me wander (L'ALLEGRO). Gird on thy sword (SAUL). Deeper and deeper; Waft her Angels (JEPHTHA). Let the bright Seraphim, accompanied on the trumpet by Hyde (SAMSON). For unto us (THE MESSIAH). PART II. Ye sons of Israel (JOSHUA). Why do the Nations (THE MESSIAH). What tho' I trace (SOLOMON). Welcome! Welcome! (SAUL). Mad Bess (Purcell). Concerto on the violin by Giornovichi. Pleasure my former ways (TIME AND TRUTH). O magnify the Lord. Tears such as (DEBORAH). Hallelujah for the Lord (THE MESSIAH). PART III. Lord, remember David. Heart the seat of soft delight (ACIS AND GALATEA). He gave them hailstones (ISRAEL IN EGYPT). Why does the God of Israel sleep [SAMSON]. See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .

Performances

Mainpiece Title: The Thespian Panorama Or Three Hours Hearts Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Part II. Fourth concerto of Avison-; Father of heaven-Sga Galli; Sion now her head shall raise-Miss Poole, Master Elliot [Judas Maccabaeus]; Tune your harps-Chorus [Esther]; Tho' pleasure swells-Braham [Mahmoud (Storace)]; Lord of eternity-Chorus; Behold the nations-; O Baal-Chorus [Deborah]; What though I trace-Mme Mara [Solomon]; Gird on thy sword-Chorus [Saul].Saul].

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: As17970315

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Johnston (from the Theatre Royal Edinburgh; 1st appearance on this stage); Lord Randolph-Clarke; Glenalvon-Whitfield; Officer-Thompson; Old Norval-Murray; Anna-Miss Mansel; Lady Randolph-Mrs Crawford.
Cast
Role: Officer Actor: Thompson

Afterpiece Title: The Maid of the Mill

Cast
Role: Sanchio Actor: Thompson
Role: Margaretta Actor: Miss Chapman

Afterpiece Title: Englands Glory

Cast
Role: Sanchio Actor: Thompson
Role: Margaretta Actor: Miss Chapman

Dance: As17971018

Performances

Mainpiece Title: Hes Much To Blame

Cast
Role: Thompson Actor: Davenport
Role: Master of the Hotel Actor: Thompson
Related Works
Related Work: He's Much to Blame Author(s): Thomas Holcroft

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: Abbot Actor: Thompson

Music: As17980214

Event Comment: The King's Company. The date of the premiere is not known, but, as the play was entered in the Term Catalogues, May 1674, a first production not later than March 1674 is likely. In addition, the relatively large number of minor actors suggests that it might be a Lenten performance by the young players of the company. As to the authorship, the title page states: Written by a Person of Honour. On the other hand, Langbaine (English Dramatick Poets, p. 526) reports that he had heard that it was written by Duffett. The second Prologue is in Covent Garden Drollery, 1673, but the fact that it was intended but not spoken does not assist in dating the first performance

Performances

Mainpiece Title: The Amorous Old Woman Or tis Well If It Take

Performance Comment: [The author is not known, but the play has been attributed to ThomasDuffett.] Edition of 1764: Prologue-Major Mohun; [A second Prologue intended but not spoken Honorio-Lydal; Amante-Beeston; Garbato-Eastland; Cicco-Perin; Riccamare-Coysh; Buggio-Chapman; Furfante-Powel; Sanco@panco-Shirly; Constantia-Mrs Cox; Arabella-Mrs James; Clara-Mrs Boutel; Strega-Mrs Corey; Epilogue-.
Cast
Role: Buggio Actor: Chapman
Related Works
Related Work: The Amorous Old Woman; or, 'Tis Well if it Take Author(s): Thomas Duffett

Performances

Mainpiece Title: The Impertinent Lovers Or A Coquet At Her Wits End

Performance Comment: Edition of 1723 lists: Meanwell-Chapman; Freelove-Wilks Jr; Pert-Cibber Jr; Blunt-Harper; Fropish-Evans; Cymaena-Mrs Tenoe; Angleina-Mrs Bret; Emilia-Mrs Lindar; Beatrice-Mrs Davison; Abigail-Mrs Willis; Prologue-; Epilogue-.
Cast
Role: Meanwell Actor: Chapman

Afterpiece Title: Acis and Galatea

Performances

Mainpiece Title: Jane Shore With The Comical Humours Of Sir Anthony Noodle And His Man Waspe

Performance Comment: Noodle-Egleton; King-Huddy; Shore-Oates; Blunderbuss-Orfeur; Sir Robert Brackenbury-Chapman; Jane Shore-Mrs Orfeur; Mrs Blake-Mrs Middleton; Mrs Airs-Mrs Egleton.

Entertainment: Tumbling-. The Company which did so well at bf

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green

Performance Comment: Souse Crown-Egleton; King-Huddy; Rakish-Chapman; Montfort-Orfeur; Arabella-Mrs Orfeur; Widow-Mrs Middleton; Lady Westford-Mrs Egleton.
Cast
Role: Rakish Actor: Chapman

Afterpiece Title: Hob

Entertainment: Tumbling-

Performances

Mainpiece Title: The Drummer

Performance Comment: Truman-Orfeur; Fantome-Chapman; Tinsel-Bridgewater; Vellum-Norris Jr; Butler-West; Coachman-Harper; Gardiner-Norris Sr; Lady Truman-Mrs Orfeur; Abigail-Mrs Gulick.
Cast
Role: Fantome Actor: Chapman

Song: Smugg Upon Tuesday-Mrs Willis

Dance: The Union of the Two Nations, composed by Prince-Houghton, Bridgewater, Mrs Willis, Mrs Houghton

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Norris Sr; Archer-Bridgewater; Aimwell-Chapman; Sir Charles-Williams; Gibbet-Norris Jr; Foigard-West; Boniface-Harper; Mrs Cherry-Mrs Roberts; Countrywoman-Mrs Willis; Mrs Sullen-Mrs Houghton; Dorinda-Mrs Orfeur; Lady Bountiful-Mrs Gulick.
Cast
Role: Aimwell Actor: Chapman

Dance: Houghton, Mrs Willis

Song: A Mimick Song in Praise of the Country Life-Mrs Willis

Performances

Mainpiece Title: Duke And No Duke Or Trapolin Supposd A Prince

Performance Comment: Trapolin-Harper; Duke-Bridgwater; Brunetto-Williams; Alberto-Chapman; Barberino-Roberts; Prudentia-Mrs Houghton; Isabella-Mrs Orfeur; Conjuoro-Orfeur; Flametta-Mrs Roberts; Dustress'd Women-Mrs Willis, Mrs Davison; Puritan-Norris.
Cast
Role: Alberto Actor: Chapman

Afterpiece Title: Hob or The Country Wake

Song: A Quaker's Song-Mrs Willis

Dance: Highland Lilt-Mrs Willis; Running Footman-Houghton; Union Dance-Houghton, Mrs Willis

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Fryar-Harper; Torrismond-Roberts; Bertran-Orfeur; Raymond-Chapman; Pedro-Williams; Alphonso-Norris Jr; Queen-Mrs Gulick; Elvira-Mrs Houghton; Teresa-Mrs Vincent; Gomez-Norris Sr; Colonel-Bridgewater.
Cast
Role: Raymond Actor: Chapman

Dance:

Performances

Mainpiece Title: The Indian Emperor Or The Conquest Of Mexico By The Spaniards

Performance Comment: Cortez-Walker; Montezuma-Leigh; Odmar-Hulett; Guyomar-Ogden; Orbellan-Chapman; Vasquez-Smith; Pizarro-Huddy; Indian Priest-Morgan; Almeria-Mrs Moffet; Alibech-Mrs Plomer; Cydaria-Mrs Purden.
Cast
Role: Orbellan Actor: Chapman

Dance:

Performances

Mainpiece Title: Merlin The British Enchanter Or The Child Has Found His Father

Performance Comment: Sir Nicodemus Nothing-Jubilee Dicky [Norris]; Merlin-Norris Jr; Simon Go To'ot-Oates; Duke of Gloster-Corey; Aurelius-Chapman; Oswald-Marshall; Hermit-Walford; Ostorius-Harrison; Devil-Penkethman; Artesia-Mrs Sterling; Joan Go To'ot-Mrs Orfeur; Lucy-Mrs Vincent; Edol-Wilks Jr; Uter Pendragon-Orfeur; Bussle Head-Chetwood.
Cast
Role: Aurelius Actor: Chapman

Song: Mrs Boman

Performances

Mainpiece Title: Massaniello

Performance Comment: As17250329 but Cardinal-Boheme; Viceroy-Ogden; Mataloni-Hulett; Bissignano-Diggs; Pedro-Huddy; Peppo-Chapman; Belleriza-Mrs Moffett; Comic Parts-Bullock, Spiller, Hippisley, Morgan, Hall, H. Bullock, W. Bullock, Butcher, Norris.
Cast
Role: Peppo Actor: Chapman
Related Works
Related Work: The Famous History of the Rise and Fall of Massaniello Author(s): Thomas D'Urfey

Song: The Original Song: In Praise of Fishing-

Dance: End II: Louvre-Mrs Wall; III: Irish Dance-Newhouse, Mrs Ogden; IV: Chacone-Mrs Bullock; V: Polonese-Lally, Mrs Wall

Performances

Mainpiece Title: Tunbridge Walks Or The Yeoman Of Kent

Performance Comment: Belinda-Mrs Grace , from the Theatre at Dublin, being the first Time of her Appearance on this Stage; Reynard-Milward; Loveworth-Chapman; Woodcock-Ogden; Squib-Morgan; Maiden-W. Bullock; Hillaria-Mrs Morgan; Mrs Goodfellow-Mrs Cook; Penelope-Mrs Rice; Lucy-Mrs Martin.
Cast
Role: Loveworth Actor: Chapman
Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

Afterpiece Title: The Cheats

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway

Song: Two Part Song by the late Mr Henry Purcell-; beginning, And In Each Tract of Glory-Salway, Harrison

Dance: new Comic Dance called% Dame Gigogne-Mrs Anderson; Tollet's Grounds-Newhouse, Mrs Ogden

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Bisket-Bullock; Rains-Ogden; Bevil-Milward; Woodly-Chapman; Clodpate-H. Bullock; Kick-Houghton; Cuff-W. Bullock; Fribble-Morgan; Mrs Woodly-Mrs Vincent; Carolina-Mrs Grace; Lucia-Miss Fenton; Mrs Bisket-Mrs Martin; Dorothy Fribble-Mrs Morgan; Mrs Jilt-Mrs Rice; Peg-Mrs Ogden.
Cast
Role: Woodly Actor: Chapman
Related Works
Related Work: Epsom Wells Author(s): Thomas Shadwell

Song: Salway

Dance: Pelling, Newhouse, Burney, Mrs Anderson; Two Pierrots-Newhouse, Pelling