SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Dublin"/1) | (@(roleclean,performerclean) "Theatre in Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2521 matches on Event Comments, 411 matches on Performance Comments, 62 matches on Performance Title, 16 matches on Roles/Actors, and 0 matches on Author.
Event Comment: By a Company of Comedians from the Theatres in London. At the Great Room at the Ship Tavern. Stage 2s. 6d. Pit 2s. First Gallery 1s. Second 6d. 6 P.M

Performances

Mainpiece Title: Tamerlane

Dance:

Event Comment: As this Entertainment has been frequently perform'd at another Theatre [CG] (but notwithstanding has been equally Expensive as if entirely New) to oblige the Town, it will, for the future, be perform'd At Common Prices

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Necromancer

Event Comment: With all New Scenes, Machines, and Decorations, as much as the Theatre will admit of

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Carillon de Maitre Gervaise and Dame Alison

Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 12 Dec: Whereas, on Saturday last, the Audience . . . was greatly incens'd at their Disappointment in Mr Poitier and Madem Roland's not Dancing, as their Names were in the Bills for the Day; and Mr Quin, seeing no way to appease the Resentment then shewn, but by relating the real Messages sent from the Theatre, to know the Reasons why they did not come to perform, and the Answers return'd: And whereas there were two Advertisements in the Daily Post of Tuesday last, insinuating that Mr Quin had with Malice falsely accus'd the said Mr Poitier and Madem Roland, I therefore think it (in Justice to Mr Quin) incumbent on me to assure the Publick, that Mr Quin has conducted himself in this Point towards the Abovemention'd with the strictest regard to Truth and Justice; and as Mr Quin has acted in this Affair in my Behalf, I think myself oblig'd to return him Thanks for so doing. Charles Fletewood

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance:

Event Comment: Never Acted before. [By George Lillo.] Prompter, 18 Feb.: And, indeed, the Pulpit seems the properest Theatre for such Representations, and the Clergy, the properest Actors in the Religious Drama. This then, of itself, sufficiently justified the Town in its Reception of this Piece

Performances

Mainpiece Title: The Christian Hero

Event Comment: As 5 March. old Whig, 20 March: In the flourishing State of this Opera [Artaxerxes], 'tis no Wonder that the other Theatres decline. Handel, whose excellent Compositions have often pleased our Ears, and touched our Hearts, has this Winter sometimes performed to an almost empty Pitt. He has lately reviv'd his fine Oratorio of Esther, in which he has introduced two Concerto's on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from bringing him crowded Audiences; tho' there were no other publick Entertainments on those Evenings

Performances

Mainpiece Title: Esther

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17350308 but see17350325 With the Original Prologue, and a new Epilogue recommending the Support of the English Theatre To the Beauties of Great Britain, Both spoken by Mr Cibber .

Afterpiece Title: The Mock Doctor

Dance: In: Drunken Peasant by Le Brun. V: Russian Sailor by Denoyer. End of Afterpiece: Amorous Swain, as17350327

Event Comment: London Daily Post and General Advertiser, 31 March, contains a long article outlining opposition to silencing the theatre in Goodman's Fields

Performances

Mainpiece Title:

Event Comment: As 28 Feb. [For a discussion of the proposed bill to restrain the theatres and the petitions submitted concerning it, see the Journal of the House of Commons, XXII, April 1735, 444-81. See also a discussion of plays in Prompter, 1 April and 4 April, and a discussion of the drama in Universal Spectator, 5 April.]

Performances

Mainpiece Title: David

Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Event Comment: London Daily Post and General Advertiser, 16 May: We hear that Mr Mechlin has sent a Letter to a principal Persons belonging to Drury-Lane Theatre, signifying his great Sorrow, and his Intention to surrender himself next Sessions at the Old Bailey

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Event Comment: Benefit Mr Odell, formerly Master of Goodman's Fields Theatre. Mainpiece: Written by the late Mr Addison

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

Event Comment: London Daily Post and General Advertiser, 4 July: The Patentee of Drury-Lane Theatre has countermanded the Summer Playing; and the Company has received Orders not to proceed, on account of the several New Preparations for the ensuing Winter

Performances

Mainpiece Title: The London Merchant

Event Comment: By a Company of Comedians from both Theatres. At Common Prices. 6:30 P.M

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Dance: By Davenport and Mrs Davenport. V: Minuet by Mrs Charke and Miss Brett. End Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: IV: The Roast Beef Song by Mullart

Event Comment: Benefit Carey. The Bartholomew-Fair Song, sung by Mr Este in the Farce, will be deliver'd gratis at the Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Honest Yorkshireman

Music: As17350715

Dance: Louvre and Minuet by Vallois and Mrs Anderson. Two Pierrots by Vallois and Davenport. Scotch Dance by Mr and Mrs Davenport

Song: English Cantata by a Scholar of Carey's

Event Comment: Daily Advertiser, 18 Aug.: His Royal Highness the Prince, and several Persons of Quality, were present at the Play Love for Love, which was acted at the Theatre upon the Green

Performances

Mainpiece Title: Love For Love

Event Comment: At Lee's Old Theatre on the Bowling Green, behind Marshalsea Prison, down Mermaid Court, next Queen's Arms Tavern. 10 or 11 a.m. to 9 P.M. [Advertised through 16 Sept.]

Performances

Mainpiece Title: The Unnatural Parents

Event Comment: Afterpiece: A New Farce. [By Mrs Charke.] N.B. The Company are oblig'd to remove from the Hay-Market Theatre to York-Buildings, as being too young a Sett of People to venture at great Expences, without first having merited the Favour of the Town to support them in it; but as we are determin'd to the full Extent of our Power, to endeavour to entertain them, we humbly hope they will accept of our Performances. . . . Charlott Charke. Daily Advertiser, 26 Sept.: We hear that Mrs Charke . . . drew Tears from the whole Audience in her Prologue, which she spoke very pathetically; and the new Farce . . . was very much applauded, notwithstanding the impotent Attempts of several young Clerks to raise a Riot, who were for that purpose properly marshal I'd by the cunning Lawyer their Master: Their rude Behaviour was so extraordinary, that several Gentlemen were provok'd to threaten them with the Discipline of their Canes, upon which they thought proper to desist

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Art of Management; or, Tragedy Expell'd

Entertainment:

Event Comment: Benefit Mr Carey, Author of the Honest Yorkshireman. The Song on the Modern Beaux (or Buckle thy Shoes at the Toes) will be printed, and given Gratis at the Theatre

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Honest Yorkshireman

Music: Solo on the German Flute by Buchinger. Se Larco by Buchinger and Charle [music in Daily Advertiser only]

Dance: Pastoral by Castiglione and Mrs Bullock

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Event Comment: Benefit Hyde. Receipts: money #41 3s. 6d.; tickets #69 14s. [In Daily Advertiser, 20 Feb., Hyde had given notice that tickets for the boxes numbered 208-14 had been lost and would not be accepted at the theatre.]

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Devil to Pay

Dance: II: Glover's Scot's Dance. IV: Tambourine by Glover and Miss Rogers. V: French Peasant by Tench and Miss Rogers

Event Comment: Benefit Galliard. The Words of the Incantation will be printed, and deliver'd Gratis at the Theatre. Receipts: money #22 9s.; tickets #31 2s

Performances

Mainpiece Title: Oedipus, King Of Thebes

Dance: French Peasants, as17360223 Harlequin by Mlle De L'Isle. Sailors (from Orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

Event Comment: Benefit Turbutt, Mich. Stoppelaer, Miss Oates. All the Songs will be printed, and delivered at the Theatre Gratis. Admission: 5s., 3s., 2s., 1s. 6:30 P.M

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Generous Free-Mason

Music: A Solo on the Violin by Master Oates, Scholar to Charke

Dance: II: Irish Trot by Master Oates. III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates

Event Comment: The New Theatre by the Pound. [From 4 Aug. to 20 Aug. At 1 P.M. and end at Nine. Sometimes it is called Jones' and Lacey's Company. For a puff, see Daily Advertiser, 9 Aug.]

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France By The English: [in It] A Ballad Opera, Call'd The Amorous Old Widow; Or, I Must Have A Comforter: With The Comical Humours Of The Rival Cowards; Or, The Whimsical Lovers

Music: By a Band of Musick just arriv'd from Naples [9 Aug. and afterwards.]