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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Hay market"/1) | (@(roleclean,performerclean) "Theatre Royal Hay market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4681 results for: Keyword - Theatre Royal, Hay-market
We found 3568 matches on Event Comments, 889 matches on Performance Title, 542 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1476
17 May 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The Loyal Protestant, 20 May 1682: May 18. Yesterday his Excellency the Morocco Embassador was entertain'd at His Royal Highness's Theatre with a Play, called, Sir Timothy Treat all. [See also True Protestant Mercury, 17-20 May 1682; Luttrell, A Brief Relation, I, 187; Wilson, More Theatre Notes from the Newdigate Newsletters," p. 59.

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

1477
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

1478
18 November 1766 @ Covent Garden

Event Comment: Mainpiece: Not acted this season. Afterpiece: A New Pantomime (2 scenes excepted). Paid one Year's assurance at the Royal Exchange for #3000 to 15 Dec. 1767, #6. Paid Duke of Bedford's half year's ground rent for theatre due Mich. last #50 minus half year's land tax of #8 6s. 8d.; total #41 13s. 4d. Paid ditto for the New Buildings adjoining the theatre #15 minus half year's land tax of #2 10s. Total #12 10s. (Account Book). [The newness of the pantomime seems, according to the Larpent MS 259, to have consisted in three new songs.] Receipts: #191 7s. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin Dr Faustus

1479
22 February 1791 @ Pantheon, Oxford Street

Event Comment: By Command of Their Majesties. "There were not an hundred persons in the Pit when their Majesties entered, and there were not double the number at any part of the evening. The Royal box being in the centre, fronting the stage, their Majesties were invisible to the Gallery; and on their entrance solemn stillness prevailed, until the Orchestra, for the first time in an Opera-house, for the first time by the Professional Band, Struck up God save the King. Never, we will venture to say, in any Theatre during the present reign, was there so thin an audience when their Majesties were present; and we pretend not to divine the cause. Whether it is the failure of the Theatre as a musical room--the general poverty of the performance--the little notice that was given of their Majesties' intention to be present we know not" (Morning Chronicle, 23 Feb.)

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

1480
06 May 1777 @ Drury Lane Theatre

Event Comment: Benefit for Fawcett, Legg & Kear. Morning Chronicle, 3 May: Tickets to be of Fawcett, Craven Buildings, Drury-Lane; of Legg, Market-street, St James's Market; of Kear, No: 2, Stephen-street, Tottenham Court Road. Tickets delivered for Wednesday the 7th Inst. will be taken. Receipts: #229 1s. (36.12; 10.12; 0.0; tickets: 181.17) (charge: #64 15s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Register Office

Dance: End: Grand Dance, as17770425

1481
20 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore, Miss Tidswell, Miss Barnes & Miss DeCamp. [La Fete Marine was 1st performed at king's, 27 Apr. 1786.] Oracle, 19 May: Tickets to be had of Phillimore, Little Russel-street; of Miss Tidswell, Stanhope-street, Clare Market; of Miss Barnes, No. 23, Clare-street, Clare Market; of Miss DeCamp, No. 64, Tottenham-court-road. Receipts: #41 14s. (27.4; 11.13; 2.17; tickets: none listed) (charge: #108 7s. 2d.)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: End: a new Dance, composed by D'Egville, La Fete Marine, in which introduced La Cossaque et Le Pas Russe-the young D'Egvilles, Miss D'Egville, Miss DeCamp

1482
04 January 1796 @ Covent Garden

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Nottingham Market Actor: Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-

1483
28 May 1798 @ Covent Garden

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Performance Comment: In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith.

1484
07 December 1717 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Fair Example

Performance Comment: Sir Charles-Leigh; Sir Rice-Griffin; Whimsey-Spiller; Springlove-Bullock Jr; Symons-Pack; Fancy-Bullock Sr; Florinda-Mrs Thurmond; Lucia-Mrs Bullock; Flora-Mrs Spiller; Mrs Whimsey-Mrs Rogers; Mrs Furnish-Mrs Kent; Mrs Fancy-Mrs Hays.

Song: Mrs Barbier; particularly Joys Immortal-

Dance: As17171022

1485
16 February 1728 @ Haymarket Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: The young Noblemen of the Westminster School. Julius Caesar-Lord Danby; Mark Anthony-Roberts; Brutus-Master Hay; Cassius-Lord Middlesex; Portia-Lord Dorset's son; Octavius-another of Lord Dorset's sons.

1486
25 March 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Mock Doctor

Performance Comment: Doctor-Cibber; Dorcas-Mrs Clive; Leander-Stoppelaer; James-Mullart; but see DL, 19 Dec. 1733, and HAY, 10 Oct. 1733 . but see DL, 19 Dec. 1733, and HAY, 10 Oct. 1733 .

Dance: I: Dutchman and his Wife by Le Brun and Mrs Walter. III: Two Pierrots by Poitier and Nivelon. IV: Polish Dance, as17340318 but Miss Mann added. V: Revellers

Song: II: By Miss Arne

1487
13 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello (by particular Desire)-attempted by Cibber; Desdemona-Mrs Clive; Emilia-Mrs Butler; Iago-A. Hallam; Roderigo-Mrs Charke; Cassio-Hewitt; Duke-Cross; Lodovico-Turbutt; Brabantio-Boman; Montano-Winstone; Gratiano-Corey, but see HAY, 1 Feb .

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic Medley Overture composed by Charke

Dance: III: By Nivelon and Miss Mann. End of Afterpiece: English Maggot by S. Lally and Mrs Walter

Song: I: A Teneri Affeti by Mrs Cibber and Mrs Barbier. II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier

1488
20 February 1736 @ Haymarket Theatre

Performances

Mainpiece Title: Aesop

Music: Several Solos on the Violin, the whole composed by Mr Petit, who will perform the first Violin

Dance: II: Grand Dance of Warriors by Castiglione, with Flag Dance by Demar, new from Paris. III: Grand Dance of Moors (with new Dresses). IV: The Pastoral (a new comic dance), with Shepherd-Castiglione; Punch-Le Grange; Harlequin-Le Sac; Pierot-Baudoin; Sailor-Shawford, with a Grand Masquerade Dance after the Venetian Manner. V: By Castiglione, with Italian Nigbt Scenes originally performed twenty-years ago by Sorein and Baxter: With Alterations and Additions: Harlequin-De la Hay; Scaramouch-Shawford

Performance Comment: III: Grand Dance of Moors (with new Dresses). IV: The Pastoral (a new comic dance), with Shepherd-Castiglione; Punch-Le Grange; Harlequin-Le Sac; Pierot-Baudoin; Sailor-Shawford, with a Grand Masquerade Dance after the Venetian Manner. V: By Castiglione, with Italian Nigbt Scenes originally performed twenty-years ago by Sorein and Baxter: With Alterations and Additions: Harlequin-De la Hay; Scaramouch-Shawford .

1489
24 March 1736 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Rival Milliners

Performance Comment: Pleadwell-Mrs Talbot; Sukey Ogle-Miss Atherton; Molly Wheedle-Miss Burgess; Mrs Plainstitch-Mrs Egerton, but see HAY, 19 Jan .

Dance:

1490
21 October 1736 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mithridates

Afterpiece Title: Harlequin Shipwreck'd: With the Loves of Paris and Oenone

Performance Comment: Harlequin-Lun Jr; Pantaloon-Dove; Colombine-Mrs Hamilton; Clown-Penkethman; Haymakers-Delagarde, Hays, H. Fayting, Mrs Dove, Miss Hughs, Miss Gerrard; Proteus-Touchbury; Tritons-Vallois, Delagarde, Lesac, H. Fayting; Paris-Kelly; Oenone-Mrs Chambers; Followers-Touchbury, Nichols, Corf, Hussy, Miss Jones, Miss Wilson, Mrs Carter, Miss Thornowets; Myrtillo-Haughton; Amaryllis-Mlle Roland; Shepherds and Shepherdesses-Lesac, Vallois, Delagarde, H. Fayting, Mrs Bullock, Mrs Woodward, Miss Gerrard, Miss Oates.
Cast
Role: Haymakers Actor: Delagarde, Hays, H. Fayting, Mrs Dove, Miss Hughs, Miss Gerrard

1491
17 October 1737 @ Covent Garden

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Necromancer

Performance Comment: See17371007, but Harlequin-Hays (the first time of his appearing on that stage).

1492
19 October 1737 @ Covent Garden

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Necromancer

Performance Comment: As17371007, but Harlequin-Hays.

1493
23 August 1738 @ Bartholomew Fair

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Performance Comment: Harlequin-Hays; Colombine-Mrs Dove; Don Furioso-Bencraft; Diego-Penkethman; Friends of Don Furioso-DelaGrange, LeBrune, Belguard, Mlle DelaGrange, Mlle LeBrune, Mrs Penkethman.

Afterpiece Title: The Country Wedding; or, The Roving Shepherd

Dance: CComic Ballet for Bride-Men and Bride-Maids-DelaGrange, Mlle DelaGrange, LeBrune, Mlle LeBrune, Bencraft, Mrs Penkethman

Music: An extraordinary Band

1494
04 October 1738 @ Covent Garden

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Necromancer; or, Harlequin Doctor Faustus

Performance Comment: Harlequin-Hays; Geniuses-Leveridge, Laguerre, Salway; Helen-Miss Young; Furies-Haughton, Villeneuve, Desse, Richardson, Dupre; Harlequin Man and Woman-Desse, Miss Oates; Pierot Man and Woman-Richardson, Thompson; Mezzetin Man and Woman-Villeneuve, Mrs Bullock; Scaramouch Man and Woman-Dupre, Miss Cantrell; Miller-Bencraft; Miller's Wife-Miss Norman; Doctor's Man-Hippisley.

1495
08 May 1739 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Necromancer

Performance Comment: See17381009, but Harlequin-Hays; Genius-Leveridge, Salway; Helen-Mrs Lampe; Shade-Miss Young; Furies-Richardson, Villeneuve, Thompson, Desse, Dupre; Harlequin Man and Woman-Desse, Miss Oates; Pierot Man and Woman-Richardson, Thompson; Mezzetin Man and Woman-Villeneuve, Mrs LeBrun; Scaramouch Man and Woman-Dupre, Mlle Ozanne; Miller-Bencraft; siller's Wife-Miss Oates; Doctor's Man-Hippisley.

Dance: By Desire, aHornpipe-Yates

1496
23 August 1739 @ Bartholomew Fair

Performances

Mainpiece Title: Harlequin Turn'd Philosopher; Or, The Country Squire Outwitted

Performance Comment: Harlequin-Hays; Colombine-Mrs Dove; Country Squire-Bencraft; Clodpole-Dove.

Afterpiece Title: The Sailor's Wedding; or, The Wapping Landlady

Performance Comment: Wapping Landlady-Mrs Coker; Sailors-Dove, Nichols, Granier, Olbeldiston, Littleton; The Whole to conclude with a Grand Scene of Neptune's Palace: Neptune-Granier; Tritons-Thompson, Olbeldiston, Littleton; Sea Nymphs-Mrs Phillips, Miss Hayes, Miss Gerrard.

Dance: TThe Milk@Maids-; or, The Merry Morrice Dances

1497
05 February 1773 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I, Overture in Artaserse-(Giordani); Songs-Savoi, Sga Carara, Ristorini; Concerto on the Basson-Richter, first time of performing publicly in England; Part II, Songs-Savoi, Sga Girelli, Ristorini, Millico; Concerto on the German Flute-Tacet; Concerto on the Violincello-Crosdill; Concerto on the French Horn-Spandau; Part III, Songs-Sga Carara, Sga Girelli, Millico; Concerto on the Hautboy-Fischar; Solo on the Violin-Hay; a favourite overture for two orchestras composed by Bach. a favourite overture for two orchestras composed by Bach.

1498
20 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Sheep Shearing; Or, Florizel And Perdita

Performance Comment: Polixenes-Bensley; Florizel - HAY Bannister Jun.; Leontes-Williamson; Camillo-Usher; Old Shepherd-Massey; Clown-Wilson; Autolicus (with songs)-Edwin; Paulina-Mrs Poussin; Dorcas-Miss Hale; Mopsa-Miss Morris; Pcrdita (with songs)-Mrs Bannister .

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Genius of Nonsense

Monologue: 1783 08 20 As 13 Aug. imitations. After the Monologue a Variety of Imitations, Vocal and Rhetorical, by Bannister Jun

1499
22 April 1785 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus (1st time)-Farren; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Brett, Darley, Davies; Sabrina-Mrs Morton; The Lady-Mrs Bates; Principal Bacchant and Euphrasyne (with Sweet Echo, accompanied on the oboe by W. Parke)-Mrs Martyr; Pastoral Nymph (with Noon-tide Air)-Mrs Pinto, formerly Miss Brent (1st appearance on this stage these 10 years [recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .

Song: As17850405

1500
07 May 1785 @ Covent Garden

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, by John Dent. On 16 Aug. acted at HAY under its 2nd title]. 2nd piece: As altered in 3 acts by Garrick. [Kean was from the HAY.]

Performances

Mainpiece Title: The Lawyers' Panic; Or, Westminster Hall In An Uproar

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Devil upon Two Sticks

Song: End of Act I of 2nd piece The Twaddle by Wilson. imitations. End of Act II of 2nd piece a great variety of Imitations by Kean (1st appearance on this stage)

Monologue: 1785 05 07 End of 2nd piece Joe Haynes's Epilogue, riding on an ass, by Wilson