SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Theatre Royal in York"/1) | (@(roleclean,performerclean) "Theatre Royal in York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3502 matches on Event Comments, 746 matches on Performance Title, 736 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Henderson. Mainpiece: Written by Congreve; and now carefully revised and corrected, by expunging the exceptionable passages. [The playbill assigns Lord Touchwood to Clarke, but on the Kemble playbill his name is deleted; the substitute name has been cut by the binder.] Afterpiece: Contracted into 3 acts. With a Grand Dance, and a Reinforcement of Bayes's Troops [for which, and for a list of the other parts, see DL, 13 Dec. 1777. In the Dancing Banti is announced as making his 5th appearance (see 25 Feb., 5 Mar.)]. Public Advertiser, 2 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. Receipts: #238 9s. 6d. (144/9/6; tickets: 94/0/0) (charge: #105)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Event Comment: Benefit for Aickin. Mainpiece: With a Triumphal Entry of Alexander into Babylon. Public Advertiser, 10 Apr.: Tickets to be had of Aickin, No. 6, York Street, Covent Garden. Receipts: #187 ior. (144/5; tickets: 43/5) (charge: #74 10s.)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The London Cuckolds

Dance: As17820409

Song: End of Act II of mainpiece Auld Robin Grey, as17820409

Event Comment: Benefit for Farren. Public Advertiser, 8 Apr.: Tickets to be had of Farren, No. 13, York-street, Covent Garden. Receipts: #208 4s. 6d. (63/19/0; 15/1J/6; 0/1/0; tickets: 128/9/0) (charge: #65 16s. 11d)

Performances

Mainpiece Title: Othello

Afterpiece Title: Catherine and Petruchio

Dance: As17820302athi

Event Comment: Benefit for Henderson. Public Advertiser, 16 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York Buildings. Receipts: #292 2s. 6d. (166/10/6; tickets: 125/12/0) (charge: #105)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

Event Comment: Benefit for Aickin. Public Advertiser, 10 Apr.: Tickets to be had of Aickin at his house. No. 5, York-street, Covent Garden. Receipts: #255 0s. 6d. (161/16/6; tickets: 93/4/0) (charge: #105)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Rival Knights

Afterpiece Title: The Maid of the Oaks

Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Afterpiece Title: Rosina

Dance: As17841116

Event Comment: Benefit for Mrs Henderson. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. [Prologue by Arthur Murphy {Works, 1786, VII, 369).] Morning Herald, 14 Feb.: Tickets to be had at the house of the late Mr Henderson [see 8 Nov. 1785], Buckingham-street, York Buildings. "The poetical address delivered by Mrs Siddons before the play was written by Murphy, and was so very dull that we will charitably suppose his feelings obstructed the operation of his fancy" (General Advertiser, 27 Feb.). Receipts: #141 9s. 6d. (140/15/0; 0/14/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Three Weeks after Marriage

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Afterpiece Title: Barataria

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister

Event Comment: Benefit for Miss Brunton. Afterpiece: Written by Garrick; Not acted these 12 years [acted 2 Mar. 1776]. Public Advertiser, 26 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #197 17s. 6d. (123.18.6; 5.16.0; tickets: 68.3.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Guardian

Dance: II: a Masquerade Dance-incident to the Play; End: The Indian's Ransom, as17870217

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Alicia was at York, 26 Apr. 1777]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by half past Four o'Clock. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Siddons, Gower-street. [In the interim she changed the play. The Announcement of 27 Apr. advertises Romeo and Juliet, by Kemble and Mrs Siddons, in which play she did not appear until May 1789.] Receipts: #337 16s. 6d. (146.1.0; 8.7.6; 0.14.0; tickets: 182.14.0) (charge: #105 16s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

Event Comment: Benefit for Miss Brunton. Mainpiece: Written by Sheridan. Public Advertiser, 13 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #260 18s. 6d. (156.12.0; 7.1.6; tickets: 87.5.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Poor Soldier

Dance: End: The Irish Lilt-Mr and Mrs Ratchford

Event Comment: Benefit for Mrs Kemble. "Kemble? Sen. performed the Miller...Here and there we could perceive the liberty of the country performer, by saying more than was set down by the author" (Public Advertiser, 27 Aug.). [Address by John Taylor (European Magazine, Sept. 1788, p. 217).] Public Advertiser, 21 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-buildings, Strand

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Election

Afterpiece Title: The Miller of Mansfield

Entertainment: Monologue End 3rd piece: Address (written on the Occasion)-Mrs Kemble

Event Comment: Benefit for Mrs Kemble. 1st piece [1st time; M. PREL 1; at its 2nd performance, 10 Aug., acted under its 2nd title, and published as such]: Written by Thomas? Bellamy. [The Address by--Codrington, of Exeter (European Magazine, Sept. 1789, p. 218).] World, 1 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-Buildings. Diary, 1 Sept. 1789: This Day is published The Benevolent Planters (1s.)

Performances

Mainpiece Title: The Friends Or The Benevolent Planters

Afterpiece Title: The Prisoner at Large

Afterpiece Title: The Devil to Pay

Dance: In: a new dance, Liberty or We Slaves Rejoice-

Entertainment: Monologues End 2nd piece: As17890617 Preceding: An Address to the Humane Society on the Abolition of the Slave Trade in the character of a Negro , by-Kemble; End 3rd piece: Belles have at Ye All-Mrs Kemble

Event Comment: Benefit for Mrs Goodall. Gazetteer, 28 Apr.: Tickets to be had of Mrs Goodall, No. 26, Villers-street, York Buildings. Receipts: #237 7s. (65.19; 35.11; 5.19; tickets: 129.18) (charge: #114 19s. 7d.)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Arthur and Emmeline

Afterpiece Title: The Follies of a Day

Event Comment: Benefit for Mrs Goodall. [Epilogue by John Burgoyne.] Oracle, 15 Apr.: Tickets to be had of Mrs Goodall, No. 16, Villers-street, York-Buildings. Receipts: #262 15s. (102.18.0; 27.1.6; 3.7.6; tickets: 129.8.0) (charge: #112 0s. 3d.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Island of St

Song: As17901124, but Vocal Parts-Mrs Bland

Event Comment: Benefit for Mrs Ward. Oracle, 22 Apr.: Tickets to be had of Mrs Ward, No. 6, York-street, Covent-Garden. Receipts: #82 19s. (56.7.0; 22.18.6; 3.13.6; tickets: none listed) (charge: #115 2s. 2d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Citizen

Dance: End: As17910429

Song: End II: song-Sedgwick

Event Comment: Benefit for Fawcett [who had 1st acted Jemmy Jumps at York, 28 Apr. 1788]. Tickets delivered for The Female Pursuit will be admitted. Morning Herald, 5 May: Tickets to be had of Fawcett, No. 153, Drury-lane, facing Long-Acre. Receipts: #282 4s. 6d. (155.1.6; 6.17.0; tickets: 120.6.0) (charge: #105)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Farmer

Afterpiece Title: The Irishman in London

Song: In 3rd piece: As17920421

Entertainment: MonologueEnd II: [a Jeu D'Esprit[; or, Jerry Sneak's intended Law Suit with the Major-Fawcett; [My] Little Pig lays without any Straw-Fawcett

Event Comment: Benefit for Mrs Ward. Morning Herald, 3 May: Tickets to be had of Mrs Ward, No. 6, York-street, Covent-garden. Receipts: #479 15s. 6d. (106.9.0; 48.1.0; 5.15.0; tickets: 319.10.6) (charge: #158 6s. 3d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Spoild Child

Dance: End: a Dance-

Event Comment: Benefit for Whitfield and Mrs Ward. Afterpiece [1st time; F 2, by-Fernside, for whose authorship see Kemble Mem., based partly on Love's Cure; or, The Martial Maid, probably by Philip Massinger. Incidental music by Richard Suett]. Public Advertiser, 15 May: Tickets to be had of Whitfield, under the Great Piazza; of Mrs Ward; No. 6, York-street, Covent-Garden. Morning Herald, 12 June 1793: This day is published The Female Duellist (1s.). Receipts: #469 13s. 6d. (51.4.0; 33.9.0; 8.4.0; tickets: 376.16.6) (charge: #158 17s. 2d.)

Performances

Mainpiece Title: At Kings A Trip To Scarborough

Afterpiece Title: The Female Duellist

Song: End: As on the pleasant banks of Tweed-Master Welsh

Event Comment: [Mrs Siddons's 1st appearance as Horatia was at York, 10 May 1777. Afterpiece in place of The Wedding Day, advertised on playbill of 14 Nov.] Receipts: #350 11s. (270.10.6; 72.3.0; 7.17.6)

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Devil to Pay

Song: In V: Triumphal Entry of Publius into Rome-; Chorus of Youths and Virgins [composed by Boyce]-Dignum, Master Welsh, Master Gregson, Cooke, Danby, Evans, Lyons, Welsh, Fisher, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dorion, Dorion Jun., Mrs Bland, Miss Leak, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Chatterley, Miss Gawdry, Miss Granger, Miss Menage, Miss Redhead, Miss Stageldoir, Mrs Maddocks

Event Comment: Benefit for Mrs Mountain. 2nd piece: Engagement and Funeral Processionv as 6 May. Morning Herald, 18 May: Tickets to be had of Mrs Mountain, No. 6, York-street, Covent Garden, Receipts: #245 18s. 6d. (89.18.0; 6.15.0; tickets: 149.5.6)

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor

Afterpiece Title: Sprigs of Laurel

Song: In course of 2nd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: Black Eyed Susan-Incledon; Old Towler-Incledon

Music: 3rd piece: With the favorite Overture by Shield for Arrived at Portsmouth-; with a violin and oboe obligato-Mountain, W. Parke

Event Comment: Benefit for Mrs Mountain. [Philipps is identified in Monthly Mirror, Sept. 1796, p. 315. As Mrs Plomer Sga Salvini had 1st appeared at the hay, 12 June 1788.] Afterpaece [1st time; MF 2, author unknown. Larpent MS 1131; not published]: The Music and Overture by Spofforth. Morning Herald, 4 May: Tickets to be had of Mrs Mountain, No. 6, York-street, Covent-Garden. Receipts: #380 18s. 6d. (150.7.6; 5.16.0; 224.15.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Witch of the Wood or The Nutting Girls

Dance: In: The Spanish Fandango-Byrn, Mlle St.Amand; II afterpiece: The Humours of a Country Fair-Holland, Platt, Bayzand, Cranfield, Ratchford, Mrs Lloyd, Mrs Blurton, Miss Smyth, Mrs Watts

Song: End: Sally in our Alley-Incledon

Event Comment: Benefit for Middleton. 1st piece: In IV a Grand Masquerade. True Briton, 7 June: Tickets to be had of Middleton, No. 16, Buckingham-street, York Building. Receipts: #229 11s. (105.18.6; 8.13.0; tickets: 114.19.6)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Waterman

Afterpiece Title: The Honest Thieves

Song: In 2nd piece: The Heaving of the Lead, The Storm-Incledon

Event Comment: Mr Ridgeway, York-street, St. James's Square, having purchased the Copy of Pizarro, begs leave respectfully to inform the Public that this Drama is now in the Press, and will be published on Saturday next at twelve o'Clock. Receipts: #357 13s. 6d. (327.7.0; 30.3.6; 0.3.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: As17990529

Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Performances