SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3394 matches on Event Comments, 738 matches on Performance Title, 527 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Afterpiece Title: The Quaker

Performance Comment: The Quaker-Bannister; Lubin-Brett; Easy-Painter; Solomon-Parsons; Floretta-Mrs Brett; Cicely-Mrs Love; Gillian (for that night only)-Miss Sharpe (from the Theatre Royal, Richmond).

Song: End: Hunting@song-Griffin

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Padlock

Performance Comment: Leander-Vernon; Don Diego (1st time)-Gaudry; Mungo-Jennings (from the Theatre Royal, Edinburgh; 1st appearance upon this stage); Ursula-Mrs Love; Leonora-Miss Wright.

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-A Gentleman [unidentified]; Patie-M'Donald; Roger-Barret; Symon-Pentland; Glaud-Riddle; Bauldy-Stewart; Madge-Mr Wilson; Mause-Mr Hamilton; Jenny-Miss Campbell; Peggy-A Young Lady (from the Theatre Royal, Edinburgh [unidentified]); A New Prologue-.

Afterpiece Title: The Students; or, The Humours of St

Song: End IV: Hooly and Fairlyin character-M'Donald

Music: Between the Acts: proper Scotch Music-; a new Scotch Overture-

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.

Afterpiece Title: Comus

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jessamy-Wood; Jenkins-Bannister; Harman-Bowles [From the Theatre Royal in Norwich]; Sir John Flowerdale-Aickin; Lionel-Du-Bellamy; Diana (for that night only)-Mrs Cargill; Jenny-Mrs Wilson; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.

Afterpiece Title: Comus

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Sir William-Webster; Patie-Brown [from the Theatre Royal in Edinburgh]; Roger (with the song of There's my Thumb, I'll ne'er beguile ye)-Stewart; Symon-Middlemist; Glaud-Riddle; Bauldy-Walker; Madge-Mr Wilson; Mause-Mr Rainsford; Jenny-Miss Ramsey; Peggy-A Young Lady [unidentified]; New Prologue-Walker.

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Du-Bellamy; Sir Harry Sycamore-Waldron; Fairfield-Aickin; Mervin-Fawcett; Ralph-Suett (from the Theatre Royal, York; 1st appearance on this stage); Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Collett; Patty-Mrs Cargill (1st appearance in that character).

Afterpiece Title: Queen Mab

Dance: End I: The Butterfly, as17800921; Afterpiece: Dancing, as17800930

Performances

Mainpiece Title: Hamlet

Afterpiece Title: THE CAMP

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons. Bluard-Baddeley; William-Du-Bellamy; Serjeant Drill-Bannister; Nancy-Mrs Wells (from the Theatre Royal, Haymarket; 1st appearance on this stage); Nell-Mrs Wrighten. The other Characters by Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, &c.; Miss Wright, Miss Simson, Miss Collett . Miss Wright, Miss Simson, Miss Collett .

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Mrs Cargill; Peachum-Moody; Filch-Parsons; Lockit-Baddeley; Mat o' th' Mint-Williams; Ben Budge-Burton; Player-Wrighten; Beggar-Waldron; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Hopkins; Jenny Diver-Miss Collett; Diana Trapes-Mrs Love; Polly-Miss Wheeler (from the Theatre Royal, Bath; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Robinson Crusoe

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Performance Comment: As17820605 but Macheath-Miss Kirby (from the Theatre Royal, Edinburgh; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Williamson (from the Theatre Royal, Edinburgh; 1st appearance on this stage); King-Gardner; Horatio-Aickin; Rosencraus-Stevens; Guildenstern-Egan; Polonius-Edwin; Laertes-R. Palmer; Ostrick-Riley (1st appearance in London); Marcellus-Booth; Grave Diggers-Parsons, Massey; Ghost-Bensley; Ophelia-Mrs Bannister; Player Queen-Mrs Poussin; Queen-Mrs Wheatley. Prologue as17830531 .

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

Performance Comment: The Peasant Metamorphosed, as17840430 Hornpipe, as17840430 A Grand Instrumental Concert. The Country Squabble, as17840430 New Pastoral Pas de Deux by Duquesney Jun. and Mlle Constance (from the Theatre Royal, Paris). The Rival Clowns, as17840430, but added: Mrs Dagville; in which Orpheo, as17840430.
Event Comment: [Holman is identified on playbill of 5 Nov. Address by John Barwis (European Magazine, Oct. 1784, p. 336, which also lists name of speaker).] Mainpiece: With new Dresses, Scenery and Decorations. In Act I a Masquerade Scene. [This notice is included in all subsequent playbills.] "This easy and natural performance of Holman . . . will prove a fatal blow to the cause of the Attitudinarians and Face-makers; to those who think dramatic excellence consists in . . . finding out meanings that were never meant ... in stretching out their fingers like monkies dying in convulsions ... in uttering their words like minute-guns at royal funerals" (Public Advertiser, 1 Nov.). "Why does Romeo wear black in the last Act? Is it on account of his banishment? He has not heard of Juliet's death" (Gazetteer, 28 Oct.)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-A Young Gentleman (1st appearance on any stage [Holman]); Capulet-Clarke; Friar Lawrence-Hull; Benvolio-Davies; Prince-Fearon; Paris-Bonnor; Tibalt-Cubitt; Montague-Thompson; Peter-Stevens; Apothecary-Jones; Mercutio-Lewis; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Miss Younge (1st time at this theatre). Before the play an Occasional Address [spoken by Hull] .spoken by Hull] .

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Peachum-Popplewell; Lockit-Connell; Filch-Decastro; Mat o' the Mint-Ingall; Capt. Macheath (for that night only)-Dighton; Mrs Peachum and Diana Trapes-Mrs Jones; Lucy-Mrs Henley; Jenny Diver-Mrs Barnard; Polly-Mrs Woodman (late of the Theatre Royal, Covent-garden). hathi.

Afterpiece Title: The Irish Widow

Dance: In Act III of mainpiece Hornpipe by Fairbrother. vaudeville. End of mainpiece a Scene in a Sporting Club, in which a Variety of Imitations, Vocal and Rhetorical [performers not listed]

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Event Comment: Mainpiece: Written by Wycherley, altered by Garrick, and perform'd very often last season, at the Theatre-Royal, Drury-Lane, with great applause. Afterpiece: Never acted here. Peeping Tom is obliged to be deferred till Monday next

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The King and the Miller of Mansfield

Song: In the course of the mainpiece a plaintive Pastoral Song, unaccompanied by the orchestra, by the Young Lady; End of Monologue a duett from Robin Hood by Price and Miss Phillips

Monologue: 1786 06 28 End of mainpiece Parents and Children; or, The Chimney-Sweeper and Bricklayer by a Young Gentleman (1st appearance on any stage [Gibbons (see 5 and 19 July)])

Event Comment: Afterpiece: Written by O'Keeffe, Author of The Poor Soldier, &c, and perform'd at the Theatre Royal, Hay-Market, with universal Applause

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Agreeable Surprise

Event Comment: Benefit for Miss Phillips. Tickets to be had of Miss Phillips, at the West-End of Dorville's-Row. Afterpiece: Written by O'KeefFe, set to music by Shield, and performed with greatest applause at the Theatre-Royal, Covent-Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Williamson; Myrtle-Davies; Sealand-Aickin; Sir John Bevil-Usher; Cimberton-Parsons; Humphrey-Gardner; Daniel-Wewitzer; Tom-Palmer; Phillis-Mrs Smith (from the Theatre Royal, York [on playbill of 12 July: 1st appearance in London]); Lucinda-Miss Brangin; Mrs Sealand-Mrs Love; Isabella-Mrs Poussin; Indiana-Miss Farren .

Afterpiece Title: Peeping Tom

Song: In Act II of mainpiece song by Miss Burnett

Event Comment: Benefit for Mrs Chambers and Mrs Clarke. Mainpiece: Written by Mrs Cowley, and performed at the Theatre-Royal, Covent-Garden with universal Applause. Never Acted there

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: All the World's a Stage

Song: Between the Acts and after the mainpiece, by Price, Miss Phillips, Mrs Clarke

Event Comment: Benefit for Mr and Mrs Johnston & Miss Williams. Mainpiece: Written by R. Cumberland, Esq., and perform'd at the Theatre-Royal, Drury-Lane, with great Applause. Never acted there. Tickets to be had of Mr and Mrs Johnston & Miss Williams at the Windsor Castle [Inn], Plough and Harrow, Angel, Cock and Magpie, Salutation; and of Waldron, No. 17, Dorville's Row, where places for the Boxes may be taken

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Wrangling Lovers; or, Like Master Like Man

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond-Farren; Colonel Raymond-Pope; Sir Robert Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Holman; Rossetta-Mrs Mattocks; Fidelia-Miss Wilkinson (from the Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Padlock

Performance Comment: Leander-Johnstone; Don Diego-Inchbald (from the Theatre Royal, York [see17860925]); Mungo-Quick; Ursula-Mrs Webb; Leonora-Miss Wilkinson.