Event Comment: Mainpiece: With additional Music by Reeve. Afterpiece: 1st Time at this Theatre [1st acted at the hay, 2 July 1788]. Receipts: #174 14s. 6d. (158.0.6; 16.14.0)

Event Comment: Account-Book: Present Their Majesties. [Their attendance this night is not indicated on the playbill, but "Though the Royal Command was not communicated to this Theatre till late yesterday morning, and consequently but a small part of the public could have notice of the public could have notice of the intention of Their Majesties to honour the house with their presence, yet it was crouded in all parts" (Morning Herald, 16 Mar.).] Receipts: #347 12s. (344.3.6; 3.8.6)

Event Comment: Mainpiece: In II an Ovation, or, Entry of Coriolanus into Rome. In V A Procession of Roman Matrons to the Volscian Camp. A new Edition of Coriolanus to be had at the Theatre. [Afterpiece in place of The Pannel, advertised on playbill of 29 Mar. Diary, 2 Apr. states that this was Kemble's benefit, but it is not referred to as such on the playbill, in the Account-Book or in Kemble Mem.] Receipts: #377 13s. (333.13; 42.13; 1.7)

Event Comment: Benefit for Quick. 1st piece: Written by Mrs Inchbald. 2nd piece: For that night only. 3rd piece: Written by Foote; 1st time at that Theatre. Morning Herald, 28 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #325 4s. 6d. (152.3.0; 5.10.6; tickets: 167.11.0) (charge: #105)

Event Comment: Afterpiece [1st time; MD 2, by Jeremiah Meyer and William Hayley, "from the German." Larpent MS 941; not published; synopsis of plot in Morning Herald, 18 Apr.]: With new Scenery, Machinery, Dresses and Decorations. The Music selected from Ditteus [i.e. Dittersdorf], Rauzzini and Salieri; the Overture and new Music by Reeve. Book of the Songs to be had at the Theatre. [Mme Carnevale had 1st appeared at king's in 1783.] Receipts: #252 3s. 6d. (242.19.6; 9.4.0)

Event Comment: Paid Poor Rate for the Theatre #21 16s.; Macleish, printer [of the playbills], to 7th Inst. #67 1s. Receipts: #210 13s. 6d. (207.17.0; 2.16.6)

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. In afterpiece the playbill retains Palmer as Petruchio, but "Mr Palmer not coming to the Theatre tonight, I acted Petruchio for him" (Kemble Mem.).] Receipts: #231 14s. 6d. (186.3.6; 40.1.0; 5.10.0; tickets: none listed) (charge: #178 17s. 6d.)

Event Comment: [Mrs Whitlock was from the Newcastle theatre.

Event Comment: 2nd piece: The Characters will be dressed in the Habits of the Times. Books of the Songs to be had at the Theatre. "The Eustache de St. Pierre of Bensley was his Chef d'oeuvre: it suited the sourness of his aspect, his nasal intonation, and the general bluntness of his manner" (Monthly Mirror, 1796, p. 185)

Event Comment: [Uncle, who had appeared at this theatre, as an amateur, 16 Apr. 1792, is identified in MS list in Harvard playbills of new performers for this season.

Event Comment: 2nd piece [1st time; M 3, by--Francis. Perhaps the same as a piece performed under this title at Bath, 20 Nov. 1785]: With new Musick, Scenes, Dresses and Decorations. The new Musick and Overture by Dr Arnold. The Scenery by Rooker. Books of the Songs to be had at the Theatre

Event Comment: Benefit for Mrs Kemble. Mainpiece: Never performed at this Theatre. Afterpiece: Not acted these 4 years. Morning Herald, 28 July: Tickets to be had of Mrs Kemble at Adams's Masquerade Warehouse, Hay-market

Event Comment: Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the Office of the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 21 Nov.]. Receipts: #231 12s. (129.9; 35.14; 3.9)

Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Event Comment: [Miss Grist was from the Newcastle theatre.] Receipts: #294 7s

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Event Comment: Afterpiece [1st time; MD 3, by John Rose, based on Raoul Sire De Crequi, by Jaques Marie Boutet de Monvel]: With new Scenes [by Greenwood (Public Advertiser, 19 Oct.)], Dresses and Decorations. The Music composed principally by Attwood; the rest selected from Mozart and Sarti. Books of the Songs to be had at the Theatre. Morning Herald, 20 Dec. 1792: This Day is published The Prisoner (1s.). Receipts: #217 10s. (128.12; 86.10; 2.8)

Event Comment: Mainpiece: The Overture and all the Music composed by Carter. Words of the Songs to be had at the Theatre. MS annotation on BM playbill (cg, Vol. VIII), 15 Dec. 1792: Mr Hurlstone in full for Just in Time #150. Receipts: #286 3s

Event Comment: [In afterpiece the playbill retains Mrs Goodall as Widow Brady , but as she "was incapable of performing this evening, the Farce should have been changed, for poor Miss Collins was a lamentable Mrs Brady ; before the second act was half over, the greater part of the audience quitted the theatre" (Thespian Magazine, Dec. 1792, p. 150).] Receipts: #169 1s. (129.10; 37.19; 1.12)

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece [1st time; MF 2, by William Pearce]: With new Music, Dresses, &c. The Music composed by Haydn, Sacchini, and Shield. The Scenery by Richards. Books of the Songs [W. Woodfall, 1792] to be had at the The Theatre. Public Advertiser, 20 Apr. 1793: This Day is published Hartford Bridge (1s.). Receipts: #294 17s. 6d

Event Comment: The Careless Husband [advertised on playbill of 8 Nov.] is obliged to be deferred on account of the Indisposition of a Principal Performer. [This was F. Aickin's last appearance in London. Subsequently he acted for several years at the Liverpool theatre, of which he was the manager.] Receipts: #349 11s

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 961; not published; synopsis of plot in Universal Magazine, Nov. 1792, p. 393]: The Scenes entirely new, designed and executed by Greenwood. With new Dresses and Decorations. The Music composed principally by Storace, with a few Pieces selected from Anfossi, Bianchi and [La Bella Pescatrice, by] Guglielmi. Books of the Songs to be had at the Theatre. The Doors to be opened at 5:15. To begin at 6:15 [see 15 Apr. 1793]. "The dialogue of operas now a days is thought of little consequence, and in this instance, the author has certainly strictly adhered to that opinion; however, by the aid of Painter, Composer, Taylor and Performers [The Pirates] will certainly long continue to attract admiration" (Thespian Magazine, Jan. 1793, p. 169). Receipts: #359 10s. 6d. (336.6.6; 23.0.0; 0.4.0)