SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Grand Jury of London"/1) | (@(roleclean,performerclean) "The Grand Jury of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1949 matches on Performance Title, 1108 matches on Event Comments, 735 matches on Performance Comments, 1 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Performance Comment: As17960302but Principal Vocal Performers-another Miss Fletcher (from +Birmingham).

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Honor and Arms-Bartleman [Samson]; Wise men flattering-Miss Leak [Judas Maccabaeus]; Lord of Eternity-Chorus; O Baal-Chorus (Deborah); Hush ye pretty warbling-Miss Parke [Acis and Galatea]; Disdainful of danger-; Pious orgies-Mme Mara (Judas Maccabaeus); From the censer-Chorus (Solomon).
Cast
Role: From the censer Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Sound an alarm-Kelly (Judas Maccabaeus); How willing-Bartleman (Samson); See the conqu'ring hero-Chorus; March (Judas Maccabaeus)-; What tho' I trace-Miss Parke [Solomon]; O God who in thy heavenly hand-Chorus [Joseph]; Happy Iphis-Master Elliot [Jephtha]; Mad Bess-Mme Mara (Purcell); Kings shall be thy nursing fathers-Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March (Saul)-; Joys in gentle strains-the Miss Fletchers [Athalia]; Awful pleasing being-Miss Leak [Joshua]; From harmony-Chorus [Dryden's Ode]; Let the bright Seraphim-Miss Parke [Samson]; O liberty-Kelly; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); The Soldier tir'd-Mme Mara [Dr Arne]; Gloria Patri-Grand Chorus [Jubilate].Jubilate].

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

Event Comment: In compliance with the request of several Ladies and Gentlemen, lovers of Handel's music, who find it inconvenient to attend at the beginning of the evening, Mr Ashley informs them that Half Price will be taken at the end of the Second Part

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture- (Esther); The Dettingen Te Deum, Holy holy Lord-Mme Mara.

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Come all noble souls who skill'd in music's art- (composed by Dr Rogers, 1673); The smiling dawn-Miss Dufour (Jephtha); Honour and arms-Reinhold (Samson); O Magnify the Lord-Miss Poole (Chandos? Anthems); O Baal-Chorus (Deborah); Gentle Airs-Incledon; accompanied on the violoncello-C. Ashley (Athalia); My faith and truth-Miss Poole, Master Elliot (Samson); Ye sacred priests, Farewell ye limpid-Mme Mara (Jephtha); He gave them hailstones-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Overture and Dead March-; In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); Ye men of Gaza-Miss Poole (Samson); Softly rise-Incledon; accompanied on the bassoon-Parkinson (Boyce's Solomon); Mad Bess, Let them come if they dare, Genius of England from thy pleasant bower of bliss arise-Mme Mara, Chorus (Purcell); To arms Britons strike home-Incledon, Reinhold, Full Chorus.

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Wise men flattering-Miss Capper; Sound an alarm-Incledon; We hear-Chorus; Pious orgies-Mme Mara (Judas Maccabaeus); Fix'd in his everlasting seat-Chorus (Samson).
Cast
Role: For all these mercies Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; The morning lark-Mrs Atkins (Semele); In sweetest harmony-Mme Mara; O fatal day-Chorus (Saul); O liberty-Incledon; accompanied on the violoncello-C. Ashley (Judas Maccabaeus); It must be so, Pour forth no more-Bartleman; No more to Ammon's God-Chorus (Jephtha); Lord remember David-Mme Mara (Sosarme); He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); He was eyes unto the blind-Master Elliot (Redemption); How willing my paternal love-Bartleman (Samson); Fallen is the foe-Chorus; Tune your harps-Mrs Atkins, Master Elliot (Judas Maccabaeus); Agitata-Mme Mara; Zadock the Priest-Chorus (Coronation Anthems); God save the King-.

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Samson)-; Come, come, all noble souls-Incledon, Page, Sale (Rogers); Tune your harps-Mrs Atkins; Every day will I give thanks-Incledon (Chandos Anthems); The Mighty power-Chorus; Rejoice O Judah-Sale (Athalia); Let the bright Seraphim-Mme Mara; Let their celestial concerts-Chorus (Samson).

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Concerto, opera quarto (Avison)-; Come ever smiling liberty-Miss Capper; The Lord worketh wonders-Bartleman (Judas Maccabaeus); The many rend the skies-Chorus (Alexander's Feast); Return, O God of hosts-Miss Waters (Samson); Sweet bird-Mme Mara; accompanied on the violin-G. Ashley (L'Allegro); May no rash intruder-Chorus (Solomon); Scene from Joshua: The Falling of the Walls of Jericho-; 'Tis well, six times-Incledon; Glory to God-Incledon; Grand March-; The strong cemented walls-Chorus.

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Berenice)-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); From mighty kings-Mrs Atkins (Judas Maccabaeus); Come if you dare-Incledon, Chorus (Purcell); Oh had I Jubal's lyre-Miss Waters (Joshua); The soldier tired-Mme Mara (Arne's Artaxerxes); Fixed in his everlasting seat-Chorus (Samson).

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; My cup is full, Shall I in Mamre's-Sale; For all these mercies-Chorus (Joshua); Ye men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Honour and arms-Bartleman (Samson); What though I trace-Mme Mara (Solomon); Sound an alarm-Chorus (Judas Maccabaeus).
Cast
Role: For all these mercies Actor: Chorus

Afterpiece Title: Grand Selection 2

Performance Comment: Raimondi's celebrated Piece descriptive of a Battle-; concluding with God save the King-full Chorus; Thou shalt bring them in-Miss Waters (Israel in Egypt); Dulce Domum (by desire of several Wykehamists)-Mme Mara, with a grand Chorus , composed by J. Reading, 1680; Wise men flattering-Miss Capper (Judas Maccabaeus); Tears such as-Bartleman (Deborah); Agitata-Mme Mara; He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Performance Comment: The Water Music-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); He was eyes unto the blind-Miss Poole (Siroe); Total eclipse-Incledon; O first created beam-Chorus (Samson); Mad Bess-Mme Mara (Purcell); Gird on thy sword-Chorus (Saul).

Music: As17990306

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Overture- (Esther); The Dettingen Te Deum-.
Cast
Role: The Dettingen Te Deum Actor: .

Afterpiece Title: Grand Selection 2

Performance Comment: Part II 5th Grand Concerto-; Return O God-Miss Crosby (Samson); The smiling dawn-Miss Capper (Jephtha); Softly rise-Incledon; with fagotto obligato-Parkinson; Ye southern breezes-Chorus (Solomon, by Boyce); Pious orgies-Mrs Dussek (Judas Maccabaeus); God preserve the Emperor-Chorus (Haydn); I feel the deity within, Arm arm ye brave-Denman; +We come we come-Chorus; From mighty Kings-Mrs Second (Judas Maccabaeus); Gird on thy sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Overture and March- (Scipio); Tune your harps-Miss Tennant (Esther); Sin not O King-Dignum (Saul); Flush'd with conquest-Chorus (Alexander Balus); What passion cannot music-Mrs Second; accompanied on the violoncello-C. Ashley (Dryden's Ode); See the conquering hero-Chorus; March (Judas Maccabaeus)-; Vo sol cando-Mrs Dussek (Vinci); Together let us range-Incledon, Mrs Second (Solomon, by Boyce); Gloria Patri-Chorus (Jubilate).

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger

Performances

Mainpiece Title: London's Glory; Or, The Lord Mayor's Show

Performance Comment: Containing an Illustrious Description of the several Triumphant Pageants, on which are represented Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing, with the Speeches spoken in each Pageant; Also, Three new Songs, the first in praise of the Merchant-Taylors, the second the Protestant Exhortation, and the third the plotting Papists Litany, with their proper Tunes either to be Sung or Play'd Perform'd on Friday, October XXIX. 1680. For the Entertainment of the Right Honourable Sir Patience Warde, Knight. Lord Mayor of the City of London. At the proper Cost and Charges of the Right Worshipful Company of Merchant-Taylors. Invented and Compos'd by Tho. Jordan.
Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Congreve

Performances

Afterpiece Title: Colombine Courtezan

Dance: Grand Polish Ballet by Essex and Mrs Walter. Black Joak by Nivelon and Miss Mann. Grand Comic Ballet: French Peasants by Poitier and Mlle Roland

Performance Comment: Black Joak by Nivelon and Miss Mann. Grand Comic Ballet: French Peasants by Poitier and Mlle Roland .

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Grand Dettingen te Deum-, in which; Holy holy Lord-Mme Mara; He was Eyes unto the Blind-Miss Parke [Redemption].Redemption].

Afterpiece Title: Grand Selection 2

Performance Comment: Overture and Dead March (Saul)-; How willing my paternal love-; Then round about-; My faith and truth (Samson)-; What tho' I trace (Solomon)-; Fallen is the foe (Judas Maccabaeus)-; Total eclipse-; O first created beam-; Let the bright Seraphim-Mme Mara; Fix'd in his everlasting seat (Samson)-.
Cast
Role: Then round about Actor:
Role: Fallen is the foe Actor:
Role: Let the bright Seraphim Actor: Mme Mara

Afterpiece Title: Grand Selection 3

Performance Comment: Fourth Oboe Concerto-; Tyrants would (Athalia)-; Lord to thee (Theodora)-; The smiling dawn (Samson [recte Jephtha])-; When his loud voice (Athalia [recte Jephtha])-; Pleasure my former ways (Time and Truth)-; No more to Ammon's God-; Ye sacred Priests-Mme Mara; Farewell ye limpid springs (Jephtha)-; He gave them hailstones (Israel in Egypt)-.
Cast
Role: Lord to thee Actor:
Role: The smiling dawn Actor:
Role: He gave them hailstones Actor: .

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performance Comment: Ashley; End Part II: concerto on the harp-Mme Delaval.
Event Comment: The Lord Mayor's Day pageant

Performances

Mainpiece Title: London's Resurrection To Joy And Triumph

Performance Comment: Celebrious to the much meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London. At the Peculiar and Proper Expences of the Worshipful Company of Skinners. Jacob Hall (the rope dancer).
Event Comment: The Lord Mayor's Pageant

Performances

Mainpiece Title: London Triumphant; Or, The City In Jollity And Splendour

Performance Comment: ...Invented and performed for Congratulation and Delight of the well deserving Governour, Sir Robert Hanson Knight, Lord Mayor of the City of London. At the Cost and Charges of the Worshipful Company of Grocers.
Event Comment: The Lord Mayor's Show

Performances

Mainpiece Title: London In Its Splendor

Performance Comment: Consisting of Triumphant Pageants, whereon are Represented many Persons Richly Arrayed, Properly Habited, and significant to the Design. With several Speeches, and a Song, Suitable to the Solemnity. All prepared for the Honour of the Prudent Magistrate, Sir William Hooker Kt. Lord Mayor of the City of London. As also, a Description of His Majesties Royal Entertainment at Guildhall, by the City, in a plentiful Feast, and a glorious Banquet. At the Peculiar Expences of the Worshipful Company of Grocers.
Event Comment: G. Lady Chaworth to Lord Roos, 2 Nov. 1676: I have not yet seen Mr Pack, being att Lord Major's show when hee was heere....The pageants were but three and worse then others formerly, but the King, Queen, Duke and Duchess finer in both clothes, liveries, coaches and traine then ever, to the honour of the Citty (HMC, 12th Report, Part V, Rutland Papers, II, 31)

Performances

Mainpiece Title: London's Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.
Event Comment: The Lord Mayor's Show

Performances

Mainpiece Title: London's Triumphs

Performance Comment: Illustrated with many Magnificent Structures and Pageants. On which are orderly expressed Several Stately Representations of Poetical Deities, sitting and standing in great spdendor on several Scenes in proper Shapes. With Pertinent Speeches, Jocular Songs (sung by the City Musick), and Pastoral Dancing. Performed October 29, 1677, for the Celebration, Solemnity and Inauguration of the Right Honourable Sir Francis Chaplin, Knight, Lord Mayor of the City of London. At the Charge and Expences of the Industrious Designs, being the sole Undertaking of the Ancient and Right Worshipful Society of Clothworkers. Designed and Composed by Tho. Jordan.
Event Comment: The Lord Mayor's Show. For brief accounts, see Luttrell, A Brief Relation, I, 25, and Domestick Intelligence, No. 34, 31 Oct. 1679

Performances

Mainpiece Title: London In Luster

Performance Comment: [Projecting Many bright beams of Triumph: Disposed with Several Representations of Scenes and Pageants. Performed with great Splendor on Wednesday, October XXIX. 1679] At the Initiation and Instalment of the Right Honourable Sir Robert Clayton, Knight, Lord Mayor of the City of London. Dignified with divers delightfull Varieties of Presentors, with Speeches, Songs, and Actions, properly and punctually described. All set forth at the proper Cost and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: For reports on the Lord Mayor's Day, see Luttrell, A Brief Relation, I, 139-40, and The Impartial Protestant Mercury, No 55, 28 Oct.-1 Nov. 1681

Performances

Mainpiece Title: London's Joy; Or, The Lord Mayor's Show

Performance Comment: Triumphantly Exhibited in Various Representations, Scenes, and splendid Ornaments, with divers pertinent Figures and Movements: Performed on Saturday, October XXIX. 1681. At the Inauguration of the Right Honourable Sir John Moore, Knight, Lord Mayor of the City of London. With the Several Speeches, and Songs, which were spoken on the Pageant in Cheapside, and Sung in Guild-Hall during Dinner. All the Charges and Expences of the Industrious Designs being the sole Undertaking of the Worshipful Company of Grocers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: Evelyn, Diary: I carried my Lord Clarendon through the Citty amidst all the Squibbs & barbarous bacchanalia of the Lord-Majors shew

Performances

Mainpiece Title: London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

Performance Comment: Performed on Wednesday, October XXIX. 1684. At the instalment and Inauguration of the Right Honourable Sir James Smith, Knight, Lord Mayor of the City of London. Illustrated with divers Delightful Objects of Gallantry and Jollity, Speeches and Songs, Single and in Parts. Set forth at the Proper Costs and Charges of the Worshipful Company of Drapers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: See also Luttrell, A Brief Relation, I, 362. The cost of the Pageants was #175; the total cost of the Lord Mayor's Show came to #473 4d. See Robert Withington, English Pageantry (Cambridge, Mass., 1920), II, 62

Performances

Mainpiece Title: London's Annual Triumph Performed On Thursday, Octob

Performance Comment: 29. 1685. For the Entertainment of the Right Honourable Sir Robert Jeffreys, Kt Lord Mayor of the City of London. With a Description of the several Pageants, Speeches, and Songs made proper for the Occasion. All set forth at the proper Costs and Charges of the Worshipful Company of Iron@Mongers. Composed by Matt. Taubman.
Event Comment: Evelyn, Diary: was a Triumphant shew of the Lord Major, both by land & water with much solemnity, when yet his power was so deminish'd, by the losse of their former charter

Performances

Mainpiece Title: London's Yearly Jubilee : Performed On Friday October Xxix

Performance Comment: 1686. For the Entertainment of the Right Honourable Sir John Peale, Knight, Lord Mayor of the City of London. With a Description of the several Pageants, Speeches and Songs, made proper for the Occasion. All set forth at the proper Costs and Charges of the Right Worshipful the Company of Mercers. Composed by M. Taubman.
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.

Performances

Mainpiece Title: London's Great Jubilee

Performance Comment: Restor'd and Perform'd On Tuesday, October the 29th 1689. For the Entertainment of the Right Honourable Sir ThomasPilkington Kt. Lord Mayor of the City of London. Containing a Description of the several Pageants and Speeches together with a Song for the Entertainment of Their Majesties, who with their Royal Highnesses the Prince and Princess of Denmark, the whole Court, and both Houses of Parliament, Honour His Lordship this Year with their Presence. All set forth at the Proper Cost and Charges of the Right Worshipful Company of Skinners. [By Matthew Taubman.]
Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Performances

Mainpiece Title: Amurath The Great, Emperor Of The Turks: Containing The Distress'd Loves Of achmet And selima; Or, The london Prentice's Glory: With The Comical Humours And Surprizing Adventures Of The London 'prentice And Want Brains His Man

Performance Comment: London Prentice-Penkethman; Want Brains-Reynolds; Amurath-Huddy; Achmet-Mullart; Haly-Jones; Selim-Achurch; Aelima-Mrs Newsted; Zara-Mrs Dutton.
Cast
Role: London Prentice Actor: Penkethman

Afterpiece Title: Harlequin's Contrivance; or The Plague of a Wanton Wife

Event Comment: [Author unknown.] A new Dramatick Entertainment. By Their Royal Highnesses' Command. Benefit Penkethman. N.B. The Boxes will be illuminated with Wax Candles

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: London Prentice-Penkethman; Wantbrains-Miller.
Cast
Role: London Prentice Actor: Penkethman

Dance: Dutch Dance between a Dutch Boor and his Frow-Newhouse, Mrs Willis; French Peasant-Newhouse, Miss Francis; Drunken Man-Harper

Song: The Dame of Honour, Mimick Song in Praise of a Country Life-Mrs Willis; Mrs Boman

Performances

Mainpiece Title: Distress'd Beauty; Or, The London Prentice

Performance Comment: London Prentice-Penkethman; Wantbrains-Miller; Achmet-Oates; Haly-Parler; Selima-Mrs Parler; Zara-Mrs Middleton; Amurath-Boheme.
Cast
Role: London Prentice Actor: Penkethman

Dance: Newhouse, Mrs Willis, Mrs Middleton, Miss Francis

Song: Mrs Boman, Mrs Willis; particularly a Mimick Song in Praise of a Country Life between a Court Lady and a Country Nymph-

Event Comment: Benefit Carey. Afterpiece: Written by Mr Carey. Being the last of that kind he intends ever to compose. At Common Prices. 6:30 P.M. No one admitted into the Boxes but by Silver Tickets or printed Tickets from the Office. [Preface points out that DL had the copy nine months, promising to perform it and returning it at the end of the season. Then Cibber Jr requested it for his summer company; it was rehearsed and then the company forced to close.] The Airs by Porpora

Performances

Mainpiece Title: The London Merchant

Performance Comment: London Merchant-Cross; Millwood-Mrs Cross; Thorogood-Turbutt; Maria-Miss Brunette; Barnwell Sr-Jones; Lucy-Mrs Pritchard; Truman-Este; Blunt-Cole .
Cast
Role: London Merchant Actor: Cross

Afterpiece Title: The Honest Yorkshireman

Performance Comment: Yorkshireman-Salway; Arbella-Mrs Cantrell; Squire Sapscull-Este; Combrush-Mrs Pritchard; Alderman Muckworm-Jones; Slango-Master Green; Blunder-Topham. With a Prologue to the Farce against National Prejudice; and an Epilogue in Defence of the Marriage State. Edition of 1736 has Mrs Cantrell speak the Epilogue . and an Epilogue in Defence of the Marriage State. Edition of 1736 has Mrs Cantrell speak the Epilogue .

Music: Concerto for Two Hautboys by Woodbridge and Neale. A fine Piece of Mr Handel's on the little Flute by a Friend of Carey

Performance Comment: A fine Piece of Mr Handel's on the little Flute by a Friend of Carey .

Dance: houvre and Minuet by Vallois and Mrs Anderson. V: Two Pierrots by Vallois and his Scholar

Song: By a Scholar of Carey's