SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Duke of New Castle"/1) | (@(roleclean,performerclean) "The Duke of New Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4081 matches on Event Comments, 3338 matches on Performance Title, 2721 matches on Performance Comments, 403 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Harris, ballet-master and Principal Dancer, and Trew. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Receipts: #286 18s. 6d. (97/15/6; tickets: 189/3/0) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Golden Pippin

Dance: End of Act III of mainpiece Diversion a-la-Mode, as17821211, in which The Devonshire Minuet, as17821129, and variety of new Quadrilles, composed by Harris; End of Act iv, as17820925; End of mainpiece new Dance, composed by Harris, The Rival Nymphs, by Byrne, Ratchford, Harris, Mrs Ratchford, Miss Byrne, Miss Matthews

Song: As17821227, but Mrs Bannister [i.e. formerly Miss Harper (see17830129)]; omitted: Bannister

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Junior

Song: End of mainpiece The new Highland lassie, as17840507; a new Hunting Song and Chorus (composed by Danby) by Chapman; Sweet Passion of Love by Miss George

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Leap Year; or, A New Way of Wooing, (composed by Byrn) by Byrn, Mrs Davenett, Mrs Goodwin

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Divertissement [performers not listed, but see17841218]; End of Opera Le Tuteur Trompe, with the Fandango, Sapredella, and Allemande [performers not listed, but see I Jan.]

Song: In Act I a new Air, composed by Sarti, by Crescentini, and a Duet, composed by Bertoni, by Crescentini and Sga Ferrarese; In Act II an entire new Aria and a favourite Song of Handel [singer not listed]

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

Performance Comment: ] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312 .

Performances

Mainpiece Title: Perseo

Dance: End of Act I New Divertissement, as17860311End of Opera a new Ballet (composed by D'Egville) L'Amour Jardinier by Vestris, Fabiani, Sga Carolina Pitrot, Mlle Mozon, the two Mlles Simonet, Duquesney Jun., Henry, Michel, Mlle Baccelli

Cast
Role: Thetis Actor: Mlle Mozon.

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I New Divertissement, as17860311End of Opera Le Premier Navigateur, as17860323but with Alterations, and added to Melide: with a new Pas Seul

Cast
Role: Thetis Actor: Mlle Mozon.
Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Kemble; Roderigo-Barrymore; Seberto-Williames; Curio-Benson; Lopez-Suett; Jaquez-Burton; Outlaws-Spencer, Alfred; Stammering Servant and Mad Englishman-R. Palmer; Mad Scholar-Whitfield; Mad Taylor-Waldron; Old Pilgrim-Packer; Mast. of the Madhouse-Chaplin; Gentleman-Wilson; Beggar-Jones; Drunken Servant-Bates; Porter-Fawcett; Peasants-Lamash, Phillimore; Alphonso-Baddeley; Alinda-Mrs Taylor; Fool-Miss Collins; Juletta-Mrs Jordan.
Cast
Role: of the Madhouse Actor: Chaplin

Afterpiece Title: All the Worlds a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Performances

Mainpiece Title: Lolimpiade

Dance: End I: New Dance As17880308End Opera: New Ballet, as17880426

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Tom Thumb

Dance: End I: (for that night only) A New Tambourine Dance-; End: a new Ballet, Fortune's Favor; or, The Lover's Lottery-Byrn, Mrs Goodwin

Music: End I afterpiece: a concertante, two violins-the Master Wares

Event Comment: Tickets delivered for this Evening [Account-Book: by Brady, Dale, the D'Egvilles, Jones, Lyons, Powell, Sherratt, Smith, Whittow, Mrs Heard, Mrs Haskey, Mrs Mills, Miss Palmer, Mrs Shaw] will be admitted. [Miss Davies's 1st appearance, billed as "A Young Lady," was at the hay, 28 July 1786.] Receipts: #279 12s. 6d. (16.1.0; 10.8.6; 0.6.0; tickets: 252.17.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the Worlds a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890214; End Opera: a new Anacreontic Ballet, composed by Coinde (pupil of Noverre), La Nymphe et le Chasseur-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier

Event Comment: [Mlle Saulnier was from the Opera, Paris.

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890310End Opera: a new Grand Ballet (composed by Noverre), Les Jalousies du Serail-Didelot, Beaupre, Duquesney, Nivelon, Mlle Emilie Colombe, Mlle Adelaide, Mlle Saulnier (1st appearance in England)

Performances

Mainpiece Title: La Villana Riconosciuta

Dance: End I: New Divertissement, as17890310End Opera: a new Allegorical Ballet (composed by Noverre), Admete-Didelot, Duquesney, Beaupre, Nivelon, Mlle Emilie Colombe, Mlle Adelaide, the two Mlles Simonet, Mlle Saulnier

Event Comment: [This was Mrs Kennedy's last appearance on the stage.] Paid One Years Insurance on #10,000, Phoenix Off., #32 10s. Receipts: #269 2s. (262.1; 7.1). pking's L'Olimpiade. See 4 Apr. Benefit for Marchesi. Tickets to be had of Marchesi, No. 37, Upper James-street, Golden-square

Performances

Mainpiece Title: The Sultan

Cast
Role: Metheglin Actor: Edwin

Afterpiece Title: The Death of Captain Cook

Cast
Role: Father Luke Actor: Booth

Afterpiece Title: Rosina

Dance: 1st piece conclude with: Grand Dance, as17890219

Dance: End Opera: Les Jalousies du Serail-[See17890317 After which: Admete-[See17890331

Song: I: a new song-Sga Giuliani; II: a new song-Marchesi; [By particular desire the favourite duet in [The Deserter-[i.e. Il Disertore [will be introduced; End Opera: Ariettes [by Marchesi-Marchesi; accompanied on the harp-[the Mme Krumpholtz [and see17890430]

Performance Comment: e. Il Disertore [will be introduced; End Opera: Ariettes [by Marchesi-Marchesi; accompanied on the harp-[the Mme Krumpholtz [and see17890430].the Mme Krumpholtz [and see17890430].
Cast
Role: accompanied on the harp Actor:

Performances

Mainpiece Title: The 1st Act Of La Buona Figliuola

Afterpiece Title: The Last Part of La Villanella Rapita

Dance: End I: an entirely new ballet, Les Caprices-Labourie, Mlle Hilligsberg [and see17900406]; End Opera: [an entirely new ballet, La Jalousie sans Raison-Labourie, Mlle Hilligsberg [and see17900415]

Performances

Mainpiece Title: La Locanda

Dance: End I: La Fete Villageoise-[see17920214]; End Opera: a new Pantomime Ballet, in I act, Le Volage Fixe (composed by D'Auberval [the music by Mazzinghi])-Mlle Hilligsberg, Mme D'Auberval, DeLaChapelle, D'Egville, Les Demoiselles Leonore et Rosine Simonet, Mlle Menage, Laborie; [end Pas de Cinque, entirely new, Le Menuet du Volage-

Event Comment: 2nd ballet: The Music by Tomich

Performances

Mainpiece Title: Il Burbero Di Bu0n Cuore

Dance: End of Act I New Divertisement, as17940311End of Act II a new Ballet Dramatic Pantomime, composed by D'Egville, Le Bon Prince; ou, Les Infortunes Vertueux, by Favre Guiardele, Gentili, Aumer, Master Menage, D'Egville, Mlle Hilligsberg, Mlle Guiardele, Mme Del Caro

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: L'Amant Statue, as17960423; in which will introduce a new Pas Seul-Mlle Parisot; End Opera: an entire new Ballet by Onorati La Villageoise Enlevee; ou, Les Corsaires-Mme Rose, Mme Bossi, Mme Hilligsberg, Mlle Barre, Didelot, Lahante, Gentili, Fialon, Mlle Parisot

Performances

Mainpiece Title: The Heir At Law

Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: The Sailors Prize

Afterpiece Title: Blue Devils

Related Works
Related Work: Blue Devils Author(s): George Colman, the younger

Song: In 2nd piece: New Sea Ballad-Incledon; Master Teddy Shemus O'Shaughnessey O'Finnigen Delany's History of Himself-Johnstone; Fat Dolly the Cook-Munden; Soldier's Song-Townsend; New Ballad-Mrs Martyr; To conclude with: Hearts of Oak, Rule Britannia-

Entertainment: Monologue and SingingEnd 1st piece: (for that night only) [an aquatic, historic, romantic, eccentric, sadly comic story, in character, Travels of Trudge, [including Trudge's Exordium on the Quay, [a new song, Under@Ground Lodging, [Trudge's Escape and Voyage; Wowski's Prattle on Shipboard; Mishaps at Barbadoes; a new song, The Marvellous [to Jemmy Linkum Feedle-Fawcett. [This was chiefly based on episodes from Inkle and Yarico.

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement, as18000111; End Opera: Hylas et Temire, as18000128, but Mrs _D'Egville, Mme Rose _Didelot; With new Dances-

Performances

Mainpiece Title: Semiramide

Dance: End I: A New Divertisement, as18000204; End Opera: Les Jeux d'Egle, as18000111, but _D'Egville, Mrs _D'Egville, Mme Rose _Didelot; With new Dances-

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: The 1st Act of Il Due Fratelli Rivali

Dance: End: a new Divertisement Bayadaire-Didelot, Deshayes, Laborie, Mme Hilligsberg, Mme Laborie, Mlle Parisot; End 2nd piece: a new ballet, Rinaldo e Leonora-; accompanied a part of the Dancing on the harp and piano forte-Mlle Parisot with a rondo composed by Latour (BUC, 602). For other perfomers see18000624

Performance Comment: For other perfomers see18000624.