SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Crow Street in Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal Crow Street in Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4551 matches on Event Comments, 828 matches on Performance Title, 705 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; P 2, author unknown. MS not in Larpent; synopsis of action in Public Advertiser, 8 and 9 Jan.]: With new Scenes, Dresses and Decorations. To conclude with a Representation of the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Music partly new [by William Shield, with overture by Carl Friedrich Baumgarten] and partly compiled from the best Masters. The Scenes designed and executed by Greenwood. Nothing under Full Price will be taken. Books of the Pantomime to be had at the Theatre. Account-Book, 4 June: Paid the Author of Harlequin Junior a Compliment on the Success #30. Receipts: #261 5s. 6d. (257/10/0; 3/8/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Conscious Lovers

Afterpiece Title: Harlequin Junior; or, The Magis Cestus

Song: In Act II of mainpiece a song by Miss Phillips

Event Comment: Books of the Songs [in afterpiece] to be had at the Theatre. Receipts: #192 14s. (184/4/6; 8/9/6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Agreeable Surprize

Event Comment: The Duenna [announced on playbill of 13 Jan.] is obliged to be deferred on account of the Indisposition of a principal Performer. Books of the Songs [in afterpiece] to be had at the Theatre. Receipts: #154 19s. (149/13; 5/6)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Son-in-Law

Event Comment: Afterpiece: In which will be introduced, for the First Time in any Theatre, a Real Air Balloon [see 7 Feb.]. Receipts: #160 2s. (156/0; 4/2)

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: Harlequin Rambler

Event Comment: The Real Air Balloon [see 3 Feb.] having been found, in the confined Air of a Theatre, to be not only very offensive, but in a Degree dangerous, it cannot be again exhibited. Receipts: #145 13s. (141/17; 3/16)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Retaliation

Event Comment: Afterpiece [1st time; MF 2, by Harriet Horncastle Hook]: The Overture and Music entirely new, composed by Hook. Books of the Songs, &c. to be had at the Theatre. "After four Hours sitting at Hamlet, and Half an Hour more at Miss Hamoir's Ballet, we were cheered indeed by the Overture to the Double Disguise" (Public Advertiser, 11 Mar.). Morning Chronicle, 20 Mar. 1784: This Day is published The Double Disguise (1s.). Receipts: #167 12s. 6d. (116/8/0; 50/19/6; 0/5/0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Double Disguise

Dance: End of mainpiece a new Comic Ballet, The Return of the Hunters, by Mr and Miss Hamoir. [Beginning with the 3rd performance, on 11 Mar., this was entitled The Sportsmen's Return.]

Event Comment: Serenata: Composed by the late Dr Arne, with Alterations and additional Chorusses from the Doctor's own Manuscripts. Books of the Serenata to be had at the Theatre

Performances

Mainpiece Title: Eliza

Music: As17840303athi

Event Comment: Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. The intended Prelude [The Election of the Managers (see 2 June)] is obliged to be postponed. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.]

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpicce a new dance, The Medley, by Master Giorgi, Miss Byrne and others (their 1st appearance)

Event Comment: Benefit for Brereton, Beeston, Longley & Colley. Tickets delivered by Robson, Stephenson, Robinson, Varley, Small wood, Partridge, Shirley, Shuter, Pilbrow, Turtle, W. Ansell, Hall will be admitted this Evening. Tickets sold at the Doors will not be admitted. [This was Whitsun Eve, on which night the theatre was customarily closed.] Receipts: #242 17s. (29/17/6; 3/9/6; tickets: 209/10/0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: RosiNA

Event Comment: The last Night of the Company's performing this Season. Account-Book, 3 June: Paid Lewis in full his Salary as Acting Manager #200; 23 June: Received of Their Majesties for this Season #50; 28 June: Paid Hull in lieu of a Benefit #100; 30 June: Paid Harris for his trouble in superintending the Theatre #500; Paid Cooper, printer, #433 9s. Receipts: #227 6s. 6d. (223/5/9; 4/1/6)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Poor Soldier

Dance: End of mainpiece Malbrough, as17840508

Monologue: 1784 06 02 After the Dance an Address, not listed on playbill, written and spoken by Mrs Abington (London Chronicle, 5 June)

Event Comment: By Command of Their Majesties. Afterpiece: The Overture and new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Dance: As17840528

Event Comment: [Extra night] Benefit for Wild. Wild respectfully informs the Public, on account of the Loss he sustained by his former Night [see 17 May], the Managers of Covent Garden and Hay-market Theatres, as well as the several Performers, have granted him their free Assistance. Receipts: none listed

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Comus

Dance: End of Act III of mainpiece Dance by Byrne and Mrs Goodwin; End of Act IV Dance by Harris and Miss Besford

Song: In afterpiece Sweet Echo, as17840323but accompanied by Foster

Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

Event Comment: Mainpiece [1st time; co 3, by George Colman, the younger. Prologue by George Colman, the elder (Colman, Prose, III, 252)]: The new Airs, and a New Overture by Dr Arnold. Books of the Songs to be had at the Theatre. [One of the songs, beginning "Adzooks, old Crusty," sung by Edwin, is set to the tune of Yankee Doodle, and in the musical score (Harrison, 1784) it is so entitled. This is believed to be the first time this song, as it is now sung, appeared in print.]

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Tobacconist

Event Comment: Mainpiece [1st time; CO 3, by Thomas Holcroft]: The Music composed by Shield. With New Scenes, Dresses, and Decorations, and a new Overture. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Aug. 1784: This Day at Noon will be published The Noble Peasant (price not listed)

Performances

Mainpiece Title: The Noble Peasant

Afterpiece Title: The Guardian

Event Comment: Mainpiece [1st time in London; T 3, by William Hayley, 1st acted at Chichester, late in May 1784. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder (European Magazine, Aug. 1784, p. 165). Contrary to the usual custom on the 1st night of a new play, the parts on this occasion are assigned]. "Palmer had done with Lord Russel as he did with many other characters, that is, totally neglected to study the words of the part . . . Whenever he felt himself at a loss he dexterously introduced some passages from The Earl of Essex, which he contrived to fit into the cues received by Lord Russel." His brother, R. Palmer, who told this anecdote to Boaden, said that the audience suspected nothing amiss (Boaden, Kemble, I, 193)

Performances

Mainpiece Title: Lord Russel

Afterpiece Title: The Agreeable Surprise

Event Comment: [By Permission of the Lord Chamberlain.] Benefit for the Author. The 4th and Last Night. Account-Book, 7 Aug.: Received from Dr Stratford use of the Theatre 4 Nights at #28 a night, #112

Performances

Mainpiece Title: Lord Russel

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by William Hayley. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder. Epilogue by Edward Topham (Gazetteer, 13 Sept., which also gives the names of the speakers). The parts are assigned (see 18 Aug.)]: A new Comedy, in Rhyme

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Event Comment: [In mainpiece the playbill assigns Fulmer to Baddeley, but in the Kemble playbill his name is deleted; the substitute name has been cut by the binder.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Theatre. The Doors will be opened at 5:30. To begin at 6:30 [see 8 Nov.]. Receipts: #131 10s. 6d. (91/18/0; 39/12/6; 0/0/0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: ATrip to Scotland

Dance: End of mainpiece The Sportsmen's Return by Mr and Miss Hamoir; Afterpiece: With a Postillion Dance (performers not listed)

Event Comment: Afterpiece: To conclude with the Repulse of the Spaniards before the Rock of Gibraltar [on 13 Sept. 1782; this was included in all subsequent performances]. The Scenes designed and executed by Greenwood. [Public Advertiser, 20 Dec, adds: The Overture by Baumgarten. The New Music and Accompaniments to the adapted Airs by Shield. Words of the Songs to be had at the Theatre.] Receipts: #164 2s. (106/13; 57/8; 0/1)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

Dance: End of Act IV of mainpiece The Sportsmen's Return, as17840916

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Farren (1st appearance at this theatre); Roderigo-Bonnor; Cassio-Davies; Brabantio-Hull; Lodovico-Cubitt; Montano-Thompson; Duke-Booth; Gratiano-Fearon; Iago-Henderson; Emilia-Mrs Bates; Desdemona-Miss Ranoe .

Afterpiece Title: Harlequin Rambler

Event Comment: Benefit for the Widow and Children of the unfortunate Mr Linton, late of this Theatre. [Linton, a musician belonging to the CG band, had been attacked and killed by footpads on 8 July.] "The band were all dressed in mourning, suited to the occasion, and are entitled to their share of applause" (Public Advertiser, 30 Sept.). Afterpiece: Not acted these 4 years

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Henderson (1st appearance in that character); Cloten (1st time)-Quick; Cymbeline-Fearon; Pisanio-Hull; Bellarius-Clarke; Guiderius-Farren; Arviragus-Davies; Caius Lucius-Cubitt; Philario-Thompson; Iachimo-Wroughton (1st appearance in that character); Queen-Miss Piatt; Helen-Mrs Poussin; Imogen-Miss Younge (1st time of her performing it at this theatre) .

Afterpiece Title: Midas

Dance: End of Act III of mainpiece Pastoral Sports, as17840922

Song: In Act II of mainpiece a song by Mrs Martyr

Event Comment: Afterpiece [1st time; MF 2, by Mark Londsale. Prologue by the author {London Chronicle, 10 Nov.)]: The Overture, new Airs and Accompaniments composed by [Thomas] Linley [Sen.]. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1784: This Day is published The Spanish Rivals (1s.). Receipts: #160 2s. 6d. (104/12/0; 54/18/0; 0/12/6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir