Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Event Comment: Afterpiece: By Particular Desire. Latter end of next month the Theatre Royal, Haymarket, which has been much enlarg'd and Beautified will open with Subs[cription] Jubilee Masque (Winston MS 10). Paid Mr Hopkins, Prompter's Bill, #23 16s.; Mr Calthorpe's 1st payment #157 10s.; Printer's bill #9 6s. (Treasurer's Book). Receipts: #237 (Treasurer's Book)

Event Comment: Afterpiece: By Permssion of the Manager of the Theatre Royal, Haymarket. The Overture and Music by Dr Arnold. Powell: Children in the Wood rehearsed at 10 (Bannister, Dignum, Mrs Powell, Mrs Bland absent); No Song No Supper at 11 (for Starace, Kelly, Leak, Dignum, Sedgwick); Distressed Mother at 12. Receipts: #385 7s. (310/1/6; 64/10/6; 10/15/0)

Event Comment: Afterpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. Receipts: #179 13s. 6d. (169.5.0; 10.8.6)

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. [As afterpiece the playbill announces Oscar and Malvina, but "The Poor Sailor played" (MS annotation on BM playbill, cg, Vol. ix). "The audience were in a violent uproar, at the change from Oscar and Malvina to The Poor Sailor" (Monthly Mirror, Dec. 1795, pp. 122-23).] Receipts: #190 7s. (182.17; 7.10)

Event Comment: Mainpiece: By Permission of the Proprietor of the Theatre Royal, Haymarket. Receipts: #246 2s. (245.13; 0.9)

Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths, formerly of Drury-Lane Theatre. The Doors to be opened at 5:00. To begin at 6:00. Tickets delivered by Griffiths for the 27th of February will be taken. Tickets and Places to be had of Griffiths, at the Theatre, every Morning from 10 till 12. Fires are kept to keep the Theatre warm

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: Written by the celebrated Mrs Eliza Haywood. Not acted these 6 years. Afterpiece [1st time; F 2 (?)]: Written by a Comedian [unidentified. not in Larpent MS; not published]. The above Pieces have been a long Time in Rehearsal, and as no Expense has been spared in procuring respectable Performers from capital Theatres, there is no doubt (as the Comedies have sterling Merit) of their giving Satisfaction to the Audience. The Doors to be opened at 5:15. To begin at 6:15

Event Comment: Benefit Mills. By Command of His Royal Highness. To which (By Command) will be added, The Coronation of Anna Bullen, with the Military Ceremony of the Champion in Westminster-Hall, for the Entertainment of . . .the Prince of Orange, who accompanies his Royal Highness to the Play. [Prince of Wales, Prince of Orange, Princess Caroline present.]

Event Comment: Benefit J. and Ch. Rich. A Farce of Three acts. All in the Characters of the Italian Theatre. Admission 5s., 3s., 2s. [The Prince present. Receipts: #157 12s. 6d.

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Event Comment: By Permission of the Lord Chamberlain. Benefit for Digges. Mainpiece: Never acted here. [Barry had acted King Lear at this theatre on 15 July 1767, and Ross on 18 June 1770.] Afterpiece: Altered into 3 acts

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harricks and Williams. Mainpiece: The Characters to be dressed in the Habits of the Times. [Author and speaker of Address not known.] Tickets delivered for The Wonder will be taken. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had and Places taken of Rice, at the Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Griffiths. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:15. To begin at 6:30. Tickets to be had of Griffiths, No. 3, Southampton-buildings, Holborn; at the Royalty Coffee-house, Well Close Square; King's Arms, Leadenhall-street; Band Coffee-house; Sun-tavern, Foster-lane; Grotto, Southampton-buildings; Angel, St. Giles's; Cock and Bottle, Upper Brook-street; Nag's Head, Carnaby-market; One Tun, St. James's Market; Fox's Coffee-house, Bow-street; the Go, the Jump, and the Finish; and of Rice, at the Theatre

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Event Comment: Mainpiece: In I a Masquerade Scene incident to the Play. [This was included in all subsequent performances.] No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #255 6s. (253.11.6; 1.14.6)

Event Comment: Mainpiece: Never acted at this Theatre. [Under his real name, Snow, Hargrave had 1st appeared at this theatre on 7 Oct. 1791. In mainpiece the playbill assigns Sadi to Knight, but "The part of Sadi, which [Knight] was prevented from appearing in by indisposition, was undertaken by Townsend, who acquitted himself very ably" (Morning Herald, 8 Oct.). Townsend's part as a Muleteer was probably omitted.] Receipts: #128 11s. (125.16; 2.15)

Event Comment: [Miss Andrews' 1st appearance on the stage was at dl on 13 May 1796.] The Publick is respectfully informed that, in consequence of the Benefit advertised for To-morrow, at the Theatre-Royal in Covent Garden, no Entertainments will be given here on that night; it being the wish of the Proprietor of this Theatre to promote, by any means in his power, the success of the above charitable purpose

Event Comment: 2nd piece [1st time; D 3, by Henry Neuman, based on Der Opfertod, by August Friedrich Ferdinand von Kotzebue. Text (R. Phillips, 1799) assigns no parts]. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice, at the Theatre. The Theatre, since the last Season, has been newly Decorated. [Beginning with 19 June the playbill: Printed by T. Woodfall, Drury Lane; on 4 Sept.: No. 104, Drury Lane.] Morning Chronicle, 27 June 1799: This Day is published Family Distress (2s.). Gentleman's Magazine, May 1800, pp. 406-8, prints a letter from "J. B." in which strong exception is taken to Kotzebue in general, and this play in particular. "Theatrical entertainments have an extensive influence upon the manners of Society. When well regulated, and the pieces for representation well selected both as to matter and manner, they may be esteemed friendly to morality, and improvers of public taste. But what shall we say when both these ends are disregarded; when moral virtue is banished from the scene, and purity of taste is destroyed by affected language and pantomimical decorations? Improvements in almost every art and science have been within a few years, rapid and important. But that is not the case with the stage; nor can it be, while Kotzebue and his friends usurp the venerable boards of Shakespeare." The writer then, in sarcastic terms, outlines the plot of Family Distress. [Pope and Miss Chapman were both from cg.