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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Manchester"/1) | (@(roleclean,performerclean) "Theatre Royal Manchester")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4328 results for: Keyword - Theatre Royal, Manchester
We found 3365 matches on Event Comments, 728 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4151
01 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

4152
14 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: A Gallimaufry

Performance Comment: Consisting of the most approved Songs given at Freemason's Hall and the Theatres. The Waiter-Fawcett; Richmond Primrose Girl-Incledon; The Land of Potatoes-Johnstone; The Storm-Incledon; The days we now possess-Munden.

Afterpiece Title: Crotchet Lodge

Entertainment: Monologue.End: Monsieur Tonson (founded on fact, and recited at Freemason's Hall)-Fawcett

4153
14 May 1795 @ King's Theatre

Event Comment: Benefit for Mme Morichelli. Afterpiece: An Heroic Entertainment in one act, consisting of Songs and Dances with Chorusses, and never performed upon any public Stage, but composed for the private Theatre of a Nobleman at Venice [in 1789]. The words by Count Alexander Pepoli; the music by Cimadoro; the pantomime and dances by Noverre. Tickets to be had of Mme Morichelli, No. 127, Pall Mall

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

4154
20 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for J. D'Egville. Ballet: As composed by Dauberval, and performed at the king's Theatre in the Hay-Market. To conclude with a Grand Display of the Manual Exercise. Morning Chronicle, 8 May: Tickets to be had of J. D'Egville, No. 29, Litchfield-street, Soho. Receipts: #376 9s. (151.16; 45.10; 6.14; tickets: 172.9) (charge: #247 12s. 9d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Alexander the Great

Ballet: Preceding: The Deserter. Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-

4155
09 June 1795 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; PREL 1, by George Colman, ynger. In 1796 the 1st scene was acted as Sylvester Daggerwood]. Morning Chronicle, 3 July 1795: This Day is published New Hay at the Old Market (1s.). Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre

Performances

Mainpiece Title: The Mayor Of Garratt

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: The Battle of Hexham; or, Days of Old

4156
11 June 1795 @ Haymarket Theatre

Event Comment: 3rd piece: The Music by Storace. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The London Hermit; Or, Rambles In Dorsetshire

Afterpiece Title: New Hay at the Old Market

Afterpiece Title: My Grandmother

4157
20 June 1795 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by Thomas Morton]: With new Scenery, Dresses and Decorations. The Overture, Chorusses, and new Musick by Dr Arnold. The new Scenery by Rooker, Marinari, &c. Books of the Songs to be had at the Theatre. Morning Chronicle, 1 July 1795: This Day is published Zorinski (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Zorinski

4158
04 July 1795 @ Haymarket Theatre

Event Comment: Books of New Hay at the Old Market are now published, and may be had at the Theatre

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: Peeping Tom

Afterpiece Title: New Hay at the Old Market

4159
11 July 1795 @ King's Theatre

Event Comment: The Last Night of Performing this Season, and the last Night of Mme Banti's Engagement in this Country [i.e. for the present season; subsequently she appeared at this theatre throughout the next seven seasons]

Performances

Mainpiece Title: Alceste

Dance: As17950430

4160
16 July 1795 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; M. ENT 2, by Samuel James Arnold. Larpent MS 1090; not published]: The new Music, with a Martial Overture, by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: Tit for Tat

Afterpiece Title: Who Pays the Reckoning

4161
25 July 1795 @ Haymarket Theatre

Event Comment: 2nd piece: 2nd Time [the 1st being on 3 Sept. 1794] at this Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Jew

Afterpiece Title: New Hay at the Old Market

4162
18 August 1795 @ Haymarket Theatre

Event Comment: Benefit for Bannister. 1st piece: Not acted these 8 years [acted 1 June 1789]. 2nd piece: Not acted these 2 years [acted 12 Sept. 1794]. The Overture and Musick by Reeve. Books of the Songs to be had at the Theatre. Morning Chronicle, 12 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Purse; or, Benevolent Tar

Afterpiece Title: The Agreeable Surprise

4163
02 September 1795 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MF 3, by Prince Hoare, Author of Prologue-unknown]: With new Scenes, Dresses, &c. The Overture and Musick composed by Storace. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Three and the Deuce

4164
17 September 1795 @ Drury Lane Theatre

Event Comment: Mainpiece: 9th Night [i.e. in continuation of the reckoning for the preceding season]. Places for the Boxes to be taken of Fosbrook, at the Office, Russel Street. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Upper Gallery 1s. 2nd Price 6d. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. An alteration in the Property taking Place in the present Season [i.e. the introduction of two new proprietors], the former Free List of the Theatre necessarily expires. Printed by C. Lowndes, next the Stage-Door. Receipts: #344 17s. 6d. (247.9.0; 95.1.0; 2.7.6)

Performances

Mainpiece Title: First Love

Afterpiece Title: No Song No Supper

4165
01 October 1795 @ Drury Lane Theatre

Event Comment: Afterpiece: The Musick composed, and selected from Cherubini, Kreutzer, and Andreozzi, by Storace. An accurate Edition of Lodoiska to be had in the Theatre. Receipts: #387 5s. (273.12.0; 106.7.6; 7.5.6)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Lodoiska

4166
06 October 1795 @ Drury Lane Theatre

Event Comment: Afterpiece: Never [previously] acted at this Theatre. Receipts: #324 10s. 6d. (227.13.6; 95.17.6; 0.19.6)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Village Lawyer

4167
09 October 1795 @ Covent Garden

Event Comment: Afterpiece: First Time at this Theatre. Receipts: #206 2s. 6d. (200.5.0; 5.17.6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Farm House

Dance: As17951005

4168
22 October 1795 @ Covent Garden

Event Comment: [Miss Gough was from the Crow Street Theatre, Dublin.] Receipts: #188 10s. 6d. (184.8.6; 4.2.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Highland Reel

4169
26 October 1795 @ Drury Lane Theatre

Event Comment: An Accurate Edition of Venice Preserv'd to be had in the Theatre. Receipts: #347 13s. 6d. (268.13.0; 78.14.6; 0.6.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: No Song No Supper

4170
20 November 1795 @ Drury Lane Theatre

Event Comment: [Mainpiece altered by John Philip Kemble.] An Accurate Edition of King Lear to be had in the Theatre. Receipts: #214 19s. 6d. (159.2.6; 54.9.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Village Lawyer

4171
30 November 1795 @ Drury Lane Theatre

Event Comment: An Accurate Edition of Alexander the Great to be had in the Theatre. Receipts: #246 14s. (189.1; 54.11; 3.2)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Peeping Tom

Song: As17951123

4172
12 December 1795 @ King's Theatre

Event Comment: A New Heroic Opera [1st performed at Fontainbleau, 1773], in 3 acts, with Chorusses under the direction of Kelly. The Subscribers and the Public are respectfully entreated to observe that, at the pressing desire of the Subscribers, this Theatre will now be opened, without waiting for the arrival of the Performers expected from abroad; consequently the Entertainments cannot be expected to be so complete as otherwise they would have been if the opening had been delayed until the arrival of all the Company. Pit 10s. 6d. Gallery 5s. The Upper Boxes to be taken by the season or by the night. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 7 June 1796]

Performances

Mainpiece Title: La Bella Arsene

Dance: WithDances by Onorati-

4173
21 December 1795 @ Covent Garden

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

4174
16 January 1796 @ King's Theatre

Event Comment: "The Theatre was extremely crowded on Saturday night. Again the cruel practice of sticking up sentinels on the stage produced an accident. One of the poor fellows, exhausted the position [of] continuing so long motionless, fell down apparently dead, and was carried off. He fell almost at the foot of Mme Banti, on whom the shock was so instantaneous as to disable her for some minutes from proceeding. For this she was very becomingly hissed by some persons, who, if they knew the reason, did not betray much humanity on the occasion...We trust that this degrading and cruel practice of turning men into figures will be discontinued" (Morning Chronicle, 18 Jan.)

Performances

Mainpiece Title: Semiramide

Dance: End Opera: Paul et Virginie- [see17960109]

4175
18 January 1796 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive; or, The Magick Fire