SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Richmond"/1) | (@(roleclean,performerclean) "Theatre Royal in Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3393 matches on Event Comments, 762 matches on Performance Title, 700 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Lowe. Afterpiece: A Musical Masque. With new Additions. Books of the Masque may be had at the theatre, Price 6d

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Judgment of Paris

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: Benefit for Verney (Housekeeper). Observations on the Importance of Theatres, with computation of the Sum they might raise by Taxation, published at 1s. Receipts: #300 (Cross)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Tom Thumb

Dance: HHornpipe-Walker

Event Comment: For the Benefit of some Distressed Actors, who formerly belonged to the Theatres. Play to begin at exactly 7 o'clock

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: II: A New Dutch Dance, as17590515; V: Hornpipe-Master Mathews, a child of 5 years of age

Event Comment: To the Printer of the Public Advertiser: Sir, On seeing the Burletta of Galligantus at the little theatre in the Haymarket, I was agreeably surprised to see a performance of the kind carried on in so genteel a manner, no way inferior to any opera; and after the nicest inspection of the whole performance, I have the pleasure to inform the Nobility, Gentry, &c., I found all the performers were English, their Dresses very completely adapted, their voices excellent, and their actions quite genteel and comic, their music charming and set without the assistance of any Foreigner, it being composed by Mr J@@D@@, a Native of Ireland, whose excellency in that art needs no encomium. I am, yours A True Briton

Performances

Event Comment: AA Letter to Garrick on Opening the Theatre, published at 1s. [See 1 Nov. for answer. This is Edward Purdon's 33-page criticism of Garrick, on his repertoire, his personnel and casting, and his secondary position to cg in the matter of decoration.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Ranger

Event Comment: FFoote read part of his The Minor on 9 Nov. 1759 in a course of Comic Lectures and left for Dublin on 10 Nov. (Theatrical Duplicity or, A Genuine Narrative of the Conduct of David Garrick, Esq. to Joseph Reed on his Tragedy of Dido. MS in Harvard Theatre Collection)

Performances

Mainpiece Title: Comic Lectures

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

Event Comment: Receipts: #115 3s. [The Weekly Magazine; or, Gentleman and Lady's Polite Companion (1760), pp. 61-63, deplores the lack of new plays and lack of competition for the Patent houses. "Our theatres seem now to aim at glorious opposition: Harlequin is set against Harlequin, one dancing master opposes another; the scene shifters, the singers, and even the drummers figure at each house by turns, and it is to be hoped soon that the mere actor will become useless....The Fair has scarce even pantomime probability...for instance Harlequin should never exercise his magical power without reason, and should never make escapes without being pursued, but here he conjures, leaps, runs and waggles without any apparent design; and the whole seems destitute of plot, a if contrived by a dancing master. Harlequin's Invasion at the other House is still rather more absurd." The author expected a speaking Harlequin, Pantaloon, Pierot, Mezzetin, &c. but found the customary figures banished for the substitution of a "stupid Taylor and his more stupid wife." Regrets the sinking of stage performance to such absurdity.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Fair

Event Comment: Pit and Boxes to be put together. No Person to be admitted without tickets, which will be deliver'd this day at the Office in the Theatre, a Half a Guinea each. First Gallery 5s. Upper Gallery 3s. 6d. Galleries to be open'd at Half an Hour after Four O'clock. Pit and Boxes at Five. To begin at Half an Hour after Six

Performances

Mainpiece Title: Samson

Music: A Concerto on the Organ-Stanley

Event Comment: Receipts: #224 18s. 6d. Advanc'd to Mrs Ward #20. Paid Sarjant on acct of salary #5; Paid Ridout one third of the surplus of this night's receipt being #144 18s. 6d. than the #80 allow'd for the charge: #48 2s. 6d. This morning I was at Mr Shadwell's for his Orders [for free theatre tickets] & took all my sisters to Covent Garden Gallery to see the Jovial Crew & Rape of Proserpine, which was full of noisy holiday people (Hailey, Brietzcke Diary, Vol. 197, p. 544)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit for Miss Hilliard. Tickets of Miss Hilliard at Mr Pervil's, Auctioneer, upper end of Bow St., Covent Garden; and of Sarjant at the Stage Door of the Theatre, where places for Boxes may be taken. Tickets sold at the Doors will not be admitted. Receipts: #24 2s. 6d. in cash. Charges #64 5s. Deficit to Miss Hilliard #40 0s. 6d., coverd by income from tickets #79 17s. (Boxes 101; Pit 278; Gallery 129). Paid for 7 doz. wax candles at 24s. per dozen #8 8s

Performances

Mainpiece Title: Othello

Afterpiece Title: The Miller of Mansfield

Dance: I: Fingalian Dance-Miss Hilliard; II: Comic Dance-Granier, Miss Hilliard; III: The Milk Maid's Holiday-Miles, Miss Hilliard; End: By Desire, a Minuet-Leppie, Miss Hilliard

Event Comment: The Twenty-Third Day. Daily Advertiser, 18 Aug.: Last Saturday John Sterne was committed to Newgate by Justice Welch, for the Murder of Mr Matthews, an eminent Surgeon in Brook St., Holborn. [Sterne had been an usher in Mathews' Academy, was discharged, but Matthews let Sterne live in Matthews' house for a long time, then expelled him and put his belongings on the stairs. On Friday 15 Aug. Sterne got two pistols and came back to Owen's Coffee House. Here] he waited three Hours for Mr Matthews, who was gone with a Friend to the little Theatre in the Haymarket and afterwards into Company at the Pewter Platter, a publick house in Cross St. [There Sterne shot Matthews.

Performances

Mainpiece Title: The Minor

Event Comment: Calculated for the use and entertainment of the town in general, but particularly the admirers of The Minor, and more especially those who have been present at the humorous representations of that piece. 'The plain roast and boiled of the theatres will never do at this table. We must have huge seasoned ragouts, and rich sauces.' Perhaps I may produce something that may hit your palate--What think you of a Mimick? Vide the Introduction of The Minor. Nothing will be taken under full prices. No admittance behind the scenes. Care will be taken to keep the house cool. To begin exactly at Seven

Performances

Mainpiece Title: Comic Lectures

Event Comment: Never acted there before. [The Death of George the Second prevented the performance of the 25th taking place. The Theatres closed for three weeks--heretofore six weeks. See Remarks on the Minor, with Foote's Answer, Gentlemen's Magazine, Nov. 1760, pp. 502 ff. Opened 17 Nov.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: II: The Colliers, as17601024

Event Comment: Boxes: #38 13s. [During the interim when theatre was closed 21 disbursements were made to tide a dozen actors or servants over, amounting to #32 15s. 2d., and leaving a profitable balance of only #1 8s. 6d. on the books (Account Book). Receipts: #140 12s. 6d. (Account Book).

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Lying Valet

Dance: As17601013

Event Comment: MMaster Leoni's first appearance. Music by Smith. On account of Machinery and music no persons can be admitted behind Scenes or into the Orchestra. Nothing under full prices will be taken. Books of the Entertainment will be sold at the Theatre at 6d. each. The Enchanter, a new Musical Entertainment wrote by Mr Garrick, and set by Mr Smith, very well received.Master Leoni, a Jew, made his first appearance in this piece, and was received with great applause (Hopkins MS Notes)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter; or, Love and Magic

Event Comment: Books of the Entertainment sold at the Theatre at 6d. each. [This notice appears on subsequent bills advertising the Enchanter, and will not be further recorded.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Enchanter

Event Comment: By Authority. 7 p.m. Boxes 5s. Pit 3s. Gallery 2s. The little Theatre was at this time enlargening, it being very small before the alteration, and having but one gallery with the way into the pit at each angle of the front boxes (Memoirs of the Life and Writings of Samuel Foote, Esq. [London, 1777]. Printed for J. Brew)

Performances

Mainpiece Title: Patie And Roger

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: No persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Charges paid by, and receipts gained by Messrs Smith and Stanley. Galleries opened at half past Four. Pit and Boxes at Five. Prices 10s. 6d., 5s., 3s. 6d. Oratorio to begin at 6:30 p.m. Received (Account Book): @368 tickets at 10s. 6d. #193 4s.@410 tickets at 5s. #102 10s.@435 tickets at 3s. 6d. #76 2s. 6d.@1215 persons.@Receipts: #371 16s. 6d.@Charges: #35.

Performances

Mainpiece Title: Judas Maccabaeus

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

Event Comment: Music composed by Dr Arne. Pit and Boxes will be laid together at Half a Guinea, and no person to be admitted without Tickets, which may be had at Dr Arne's in the Piazza next the Church, Covent Garden, and of Varney at the Stage Door of the Theatre. First Gallery 5s. Upper Gallery 3s. 6d. [Information concerning this Oratorio appeared in the Public Advertiser, 23 Feb.. "on Saturday last the New Oratorio called Judith, composed by Dr Arne, to be at Drury Lane on Friday, was rehearsed at the House of a Lady of Quality, where was present a numerous Assembly of the First Distinction, who honoured it with the highest approbation. We are assured that in the Sacred Oratorio, Sg Tenducci has obtained Permission from his Plaintiff, to sing the part which Signora Eberhardi was so obliged as to understudy for him, in Case he could not obtain such Indulgence."

Performances

Mainpiece Title: Judith

Music: A Concerto on the Organ-

Event Comment: Benefit and Increase of a Fund for the support of Decayed Musicians or their Families. The words of the anthems will be given at the theatre. Pit and Boxes Half a Guinea. Gallery 5s. Upper Gallery 3s

Performances

Mainpiece Title: Concert

Event Comment: Mainpiece: Not acted this season. Full Prices. [Sparked by Victor's publication of his History of the Theatres of London and Dublin, 1730 to the Present, a series of articles on the Rise and Progress of the English Stage appeared in the Gentleman's Magazine for May (p. 214 ff); June (p. 264 ff); and July (p. 297).

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Register Office

Performances

Mainpiece Title: The Judgment Of Paris

Song: Several favourite songs consisting of four intervals

Entertainment: Upon the Octagan Square in said Gardens will be displayed the following curious invention in Fireworks, viz. A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public

Performance Comment: A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public.