SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Manchester"/1) | (@(roleclean,performerclean) "Theatre Royal Manchester")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3365 matches on Event Comments, 728 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; MF 2, by the younger George Colman]: To conclude with a View of the Camp near Windsorv. A Military Overture, and the New Musick composed by Dr Arnold. The Scenery painted by S. Whitmore. Books of the Songs to be had at the Theatre. [For Colman's borrowing of the character of Caleb Quotem, see 6 July 1798.

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review; or, The Wags of Windsor

Event Comment: Benefit for Mrs Gibbs. 1st piece: Never acted here. 2nd piece [1st time; M. INT 1. In it the playbill lists Dicky Gossip by Suett, but "Fawcett came forward with an apology, stating that Suett had been suddenly taken ill, and was unable to attend the theatre. The galleries...insisted on Fawcett's singing the song in Suett's stead. Fawcett pleaded his incapacity, and at length, by dint of a little buffoonery and grimace (talents essentially necessary on such occasions) succeeded in a appeasing the tumult" (Dramatic Censor, III, 127)]

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Afterpiece Title: Obi

Event Comment: Benefit for Fawcett. "We were careful to repair to the Theatre at an early hour. But, to see the whole street lined with carriages and blockaded on both sides with pedestrians vainly pressing for admittance, was more than we had anticipated. Hundreds, who had purchased tickets, were under the necessity of returning home, without passing the threshold of the Theatre...Fawcett exerted the whole scope of his abilities, in grateful return for the patronage with which he was so profusely honoured...Whenever Fawcett moves in his proper sphere, as a comic actor, he is never known to fail" (Dramatic Censor, III, 129). Morning Chronicle, 6 Sept.: Tickets to be had of Fawcett, No. 3, Tanfield-court, Temple

Performances

Mainpiece Title: The Review

Afterpiece Title: A Mogul Tale

Afterpiece Title: Obi

Song: End 1st piece: Half and Half (never before sung)-Fawcett; End of 2nd piece: Paddy's Description of Pizarro, as18000829