SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "The Duke of York"/1) | (@(roleclean,performerclean) "The Duke of York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1284 matches on Performance Comments, 1194 matches on Event Comments, 429 matches on Roles/Actors, 403 matches on Author, and 349 matches on Performance Title.
Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-T. Morris; Lieutenant of the Tower-A. Morris; King Henry-Horwell; Tressel-Birch; Richmond-Crewe; Catesby-Uncle; Buckingham-Meredith; Stanley-Webber; Prince Edward-Miss S. Francis; Queen-Mrs Hunter; Lady Anne-Mrs Pollard; Duchess of York-Mrs McGeorge; Prologue-T. Morris; Epilogue-Mrs Pollard.

Afterpiece Title: The Citizen

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloucester-Benson; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmorland-R. Palmer; Archbishop of Canterbury-Maddocks; Ely-Jones; Cambridge-Webb; Scroop-Chapman; Grey-Bland; Erpingham-Waldron; Gower-Williames; Nym-Burton; Bardolph-Alfred; Fluellen-Baddeley; Pistol-Suett; Boy-Master Gregson; Williams-Whitfield; Bates-Banks; King of France-Packer; The Dauphin-Barrymore; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Haymes; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: Duke of Gloucester Actor: Benson
Role: Duke of Bedford Actor: Dignum
Role: Duke of Exeter Actor: Aickin
Role: The Dauphin Actor: Barrymore
Role: Duke of Burgundy Actor: Phillimore

Afterpiece Title: The Romp

Event Comment: "The performance of last night boasted some additional impression, by the fine imagination of [Kemble's] starting at the trumpet from the prayer of penitence, and springing up the Hero and the King...[In Act V] the scene with Katharine was as sportive and as easy as possible...Comus followed, vice the Critic, obliged to be postponed from [the] indisposition of Parsons (MS annotation on Kemble playbill)]. Some disapprobation attended the drawing up the curtain. Palmer explained, and then, without 'wiping his lips since he spoke last' began "The Star that bids the Shepherd fold" (Oracle, 1 Nov.). Receipts: #223 5s. 6d. (180.8.6; 41.3.0; 1.14.0)

Performances

Mainpiece Title: King Henry The Fifth

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmoreland-Sedgwick; Archb. of Cant.-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Chapman; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Bardolph-Alfred; Fluellen-Baddeley; Pistol-Suett; Boy-Master Gregson; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Barrymore; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: Duke of Gloster Actor: Benson
Role: Duke of Bedford Actor: Dignum
Role: Duke of Exeter Actor: Aickin
Role: Duke of Burgundy Actor: Phillimore

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: Account-Book: Paid Mrs Phillimore on Account of moving the Wardrobe to and from the Opera House #4 4s. Powell, 22 Sept.: Henry V rehearsed at 10; No Song No Supper at 12; 23 Sept.: No Song No Supper rehearsed at 10 (for Bannister and Mrs Bland); Provoked Husband a 11. Receipts: #308 2s. 6d. (218.11.0; 88.15.0; 0.16.6)

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Performance Comment: King Henry-Kemble; Duke of Gloucester-C. Kemble; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmoreland-Sedgwick; Archbishop of Canterbury-Maddocks; B. of Ely-Jones; Earl of Cambridge-Webb; Lord Scroop-Cooke; Sir Thomas Gray-Bland; Sir T. Erpingham-Waldron; Gower-R. Palmer; Fluellen-Baddeley; Nym-Burton; Bardolph-Phillimore; Pistol-Suett; Boy-Master Chatterley; Williams-Whitfield; Bates-Banks; King Charles-Packer; Dauphin-Barrymore; Duke of Burgundy-Trueman; Constable-Benson; Governor of Harfleur-Hollingsworth; Montjoy-Caulfield; Quickly-Mrs Booth; Queen Isabel-Mrs Powell; Katharine-Miss DeCamp.

Afterpiece Title: No Song No Supper

Event Comment: On this day and on Friday the 20th the Duke's players gave The Impertinents; or, The Sullen Lovers or Sir Salomon. Downes (Roscius Anglicanus, p. 29) lists these as the two plays presented by the Duke's Company, but no contemporary statement indicates for certain which play was given on each day. The Journal of Sir Richard Bulstrode: Yesterday [19] at five of ye clocke, the Court were entertained with a comedy acted by the Duke's player (The Bulstrode Papers, 1879, I, 139). Saturday 28 May 1670: The absence of the court which continues at Dover till Wensday next makes us very barren of news. There is the greatest gallantry and mirth imaginable. The Dukes players have beene there all the time past came up yesterday and the kings goe downe this day (Aston Papers, Vol. XVI, Add. Mss. 36916, folio 182)

Performances

Event Comment: Benefit for Miss Reynolds. [Afterpiece usually acted as The Man of Quality.

Performances

Mainpiece Title: King Henry Viii With The Fall Of Cardinal Wolsey

Performance Comment: King Henry-A Gentleman (from the Theatre Royal, Edinburgh [unidentified]); Duke of Buckingham-Stacy; Duke of Norfolk-Comerford; Duke of Suffolk-Kenny; Earl of Surry-Garland; Cranmer (Archbishop of Canterbury)-Lewis; Gardiner (Bishop of Winchester)-Massey; Lord Sands-Ware of Deptford; Lord Chamberlain-Johnson; Cardinal Campeius (the Pope's Legate)-Sparrow; Cromwell (Gentleman Usher)-W. Smith; Doctor Butts (Physician to the King)-Ward; Cardinal Wolsey-Stokes; Queen Katherine-Miss Reynolds; Anne Bullen-Mrs West; Patience (with a song in character)-Mrs Davies; Dame Prattle-Mrs Ross; Lady of the bed chamber [to Queen Katherine-Miss C. Reynolds.

Afterpiece Title: Miss Hoyden or The Man of Quality

Performance Comment: Lord Foppington (the man of quality)-Smith; Young Fashion-Sparks; Sir John Friendly-Ward; Lory-Johnson; Coupler-Lewis; Shoemaker-Dancer; Mendlegs (the hosier)-W. Smith; Sir Tunbelly Clumsey-The Gentleman who performs King Henry; Miss Hoyden (with a song)-Miss Reynolds; Nurse-Mrs Ross.

Dance: A Hornpipe-Mrs Marklew

Song: Between Acts: Singing-Mrs Davies

Event Comment: Mainpiece: Not acted these 20 years [not acted since 2 Nov. 1761]. With new Scenes, Dresses, and Decorations. In Act I a Grand Banquetv. In Act II the Trial of Queen Katharinev. In V a Procession to the Christening of Princess Elizabethv. [These were included in all subsequent performances.] Mrs Siddons's Queen Katharine was "too laboured -particularly the Trial Scene, where the words came so slow and measured that they seemed to be distilled" (Public Advertiser, 29 Nov.). Receipts: #260 11s. (248.12; 11.6; 0.13)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Palmer; Duke of Buckingham-Wroughton; Cranmer-Aickin; Duke of Norfolk-Whitfield; Duke of Suffolk-Williames; Lord Surry-Barrymore; Lord Chamberlain-R. Palmer; Cromwell-Kemble; Lord Sands-Baddeley; Winchester-Suett; Cardinal Campeius-Packer; Sir Henry Guilford-Lamash; Sir ThomasLovel-Fawcett; Doctor Butts-Waldron; Surveyor-Benson; Cardinal Wolsey-Bensley; Anne Bullen-Mrs Farmer; Lady-Mrs Love; Queen Katharine-Mrs Siddons.

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber

Song: In IV: a song (composed by Linley? Sen)-Mrs Crouch

Event Comment: Mainpiece: Not acted these 20 years [not acted since 13 Oct. 1748. With alterations by John Philip Kemble]. Receipts: #167 18s. 6d. (122.19.0; 42.11.6; 2.8.0)

Performances

Mainpiece Title: King Henry The Fifth Or The Conquest Of France

Performance Comment: English: King Henry-Kemble; Exeter-Aickin; Westmorland-R. Palmer; Duke of Bedford-Dignum; Duke of Gloucester-Benson; Pistol-Suett; Erpingham-Waldron; Bardolph-Alfred; Williams-Whitfield; Nym-Burton; Gower-Williames; Archbishop of Canterbury-Maddocks; Ely-Jones; Grey-Lamash; Scroop-Wilson; Cambridge-Webb; Bates-Banks; Boy-Master Gregson; Fluellen-Baddeley; Hostess-Mrs Booth; French: King-Packer; Duke of Burgundy-Phillimore; Constable-Fawcett; Montjoy-Haymes; Governor-Hollingsworth; Dauphin-Barrymore; Princess Catharine-Miss Collins; Queen of France-Mrs Ward.

Afterpiece Title: The Virgin Unmaskd

Event Comment: Mainpiece: [With alterations by John Philip Kemble] Not acted these 4 years. [In his prompt copy (1808) now in Harvard Theatre Collection Kemble's annotation lists the following as needed in the opening scene: 10 principals, Captain of the Guard, 3 Knights, 2 Pages, 2 Gentlemen with Crown, 2 Gentlemen with Map, Physician, Herald, 2 Ladies with Goneril, 2 Ladies with Regan, 2 Standard Bearers, 12 Guards. Nearly every scene opens or closes with drums and trumpets. In the storm scene, "Thunder and lightning; lamps down," i.e. the footlights lowered out of sight into a shallow trough. It is not unlikely that these arrangements were adhered to in this present revival.] "Kemble said that, however singular it might be, in Lear an audience quite unsettled him; the noise of the box-doors caught his ear, and routed all his meditated effects; and he found it absolutely impossible to do that at night which he had thrown out during the rehearsal in the morning" (Boaden, Siddons, II, 376). Receipts: #350 9s. 6d. (310.9.6; 38.12.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Caulfield; Duke of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gent. Usher-R. Palmer; Esquire-Dignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old Man-Hollingsworth; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cordelia-Mrs Siddons.

Afterpiece Title: The Deserter

Performances

Mainpiece Title: At Hay King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Caulfield; Duke of Cornwall-Benson; Duke of Albany-Whitfield; Earl of Gloster-Packer; Earl of Kent-Aickin; Edgar-Wroughton; Edmund-Barrymore; Gentleman Usher-R. Palmer; Esquire-Dignum; Physician-Jones; Attendant-Fawcett; Captain-Maddocks; Herald-Cooke; Old Man-Burton [Public Advertiser: Hollingsworth]; Gentleman-Phillimore; Goneril-Mrs Cuyler; Regan-Mrs Ward; Cordelia-Mrs Siddons.

Afterpiece Title: The Cheats of Scapin

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-King; Harcourt-Palmer; Sparkish-Dodd; Belville-C. Kemble//Alithea-Mrs Kemble; Miss Peggy-Mrs Jordan; Lucy-Miss Heard. Occasional Prologue spoken by Kemble. Original Epilogue to THE RIVALS spoken by Mrs Jordan .

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Performance Comment: Cast not listed. [Cast from text (C. Lowndes [1794]): Commodore Broadside-Palmer; Endless-Suctt; Old Cottager-Maddocks; Robin-Barrymore; William-C. Kemble; Tom Oakum-Bannister; Ben-Sedgwick; Splicem-Kelly; Boy-Master Welsh; Dick-Hollingsworth; Busy-Benson//Cottager's Wife-Mrs Booth; Mary-Miss De Camp; Susan-Miss Leak; Girl-Miss Menage; Cicely-Miss Chatterley; Margaretta-Sga Storace.] In which the Principal Performers will assist in the M usical Parts . In which the Principal Performers will assist in the M usical Parts .

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: [Mainpiece altered by John Philip Kemble.] An Accurate Edition of King Lear to be had in the Theatre. Receipts: #214 19s. 6d. (159.2.6; 54.9.0; 1.8.0)

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Kemble; Duke of Burgundy-Dignum; Duke of Cornwall-C. Kemble; Duke of Albany-Whitfield; Earl of Kent-Aickin; Earl of Gloucester-Packer; Edgar-Wroughton; Edmund-Barrymore; Knights-Caulfield, Phillimore, Maddocks, Welsh; Physician-Jones; Captain of the Guard-Trueman; Officer-Cooke; Oswald-Russell; Herald-Banks; Page to Goneril-Master Chatterley; Page to Regan-Master Gell; Old Man-Burton; Edward-Benson; Ruffians-Webb, Evans; Goneril-Mrs Cuyler; Regan-Mrs Maddocks; Cordelia-Mrs Siddons; Aranthe-Miss Tidswell.

Afterpiece Title: The Village Lawyer

Cast
Role: Sheepface Actor: Wathen
Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Event Comment: The Duke's Company. See also 15 and 23 Dec. 1662. Pepys, Diary: There being the famous new play acted the first time to-day, which is called The Adventures of Five Hours, at the Duke's house, being, they say, made or translated by Colonel Tuke, I did long to see it; and so made my wife to get her ready, though we were forced to send for a smith, to break open her trunk...and though early, were forced to sit almost out of sight, at the end of one of the lower forms, so full was the house. And the play, in one word, is the best, for the variety and the most excellent continuance of the plot to the very end, that ever I saw, or think ever shall, and all possible, not only to be done in the time, but in most other respects very admittable, and without one word of ribaldry; and the house, by its frequent plaudits, did show their sufficient approbation. Evelyn, Diary: I went to see Sir S: Tuke (my kinsmans) Comedy acted at the Dukes Theater, which so universaly tooke as it was acted for some weekes every day, & was belived would be worth the Comedians 4 or 5000 pounds: Indeede the plot was incomparable but the language stiffe & formall. Downes (pp 22-23): Wrote by the Earl of Bristol, and Sir Samuel Tuke: This Play being Cloath'd so Excellently Fine in proper Habits, and Acted so justly well....It took Successively 13 Days together, no other Play Intervening. Lady Anglesey to her husband, 10 Jan. 1663: Lord Bristol has made a play which is much commended (CSPD 1663-64, p. 8)

Performances

Mainpiece Title: The Adventures Of Five Hours

Performance Comment: Downes (Roscius Anglicanus, pp. 22-23): Don Henriq-Betterton; Antonio-Harris; Octavio-Young; Diego-Underhill; Ernesto-Sandford; Corrigidor-Smith; Silvio-Price; Camilla-Mrs Davenport; Portia-Mrs Betterton; Flora-Mrs Long; Edition of 1663: No actors' names. The Prologue-; The Prologue at Court-; The Epilogue-; The Epilogue at Court-.
Cast
Role: The Prologue Actor:
Role: The Prologue at Court Actor:
Role: The Epilogue Actor:
Role: The Epilogue at Court Actor: .
Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Pepys, Diary: After dinner my wife and I to the Duke's playhouse, where we saw the new play acted yesterday, The Feign Innocence, or Sir Martin Marr-all; a play made by my Lord Duke of Newcastle, but, as every body says, corrected by Dryden. It is the most entire piece of mirth, a complete farce from one end to the other, that certainly was ever writ. I never laughed so in all my life. I laughed till my head [ached] all the evening and night with the laughing; and at very good wit therein, not fooling. The house full, and in all things of mighty content to me

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Duke's Company. Downes (Roscius Anglicanus, p. 31) lists it as one of several plays whose runs expired on the third day. Pepys, Diary: To the Duke of York's playhouse, but the house so full, it being a new play, The Coffee House, that we could not get in...The Journals of John Lauder Lord Fountainhall (ed. Donald Crawford, 1900), pp. 174-75: heir is the Dukes playhouse, wheir we saw Tom Sydserfes Spanish Comedie Tarugo's Wiles, or the Coffee House, acted....He could not forget himselfe: was very satyricall sneering at the Greshamers for their late invention of the transfusion of blood, as also at our covenant, making the witch of Geneva to wy it and La Sainte Ligue de France togither

Performances

Mainpiece Title: Tarugos Wiles Or The Coffee House

Performance Comment: The edition of 1668 has Prologue-; Epilogue-.
Event Comment: The Duke's Company. Pepys, Diary: Away to my wife at the Duke of York's house, in the pit, and so left her; and to Mrs Pierce, and took her and her cozen Corbet, Knepp and little James, and brought them to the Duke's house; and, the house being full, was forced to carry them to a box, which did cost me 20s., besides oranges, which troubled me, though their company did please me. Thence, after the play, stayed till Harris was undressed, there being acted The Tempest, and so he withall, all by coach, home

Performances

Mainpiece Title: The Tempest

Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege
Event Comment: The Duke's Company. Pepys, Diary: At the Duke's play-house, and there saw The Maid in the Mill, revived--a pretty, harmless old play. Langbaine (English Dramatick Poets, p. 211): This Play amongst others has likewise been reviv'd by the Dukes House

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The Duke's Company. Pepys, Diary: Carried The. and my wife to the Duke of York's house, to Macbeth,...and I to the Duke of York's house and saw the last two acts.... This day The. Turner shewed me at the play my Lady Portman, who has grown out of my knowledge

Performances

Mainpiece Title: Macbeth

Event Comment: The Duke's Company. Pepys, Diary: So we to the Duke of York's playhouse, and there saw She Would if She Could,... This day, going to the play, The. Turner met us, and carried us to her mother, at my Lady Mordaunt's; and I did carry both mother and daughter with us to the Duke of York's playhouse

Performances

Mainpiece Title: She Would If She Could

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege
Event Comment: Add. Mss. 36916, folio 128, 2 March 1668@9: The occasion of this [a challenge of the Duke of Buckingham to a duel by Lord Halifax or another friend of Sir William Coventry] there was a new play to be acted on Saturday last called the Country Gentleman, said to be made by the Duke & Sr Robt Howard, wherein tis said that the Earle of Clarendon, Sr Wm Coventry and some other Courtiers are plainly personated, but especially Sr William in the midst of his table of Writings; this he (or some of his relations) would not brooke, but whether he or the Ld Halifax was to fight the Duke is not knowne, but the King hath prevented all; and the play is not acted. [See also Pepys, 4 and 6 March]

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