Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Haymarket"/1) | (@(roleclean,performerclean) "Theatre Royal Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
4438 results for: Keyword - Theatre Royal, Haymarket
We found 3465 matches on Event Comments, 729 matches on Performance Title, 485 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1151
17 May 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Lyar

Dance: End IV: The Devonshire Minuet (1st time)-the Miss Stageldoirs (scholars of LeMercier); End: The Butterfly, as17800921

Song: End I: As17810424

1152
17 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Triumph of Mirth

1153
01 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Fortunatus

1154
24 March 1788 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Omai; or, A Trip round the World

1155
02 June 1788 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Afterpiece: For that Night only [it had 1st been acted at the Royalty, 1 Jan. 1788]. The Airs and Chorusses composed by Reeve. End of Act I a Grand Representation of Mount Vesuvius at the time of an Eruptionv. [Mrs Gibbs was from the Royalty.] Receipts: #275 10s. (138.15; 26.19; 5.8; tickets: 104.8) (charge: #115 14s. 6d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

Dance: In afterpiece: Hamoir, Miss J. Stageldoir

1156
31 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Humourist

1157
22 May 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

1158
30 May 1792 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Irishman in London

Dance: II: a Negro Dance-

Song: In afterpiece: As17920421; End: The Group of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue End IV: Jeu D'Esprit, as17920516; Little Pig lays without any Straw-Fawcett

1159
30 December 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: HARLEQUIN PEASANT

1160
24 May 1798 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

1161
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

1162
29 January 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Dance: As17031102

Song: (at the Desire of several Persons of Quality) Singing in Italian- the FamousSigniora Francisca Margarita del'Epine the Musick that accompanies her composed by Signior Giacomo Greber, being the first time of her performing at this Theatre

1163
24 April 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches

Dance: A Scaramouch, a Dutch Boor-a Master lately arriv'd from the Theatre at Amsterdam, being the first Time of his Appearance on the English Stage

Song: As17170204

1164
23 April 1720 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Theatre

Afterpiece Title: The Emperor of The Moon

Dance:

1165
10 October 1720 @ Southwark

Performances

Mainpiece Title: Henry The Fourth, Part I

Afterpiece Title: The Broken Stock-Jobbers; or, Work for the Bailiffs

Dance: Comical Drunken Man-Harper; Also the surprizing and diverting Entertainment of The Italian Shadows which gave such universal Satisfaction last season in the New Theatre-

1166
04 October 1732 @ Goodman's Fields

Performances

Mainpiece Title: The Stratagem

Dance: Vallois and Mlle Vallois, from the Theatre in Paris, Mrs Bullock from lif

1167
14 May 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: I: Scotch Dance-Young Weeks, Scholar to Dupre; III: Masquerade Dance-; IV: Shepherd's Dance-Young Weeks

Song: a G Gentleman for his Diversion; A song, called Goodman's Fields Theatre address'd to the Merchants of the City of London-Excell , written by the Author of Bacchus one day gaily striding

1168
21 May 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Venus, Cupid, and Hymen

Music: Between the Acts: Trumpets, Kettle Drums, French Horns-; With a new Overture (to the Masque) for two Vox Humanes- , a new invented Instrument

Song: II: Mrs Seedo, who never appeared on the stage before; III: (At the particular Request of Seedo's Friends) Signora Margherita (who has not performed on any theatre these 14 years)

Dance: I: Drunken Peasant-LeBrun; IV: The Watteau-Miss Robinson; End Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

1169
21 April 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Contrivances

Dance: II: La Follette c'est Ravize by Tench and Mrs Woodward. V: A new Dance by Delagarde and Mrs Bullock

Song: III: A Song, called Goodman's Fields Theatre, addressed to the City, sung by Excell. IV: In Italian by Miss Jones

1170
03 December 1736 @ Haymarket Theatre

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: A Hint to the Theatres

1171
08 December 1736 @ Haymarket Theatre

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: A Hint to the Theatres

1172
30 May 1737 @ New Wells, Lemon Street

Performances

Mainpiece Title: The Beggar's Wedding

Performance Comment: By a Company of Comedians from the Theatres.

Afterpiece Title: A Hint to the Theatres

1173
20 March 1738 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Toy Shop

Dance: I: Two Pierrots-Nivelon, Lalauze; II: Le Badinage de Provence-Poitier (his first appearance since his accident at the other theatre), Mlle Roland Elder (the first time of her appearance on that stage); III: Les Amours de Polichinelle and Dame Ragonde-Lalauze, Nivelon (in wooden Shoes); IV: The Miller's Jealousy-Poitier, Mlle Roland, Nivelon, Mrs LeBrun; V: Grecian Sailor-Glover

1174
20 April 1741 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin Barber

Dance: I: Concerto-Mlle Mechel; II: Minuet, French Rigadoon-Mechel the Father, who never appeared in any theatre in England, Mlle Mechel the Daughter; Minuet-Mechel the Son, Miss Polly Woffington, the first time of her appearing on the stage; IV: The Metamorphoses of the Windmills-Mechel, Mlle Mechel, Miss Woffington, Master Ferg, a little French Boy; lately come from France. End Afterpiece: A Wooden Shoe dance called Les Sabotiers de Piemont-Mechel Sr, Mechel Jr., Mlle Mechel, little French Boy

1175
31 January 1756 @ Lecture Room, Robin Hood Tavern, near the Temple Bar

Performances

Mainpiece Title: A Dissertation On Various Theatrical Subjects On Theatres