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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Grand Jury of London"/1) | (@(roleclean,performerclean) "The Grand Jury of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3284 results for: Keyword - The Grand Jury of London
We found 1949 matches on Performance Title, 1108 matches on Event Comments, 735 matches on Performance Comments, 1 matches on Author, and 0 matches on Roles/Actors.

101
05 May 1774 @ King's Theatre

Event Comment: The Balletto to conclude with a Grand Chaconne of M. LeBreton's, first composer of the Opera at Paris

Performances

Mainpiece Title: Antigono

Dance: I: Ballet-Mariottini, Nina Favier; II: La Bagatelle-Bocchini, Sga Mazzoni; End of Opera: Grand Serious Ballet, L'Embarass du choix-Fierville, Nina Favier

102
03 December 1774 @ King's Theatre

Event Comment: A New Serious Opera. The Music antirely new composed by Corri. [Libretto by Mestastasio.

Performances

Mainpiece Title: Allesandro Nell'india

Dance: I: New Pastoral Ballet, as17741119; Pas Deux is omitted II: Grand Ballet, Silvie ou les Nymphes de Diane-S. Vallouis, Mlle Vallouis; End Opera: New Ballet-; in which will be introduced a Grand Chaconne-Mlle Bacelli

Performance Comment: Vallouis, Mlle Vallouis; End Opera: New Ballet-; in which will be introduced a Grand Chaconne-Mlle Bacelli.
Cast
Role: in which will be introduced a Grand Chaconne Actor: Mlle Bacelli.
Role: A Grand Dance of Furies Actor: incident to the Opera.

103
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-West; Hephestion-Russell; Lysimachus-Smith; Cassander-Comerford; Polyperchon-Jones; Perdiccas-Johnson; Thessalus-Dancer; Aristander-Thomas; Eumenes-Brown; Clytus-Lewis; Roxana-Mrs Wilks; Sysigambis-Mrs Ross; Parisatis-Miss Taylor; Satira-A Gentlewoman [unidentified].unidentified].
Cast
Role: Thessalus Actor: Dancer

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Performance Comment: The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell.
Cast
Role: The Painter's Art">i>The Painter's Art Actor:

104
17 January 1778 @ Drury Lane Theatre

Event Comment: Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalryv. [This was included in all subsequent performances.] With new Dresses, and the Scenery entirely new painted. [Miss Simson is identified by MS annotation on Kemble playbill.] Receipts: #226 6s. 6d. (204.10.0; 21.12.0; 0.4.6)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Dance: [the following new Dances composed] by Gallet:I: [a Dance of Cupids-; IV: [a Dance of Daemons-; to conclude: Grand Ballet-Henry, Miss Armstrong, Mlle Dupre. [These were danced, as here assigned, in all subsequent performances.

Performance Comment: [These were danced, as here assigned, in all subsequent performances.]

Music: Mainpiece: With a New Overture, and additional Airs, Chorusses-; the whole of the Music composed by Michael Arne

105
04 April 1778 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3, librettist unknown]. With grand chorusses; the Music entirely new by Johann Christian? Bach

Performances

Mainpiece Title: La Clemenza Di Scipione

Dance: End I: Divertisement, as17780207; End Opera: new grand Serious Ballet, Les Amans unis par l'Hymen-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet

Song: II: an air-Sga Danzi; [accompanied on the violin-Cramer; violoncello-Cervetto; German flute-Florio; hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

106
22 January 1780 @ King's Theatre

Event Comment: A new Serious Opera, with Grand Chorusses; the Music entirely new by Bertoni

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II:new Ballet, Demi-caractere, La Bergere Coquete; ou, Le Triomphe de L'Amour-Favre Guiardele, Mme Simonet, Sga Tantini, young Miss Simonet, Slingsby; End Opera: Serious Ballet connected with the Opera,-Favre Guiardele, Sg and Sga Zuchelli, Mlle Baccelli (1st appearance this season); in which a Grand Chaconne-

Song: III: song-Mme LeBrun; accompanied on the hautboy-LeBrun

107
15 March 1781 @ King's Theatre

Event Comment: Benefit for Mme LeBrun. Tickets to be had of Mme LeBrun, No. 36, Great Suffolk-street. "In the year 1781, Pacchierotti had been heard so frequently, that his singing was no impediment to conversation, or even to animated narrative and debate; but while the elder Vestris was on the stage, if during a pas seul, any of his admirers forgot themselves so much as to applaud him with their hands, there was an instant check put to his rapture by a choral hu-sh! For those lovers of music who talked the loudest when Pacchierotti was singing a pathetic air, or making an exquisite close, were now thrown into agonies of displeasure, lest the graceful movements du dieu de la dance, or the attention of his votaries, should be disturbed by audible approbation" (Burney, II, 893)

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II Grand Serious Ballet, as17801216, but Mlle _Baccelli, Mme Simonet; with a +Pas@Solo-Vestris Sen.; accompanied with the oboe-LeBrun; a Pas de Deux-Vestris Sen., Mme Simonet; to finish with a Grand Chaconne-Vestris Jun.; End Opera: The Rural Sports, as17810123

Performance Comment: ; accompanied with the oboe-LeBrun; a Pas de Deux-Vestris Sen., Mme Simonet; to finish with a Grand Chaconne-Vestris Jun.; End Opera: The Rural Sports, as17810123. End Opera: The Rural Sports, as17810123.
Cast
Role: accompanied with the oboe Actor: LeBrun
Role: to finish with a Grand Chaconne Actor: Vestris Jun.

Music: II: a concerto on the piano forte-Mme LeBrun

Song: a song by LeBrun-Mme LeBrun; accompanied with the hautboy-

108
02 April 1782 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Tom Thumb

Dance: End of mainpiece a new Grand Divertisement, The Gala. The Minuet and Allemande by Aldridge and Miss Besford; the Quadrilles and Cotillons by Harris, Langrish, Dumay, Ratchford, Miss Matthews, Miss Rowson, Mrs Ratchford, Miss Francis, and others; The whole to conclude with a Grand Figure by all the Characters

Performance Comment: The Minuet and Allemande by Aldridge and Miss Besford; the Quadrilles and Cotillons by Harris, Langrish, Dumay, Ratchford, Miss Matthews, Miss Rowson, Mrs Ratchford, Miss Francis, and others; The whole to conclude with a Grand Figure by all the Characters .

109
27 March 1784 @ Covent Garden

Event Comment: Benefit for Mrs Bannister. Mainpiece: Never acted here. The Music by Dr Arne. With a Grand Procession of the different Orders of the Knights of Chivalry. Public Advertiser, 6 Mar.: Tickets to be had of Mrs Bannister, No. 6, Great Russel-street, Covent Garden. Receipts: #252 8s. 6d. (177/14/6; tickets: 74/14/0) (charge: #105)

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

110
10 May 1784 @ Haymarket Theatre

Performances

Mainpiece Title: [entertainments Of Music And Dancing] A Grand Symphony By The Celebrated Band Of The Opera House

Performance Comment: The Peasant Metamorphosed, as17840430 Hornpipe, as17840430 A Grand Instrumental Concert. The Country Squabble, as17840430 New Pastoral Pas de Deux by Duquesney Jun. and Mlle Constance (from the Theatre Royal, Paris). The Rival Clowns, as17840430, but added: Mrs Dagville; in which Orpheo, as17840430.

111
12 April 1792 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Not acted these 3 years. In IV a Grand Banquet. Morning Herald, 28 Mar.: Tickets to be had of Holman at his chambers, No. 14 John-street, Adelphi. "There is a deficiency in the length of [Holman's] upper lip that continually exposes his teeth to the audience...He has a method of hurrying over the latter part of a sentence, as if to give it more effect, but in reality destroys the intention and solemnity of the scene" (Candid Strictures,45-46). Receipts: #280 11s. 6d. (188.10.6; 3.16.0; tickets: 88.5.0) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-Holman (1st appearance in that character); Lysimachus-Farren; Hephestion-Davies; Cassander-Cubitt; Polyperchon-Macready; Thessalus-Evatt; Clytus-Aickin; Statira-Mrs Merry; Sysigambis-Mrs Platt; Parisatis-Miss Chapman; Roxana-Mrs Pope.
Cast
Role: Thessalus Actor: Evatt

Afterpiece Title: Modern Antiques

Song: II: Grand Triumphal Entry of Alexander into Babylon-; Vocal Parts-Johnston, Incledon, Darley, Cubitt, Marshall, Gray, Rock, Rowson, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Taylor, Mrs Lloyd, Mrs Martyr; End: Wine cannot cure the Pain I endure-Johnstone, Incledon; with new Accompaniments by Shield-

112
23 April 1793 @ King's Theatre

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performance Comment: Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet.
Cast
Role: Priestesses Actor: the Corps de Ballet.

113
12 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (OCCASIONAL ORATORIO). Shall I in Mamre's fertile; For all these mercies (JOSHUA). Ye Men of Gaza (SAMSON). O filial Piety; No, cruel Father (SAUL). When his loud voice (JEPHTHA). Lord, what is man (SEMELE). Total Eclipse; O first created beam (SAMSON). O worse than death; Angels ever bright (THEODORA). Fixed in his Everlasting seat (SAMSON). PART II. Eleventh Grand Concerto. As when the Dove (ACIS AND GALATEA). Tyrants would (ATHALIA). O sleep (SEMELE). O had I Jubal's lyre (JOSHUA). It must be so; Pour forth no more; No more to Ammon's (JEPHTHA). Lord remember David (SOSARME). O God who in thy Heeav'nly band (JOSEPH). PART III. Ye sons of Israel (JOSHUA). Honor and Arms (SAMSON). See the conq'ring Hero comes (JUDAS MACCABAEUS). Why does the God of Israel sleep (SAMSON). What passion, accompanied on the violoncello by C. Ashley (DRYDEN'S ODE). Then round about the starry throne (SAMSON). Mad Bess by Mme Mara (Purcell). Gird on thy sword (SAUL). To conclude with God save Great George our King and Rule Britannia .
Cast
Role: Leader of the Band Actor: G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest
Role: Organ Actor: J. Ashley. PART I. Zadock the Priest
Role: He smote all the first Actor: born by Chorus

114
26 March 1794 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Overture (BERENICE). Come ever smiling (JUDAS MACCABAEUS). Tears such as tender (DEBORAH). For unto us a child (THE MESSIAH). Grateful hearts (NABAL). Sweep the strings; Music spread thy Voice (SOLOMON). Every day will I ([CHANDOS] ANTHEMS). For joys so vast; Happy they (JEPHTHA). From the censer (SOLOMO). PART II. Fourth Organ Concerto. Together let us range ([SOLOMON] by Boyce). The trumpet's loud; The double beat (DRYDEN'S ODE). He was eyes [SIROE]. He led tbrm thro' (ISRAEL IN EGYPT). Ye sons of Israel [JOSHUA]. Weep, Israel, weep; Go, baffled coward (SAMSON). For the Lord (THE MESSIAH). PART III. Fifth Grand Concerto. O liberty (JUDAS MACCABAEUS). Let the bright; Awake the trumpets (SAMSON). O beauteous Queen (ESTHER). Mad Bess by Mme Mara (Purcell). How willing (SAMSON). But bright Cecilia; As from; The dead shall live (DRYDEN'S ODE). To conclude with God save Great George our King and Rule Britannia .
Cast
Role: Leader of the Band Actor: G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest
Role: Organ Actor: J. Ashley. PART I. Zadock the Priest
Role: He smote all the first Actor: born by Chorus

Music: End of Part II concerto on the organ by J. Ashley

115
09 April 1794 @ Drury Lane Theatre

Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .
Cast
Role: . Since by Man by the Principal Singers and Semi Actor: Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass
Role: For as in Adam all die by Semi Actor: Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass
Role: Leader of the Band Actor: Shaw. PART I. Zadock the Priest

Music: End of Part II concerto on the violin by Giornovichi

116
06 May 1794 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Not acted these 2 years. In Act IV a Grand Banquet. Morning Chronicle, 14 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #316 11s. 6d. (202/15/0; 8/3/0; tickets: 105/13/6)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: THE SAILOR'S FESTIVAL

Cast
Role: . The Mid Actor: Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour
Role: Lord of the Manor Actor: Evatt
Role: Ades Actor: Street. II. The Study of Dr Faustus
Role: Philidel Actor: Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog
Role: Landlady Actor: Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed
Role: A Representation of tht Scaffolding prepared for e Actor: Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed
Role: Catherine Actor: Mrs Webb

Afterpiece Title: THE POOR SOLDIER

Cast
Role: Father Luke Actor: Rock

Song: In Act II of mainpiece the Grand Triumphal Entry of Alexander into Babylon. Vocal Parts by Johnstone, Incledon, Cubitt, Rock//Mrs Mountain, Miss Stuart, Miss Leserve, Miss Barnett, Mrs Lloyd, Mrs Martyr. In the course of the Evening Black-Eyed Susan by Incledon

Performance Comment: Vocal Parts by Johnstone, Incledon, Cubitt, Rock//Mrs Mountain, Miss Stuart, Miss Leserve, Miss Barnett, Mrs Lloyd, Mrs Martyr. In the course of the Evening Black-Eyed Susan by Incledon .
Cast
Role: . In the course of the Evening Black Actor: Eyed Susan by Incledon

117
20 February 1795 @ King's Theatre

Event Comment: A Sacred Oratorio; the music entirely by Guglielmi, composed purposely for Mme Banti at the Royal Theatre of St.@Charles at Naples [in l788]; with Grand Chorusses under the direction of Dr Arnold, who will himself preside at the organ. At the harpsichord, Federici. Leader of the Band, Cramer. The Orchestra, vocal and instrumental, will consist of nearly two hundred performers

Performances

Mainpiece Title: Debora And Sisara

Music: End Part I: a Grand Overture by Haydn-; conducted-Haydn

Song: At commencement Part II: Angels ever bright and fair-Mme Banti

118
09 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Ballet: By permission of the Proprietor of the Opera House. Composed by Gallet. With appropriate Dresses, Scenery, and Decorations. Times, 30 Apr.: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-fields. Receipts: #681 4s. (370.8.0; 45.1.6; 3.12.0; tickets: 262.2.6) (charge: #237 3s. 2d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17970926, but Alithea-Miss Heard; Lucy-Miss Mellon; Countryman-_; William-_; Servants-_.
Cast
Role: Alithea Actor: Miss Heard

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

Performance Comment: Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg.
Cast
Role: Theseus Actor: St. Pierre
Role: Chief Persons of the Train of Bacchus representing Actor: Didelot, Mme Hilligsberg, Miss J. Hilligsberg
Role: Fauns Actor: The whole Corps de Ballet from the Opera House
Role: the celebrated Pas de Quatre from Panurg Actor: Didelot, Laborie, Mme Laborie, Mme Hilligsberg.

119
09 April 1799 @ Covent Garden

Event Comment: Benefit for Holman. Mainpiece: Acted but once [28 Mar. 1795] these 5 years. In IV a Grand Banquet. Morning Chronicle, 1 Apr.: Tickets to he had of Holman, No. 73, New-street, Hanover-square. Account-Book: Paid George? Papendick for [unspecified] Manuscript Plays of Kotzebue #200. Receipts: #350 2s. (257.6; 6.1; tickets: 86.15)

Performances

Mainpiece Title: Alexander The Great

Performance Comment: Alexander-Holman; Lysimachus-Betterton; Hephestion-Whitfield; Cassander-Claremont; Polyperchon-Mansel; Aristander-Waddy; Eumenes-Curties; Perdicus-Thompson; Thessalus-Klanert; Slave-Abbot; Clytus-Murray; Statira-Mrs Pope; Parisatis-Mrs Litchfield; Sysigambis-Mrs Platt; Roxana-Miss Betterton.
Cast
Role: Thessalus Actor: Klanert

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

Performance Comment: Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon.
Cast
Role: The Death of Admiral Benbow Actor: Incledon.

120
15 April 1799 @ Covent Garden

Event Comment: In IV a Grand Banquet. Receipts: #263 8s. (253.2; 10.6)

Performances

Mainpiece Title: Alexander The Great

Cast
Role: Thessalus Actor: Klanert

Afterpiece Title: Raymond and Agnes

Cast
Role: I'm jolly Dick the Lamplighter Actor: Gray
Role: Of the ancients its speaking Actor: Johnstone
Role: The moment Aurora Actor: Incledon
Role: The Midnight Watch Actor: Incledon
Role: Sure an't the World a Masquerade Actor: Johnstone, Chorus.
Role: Catherine Actor: Mrs Mattocks.
Role: Theodore Actor: Simmons
Role: Father Ansellum Actor: Whitmore
Role: Spectre of the Bleeding Nun Actor: Mrs Watts
Role: Step Actor:

Song: II: Grand Triumphal Entry and Vocal Parts Entry of Alexander into Babylon, as17990409

Cast
Role: The Death of Admiral Benbow Actor: Incledon.

121
15 May 1799 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: Queen Catherine Actor: Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

122
29 October 1674 @ The City, London

Event Comment: The Lord Mayor's Pageant. For an account of the dinner, see Spectator, No. 462, 30 Aug. 1712

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.

123
29 October 1675 @ The City, London

Event Comment: The Lord Mayor's Show

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Friday, Octob. 29. 1675 for the Entertainment of the Right Honourable and truly Noble Pattern of Prudence and Loyalty, Sir Joseph Sheldon Kt, Lord Mayor of the City of London. Containing a true description of the several Pageants with the Speeches spoken on each Pageant. Together with the several Songs sung at this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Drapers. Design'd and Composed by Tho. Jordan, Gent.

124
29 October 1678 @ The City, London

Event Comment: The Lord Mayor's Show

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Tuesday, October XXIX. 1678. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir James Edwards Knight, Lord Mayor of the City of London. Containing a true Description of the several Pageants, with the Speeches spoken on each Pageant. Together with the Songs sung in this Solemnity. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Designed and Composed by Tho. Jordan, Gent.

125
29 October 1683 @ The City, London

Event Comment: The Lord Mayor's Show. By Thomas Jordan. Luttrell (A Brief Relation, I, 285-86): The 29th, sir Henry Tulse...was sworn before the barons of the exchequer at Westminster, whither he went by water, accompanied by the late lord mayor, the new recorder, aldermen, and sheriffs, and attended by diverse of the companies in their barges; their majesties and the duke of York being upon the leads at Whitehall when they passed by: being come back, they passed from the place where they landed, with the usual solemnity, to Grocers Hall, where the lords of the councill, severall of the nobility, judges, and other persons of quality dined

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Monday, October XXIX 1683. For the Entertainment of the Right Honourable, and truly Noble Pattern of Prudence and Loyalty, Sir Henry Tulse, Knight, Lord Mayor of the City of London. Containing A Description of the whole Solemnity. With Two new Songs set to Musick.