SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By a Company of Volunteers. Mainpiece: Written by Mr Otway. [The afterpiece, a pantomime, had been presented at various places in London during the previous year.] At Common Prices, viz. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. 6 p.m

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: A Hint to the Theatres

Event Comment: A Comic Opera (1st time [in London; 1st performed at Rome, 1777]); the Music entirely new, by Anfossi. With new Scenes, painted by Novosielski; new Dresses and Decorations by Sestini, both for the Opera and Dances. By their Majesties Command No Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00, and begin exactly at 7:00 [see 7 June 1785]. Subscriptions are received at Messrs Ransom, Moreland and Hammersley's, bankers, No. 57, Pall-mall; who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-House, are respectfully intreated to send for them, as, in order to prevent future mistakes, no body can be admitted without producing a Ticket

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Flora

Dance: SScottish Dance-Mrs Bullock; Last new Comic Dance-Newhouse, Miss Wherrit

Performances

Mainpiece Title: King Henry The Fourth, Part Ii

Afterpiece Title: The Royal Chace

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Virgin Unmask'd

Dance: SScotch Dance, as17431124; Dance-Cooke

Song: TTo Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Performances

Mainpiece Title: Cymbeline, King Of Britain

Afterpiece Title: The Royal Chace

Cast
Role: Chasseur Royale Actor: Beard

Dance: BBird Catchers-Cooke, Sga Campioni

Event Comment: At Phillips's Great Theatrical Booth, facing the Great Til'd Booth, Bowling Green, To begin at Twelve noon during the time of the Fair. Boxes 2s. 6d. Pit 1s. 6d. Upper seats 6d. [For security Phillips has erected no Gallery. Presumably the Patent Theatres were demanding more rigid enforcement of the Licensing Act as indicated in the notice from the Daily Advertiser 18 Sept.: Whereas the Fair called Lady Fair...in the Borough of Southwark...any person or persons..who person..(who ) shall act and exhibit any Droll or Shew (after 20 Sept.) shall be prosecuted and punished according to Law.'

Performances

Mainpiece Title: The Royal Slave; Or, A Wife For Ye All

Afterpiece Title: The Witch of Endor

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: A Duke and no Duke

Dance: II: Fingalian Dance-Miss Hilliard; End: The Threshers-Leppie, Granier, Mlle Capdeville

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Performance Comment: Principal Characters by Mrs Cargill, Du-Bellamy, Moody, Aickin, Suett, Dodd; Mrs Wells, Mrs Love, Mrs Booth, Miss Wheeler. [Cast from London Chronicle, 30 Oct.: Patie-Mrs Cargill; Roger-Du-Bellamy; Symon-Moody; Sir William Worthy-Aickin; Glaud-Suett; Bauldy-Dodd; Jenny-Mrs Wells; Mause-Mrs Love; Madge-Mrs Booth [not listed in London Chronicle, but see17821016]; Peggy-Miss Wheeler.] hathi. hathi.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: As at bf, but London Prentice-Penkethman; Achmet-Oates; Haly-Parler; Amurath-Boheme; Wantbrains-Wetherell Jr; Selima-Mrs Middleton; Zara-Mrs Willis.
Cast
Role: London Prentice Actor: Penkethman

Dance: Newhouse, Mrs Whllis, Miss Francis, Sandham's Son and Daughter

Song: In Praise of a Country Life-Mrs Willis

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: See17220905, but London Prentice-Penkethman.
Cast
Role: London Prentice Actor: Penkethman.

Song: As17220905; Mrs Willis, Miss Francis, Sandham's Son, Sandham's Daughter

Dance: Mrs Willis, Miss Francis, Sandham's Son and Daughter

Entertainment: For the Diversion of Gentlemen and Ladies, several excellent Entertainments of Dancing on the Ropes and Tumbling-a Company lately arrived from Holland, which never perform'd on Mr Penkethman's Stage before; besides Dancing on the Rope without a Pole-a Youth lately come from France