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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre de Gherardie"/1) | (@(roleclean,performerclean) "Theatre de Gherardie")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4217 results for: Keyword - Theatre de Gherardie
We found 2601 matches on Event Comments, 1042 matches on Performance Title, 779 matches on Performance Comments, 159 matches on Author, and 0 matches on Roles/Actors.

1726
04 January 1745 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Orpheus and Eurydice

1727
11 October 1745 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Pyramus and Thisbe

1728
12 November 1745 @ Goodman's Fields

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Lying Valet

Song: Barlow

Dance: As17451028

1729
01 May 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Anatomist

Dance: II: Wooden Shoe-Master Malter, two Miss Foulcades; III: Dutch Sailor-Mas. Maltere; IV: Les Fantasies de la Dance, as17500428 but-Miss Foulcade; V: Louvre & Minuet-Maltere, Miss Foulcade

1730
16 March 1751 @ Covent Garden

Event Comment: Benefit for Mrs Cibber. Play By Command of Prince & Princess of Wales. Play taken from the French of M de Voltaire. Never acted there before.' Pit and boxes to be laid together, where the Ladies and Gentlemen will be admitted as at the Oratorios. And for the better accommodation of the Ladies the Stage will be form'd into an amphitheatre (with particular care to keep it warm) where servants will be allowed to keep places, as also in the Pit. Ladies send servants by three o'clock

Performances

Mainpiece Title: Zara

Dance: As17500926

1731
13 September 1754 @ Haymarket Theatre

Performances

Mainpiece Title: Mrs Midnights New Carnival Concert Or The Old Womans Oratory

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

1732
01 January 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

1733
18 June 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

1734
29 March 1762 @ Covent Garden

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit or Viscount a la Mode

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

1735
17 February 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Anatomist

1736
16 August 1775 @ Haymarket Theatre

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Mayor of Garratt

Dance: Tambourine Dance-

1737
15 March 1777 @ King's Theatre

Performances

Mainpiece Title: Telemaco

Dance: End I: Serious Ballet, as17770225; End Act II: Les Chasseurs, as17771112, but Mme _Vallouy, Mme Simonet; End Opera: a new Ballet Demi-caractere, +La Clochette-Simonet, Mlle Baccelli, Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

1738
25 March 1779 @ King's Theatre

Performances

Mainpiece Title: Enea E Lavinia

Dance: End I: a new Ballet, Hippomene et Atalante. Hippomene-Simonet, Atalante- Mlle Baccelli, Sg and Sga Zuchelli, Mlle Vidini, Slingsby; End II: a new Ballet, connected with the Opera, +Les Forges de Vulcain. Venus-Mme Simonet, the 3 Graces- Sga Zuchelli, Sga Tinti, Miss Rose, +Cupid- young Miss Simonet, +the 3 Cyclopes- Banti, Zuchelli, LeDet, +Vulcain- Slingsby; With a grand Chorus of the Cyclopes by $Sacchini-

Ballet: End Opera: a new Serious Ballet, La Fete du Ciel. Apollo-Mme Simonet; Flora-Sga Tinti; Zephir-Banti; Iris-Mlle Baccelli; To conclude with a grand Chaconne, in which-Mme Simonet will dance in a Man's Dress

1739
05 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Miss in her Teens

1740
26 September 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Whos the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

1741
20 September 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Dance: Afterpiece: To conclude with a Dance by Henry, Miss Armstrong, the Miss Stageldoirs, &c. [This was danced, as here assigned, in all subsequent performances, but beginning with 1 Dec. Henry is omitted.]

1742
29 November 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Quaker

Music: In Act III of mainpiece an Epithalamium [performers not listed; music by ThomasLinley Sen. (see text). This was included in all subsequent performances]

1743
09 May 1782 @ King's Theatre

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

1744
29 November 1783 @ King's Theatre

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi

1745
21 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: A Fete

Afterpiece Title: Too Civil by Half

Song: End of Act II of mainpiece A Soldier for Me, as17840412

1746
17 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Afterpiece Title: Whos the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Song: In mainpiece an Interlude of

1747
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

1748
06 May 1785 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: The Manager an Actor in Spite of Himself

Afterpiece Title: The Contrivances

Dance: As17850416

1749
13 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague or The Giants Causeway

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

1750
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]