SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theophilus Cibber"/1) | (@(roleclean,performerclean) "Theophilus Cibber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2731 matches on Author, 1981 matches on Performance Comments, 463 matches on Event Comments, 6 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: [C$Cross suggests The Intriguing Chambermaid as afterpiece, but it is unsupported by the newspapers.] We hear that the Comedy call'd the Pilgrim is now in rehearsal, and will be acted soon, at the theatre Royal in Drury Lane; and that the Secular Masque written by Dryden and set to music by Dr Boyce will be performed with it. The Epilogue which was inserted in our Yesterday's paper, and copied from the Midwife's Magazine, we fine to be imperfect and not genuine, therefore think ourselves under a necessity of asking the Author's pardon. [Hope in a day or two to give it correctly (General Advertiser). Midwife No II, from which it was copied, adds the note: "This Epilogue was taken in shorthand the night I went to see Miss Jenny Cibber play the part of Alicia...Some few mistakes may therefore have happened which the candid reader will excuse and correct."] Receipts: #50 (Cross)

Performances

Mainpiece Title: The Careless Husband

Related Works
Related Work: The Careless Husband Author(s): Colley Cibber

Afterpiece Title: Miss in Her Teens

Dance: II: New Running Footman's Dance, as17501020

Event Comment: The Distress'd Mother deferr'd on account of the Indisposition of Mrs Cibber

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Related Works
Related Work: She Wou'd and She Wou'd Not Author(s): Colley Cibber

Afterpiece Title: Perseus and Andromeda

Event Comment: Sun: 29th Dr Barrowby dy'd suddenly a good friend to ye Actors in Sickness (Cross). [Inspector No 259 appears in Daily Advertiser and London Gazette with a long comparison between actors and various styles of famous painters, Garrick, Barry, Miss Bellamy, Mrs Cibber, Mrs Pritchard, Woodward and Macklin are treated.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Related Works
Related Work: Love's Last Shift; or, The Fool in Fashion Author(s): Colley Cibber

Afterpiece Title: Harlequin Ranger

Event Comment: Benefit for Mrs Clive. Mainpiece: Not acted in seven years [see 7 May 47]. Altered from Dryden by Colley Cibber, Esq. Part of Pit laid into boxes. Amphitheatre on Stage. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Comical Lovers

Related Works
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber
Related Work: The Comical Lovers Author(s): Colley Cibber
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): Colley Cibber

Afterpiece Title: Miss in Her Teens

Song: III: Mattocks

Dance: IV: Mad Auretti

Event Comment: Benefit for Mrs Woffington. Mainpiece: By N. Rowe, Esq. Not acted these 20 Years. [The Young Gentlewoman possibly Miss Condill. See 1 Nov. 1756.] Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate

Performances

Mainpiece Title: Ulysses

Afterpiece Title: The Frenchified Lady Never in Paris

Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Colley Cibber
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Related Works
Related Work: The Lady's Last Stake, or, The Wife's Resentment Author(s): Colley Cibber

Afterpiece Title: Lethe

Dance: IV: New Sailor's Dance, as17560217

Event Comment: CComus is deferr'd on account of Mrs Cibber's indisposition. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Careless Husband

Related Works
Related Work: The Careless Husband Author(s): Colley Cibber

Afterpiece Title: Lilliput

Event Comment: Both pieces by Command of his Royal Highness the Prince of Wales. Mainpiece: Not acted these 10 years [see 8 May 1753]. Written by Beaumont and Fletcher. Afterpiece: Taken from Dryden and Colley Cibber, Poets Laureate. [Lucy was played by Miss Sledge; see 4 Feb. 1757.

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Frenchified Lady never in Paris

Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Colley Cibber
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber

Dance: Poitier, Granier, Lucas, Mlle Capdeville, Miss Hilliard

Event Comment: CColly Cibber dy'd (Cross). Afterpiece: By Desire. On Monday Next will be publish'd as 1s. Isabella, or the Fatal Marriage. A Play alter'd from Southern, as it is now performing at Drury Lane (Public Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Careless Husband

Related Works
Related Work: The Careless Husband Author(s): Colley Cibber

Afterpiece Title: Lethe

Dance: II: The Market, as17571126

Event Comment: MMiss Pritchard did the Lady-Oh! for Mrs Pritchard's Benefit. She advertised Jane Shore, but Mrs Cibber being ill it was changed (Cross). Benefit for Mrs Pritchard. Part of the Pit will be laid into the Boxes. Tickets delivered for Jane Shore will be taken. Mainpiece: From Shakespear. Afterpiece: Never acted there. Receipts: #280 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Frenchified Lady never in Paris

Related Works
Related Work: The Frenchified Lady Never in Paris Author(s): Colley Cibber
Related Work: Marriage a la Mode; or, The Comical Lovers Author(s): Colley Cibber

Song: (BBy Desire,)Cymon and Iphigenia-Beard

Event Comment: MMrs Cibber extremely ill, benefit to have been tomorrow deferred. Her death reported (Winston MS 9) [but see 29 March]

Performances

Mainpiece Title: King Richard Iii

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Capricious Lovers

Event Comment: Benefit for Mrs Ward. Mainpiece: Not acted this season. Afterpiece: A comedy of one act by Mrs Cibber not acted these 12 years. [See 2 May 1753.] None admitted behind Scenes

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Related Works
Related Work: The Rival Queans Author(s): Colley Cibber

Afterpiece Title: The Oracle

Related Works
Related Work: The Oracle Author(s): Susannah Cibber

Dance: III: The Sicilian Peasants, as17641001; End: A Hornpipe-Miss Pitt

Event Comment: By Permission. Benefit for Fearon and Kennedy. Mainpiece: A new Comedy. Afterpiece: A farce altered from Cibber['s comedy of same title]

Performances

Mainpiece Title: The Fair Orphan

Related Works
Related Work: The Rival Fools Author(s): Colley Cibber
Related Work: The Fair Orphan Author(s): Colley Cibber

Afterpiece Title: The Rival Fools

Related Works
Related Work: The Rival Fools: or, Wit at Several Weapons Author(s): Colley Cibber
Related Work: The Rival Fools Author(s): Colley Cibber

Entertainment: II: Dissertation on Hobby Horses-Wilson

Song: Scotch Song-Aitkin, first appearance on that stage

Event Comment: Mainpiece: Written by Colley Cibber, Esq. Receipts: #171 8s. (169.9; 1.19)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Related Works
Related Work: The Lady's Last Stake, or, The Wife's Resentment Author(s): Colley Cibber

Afterpiece Title: Poor Vulcan

Dance: End IV: as17780309

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: Alexander the Little; or, The Rival Queans

Related Works
Related Work: Alexander the Little; or, The Rival Queans Author(s): Colley Cibber
Related Work: The Rival Queans Author(s): Colley Cibber

Dance: End: The Jockies-Ratchford, Platt, Jackson, Mrs Goodwin

Song: End II: song-Incledon; Afterpiece: The Tragedy will be interspersed with Airs, Duets, Glees, composed by Arne, Arnold, Fischer, Dibdin, with a Grand Overture(A Finale, composed by Shield), Triumphal Entry of Alexander-

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Related Works
Related Work: Celadon and Florimel; or, The Happy Counterplot Author(s): Colley Cibber

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Juliet Actor: Mrs Cibber

Afterpiece Title: The Intriguing Chambermaid

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Event Comment: Rec'd by sundry charges made to Mr Theophilus? Cibber more than paid him last season...#58 8s. 5d. Paid Mr Finch for Mr Cibber's creditors the moneys stopp'd out of his sallary for their use #58 8s. 5d. Rec'd of Mr Finch a Bill paid to Forest June 1745 for a Habeus &c for Mr Cibber. Receipts: #91 19s. 6d

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Rape of Proserpine

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Benefit Rogers and Theophilus Cibber. With all the Decorations and Dances proper to the Play

Performances

Mainpiece Title: The Tempest

Dance:

Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood; Or, The Distrest Lovers

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes put together at 5s. [For an account of this performance, see Lord Hervey and his Friends, pp. 156-57. Mrs Theophilus Cibber died on this day.

Performances

Mainpiece Title: The Unhappy Favourite

Dance: Essex, Haughton, Mrs Walter, Miss Robinson

Related Works
Related Work: The Earl of Essex Author(s): Colley Cibber
Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: edition of 1733: Compos'd by Mr Theophilus Cibber, Comedian. The Songs made (to Old Ballad Tunes) by a Friend

Performances

Mainpiece Title: The Albion Queens

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber