SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Duke of New Castle"/1) | (@(roleclean,performerclean) "The Duke of New Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4081 matches on Event Comments, 3338 matches on Performance Title, 2721 matches on Performance Comments, 403 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 2nd ballet: With new Scenes and Decorations Moench

Performances

Mainpiece Title: Idalide

Dance: End I: Divertisement, as17910217; End Opera: La Fille Mal Gardee-Didelot, Vigano, Fialon, Mlle L. Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer

Performance Comment: Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer.
Event Comment: [Extra night] Benefit for the Fund for the Relief of those who, through Age of Infirmity, shall be obliged to retire from the Stage. [Epilogue by Edward Topham (European Magazine, Jan. 1792, p. 67).] Receipts: none listed

Performances

Mainpiece Title: The Death Of Captain Cook

Afterpiece Title: Wild Oats

Entertainment: Monologue. End 2nd piece: a New Epilogue (in Honour of the Fund,)-Mrs Wells; with an Imitation-

Performance Comment: End 2nd piece: a New Epilogue (in Honour of the Fund,)-Mrs Wells; with an Imitation-.
Cast
Role: a New Epilogue Actor: Mrs Wells
Event Comment: [In mainpiece the playbill retains Palmer, but "Last night previous to the new play R. Palmer came forward to make an apology for his brother not being able to make his appearance, having met with an accident in returning from the country in his professional pursuit. His place was supplied by Williamson" (Morning Post, 15 July). He "was thrown out of a chaise on Wednesday evening, by which accident his collar bone was broken" (Gazetteer, 16 July)

Performances

Mainpiece Title: Next Door Neighbours

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Citizen

Event Comment: Mainpiece [1st time; MD 3, by George Colman, ynger]: The new Musick (with a Martial Overture) by Dr Arnold. The Scenery by Rooker. The Characters will be dressed [playbill of 6 Aug.: The Dresses by Whitfield] in the Habits of the Times. Books of the Songs [T. Cadell, 1791] to be had at the Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Surrender of Calais

Performance Comment: Characters by Williamson, Bland, Usher, Aickin, Farren (1st appearance at this theatre), Bensley, Iliff, Evatt, Johnstone, Bannister Jun., Wilson, Parsons, Wewitzer, Burton, Rock, Chapman, Abbott, Powell, Barrett, Mrs Goodall, Mrs Kemble, Mrs Bland. Other Vocal Parts-Davies, Cubitt, Kenrick, Willoughby, Linton, Dorion, Aylmer, Little, Brown, Lyons, Mrs Bannister, Mrs Iliff, Mrs Edwards, Mrs Taylor, Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell, Miss Hale, Mrs Gaudry; [Cast from text (Longman [et al.], 1808), and Larpent MS 913: King Edward the III-Williamson; Harcourt-Bland; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribaumont-Farren [in text: Palmer]; Eustache de St. Pierre-Bensley; Officer-Iliff [in text: Palmer Jun.]; John d'Aire-Evatt; O'Carrol-Johnstone; La Gloire-Bannister Jun.; Serjeant-Wilson; Workmen-Parsons, Burton; Citizens-Wewitzer, Abbott, Barrett; Cryer-Rock; Old Man-Chapman [in text: Johnson]; Arundel-Powell; Queen-Mrs Goodall; Julia-Mrs Kemble; Madelon-Mrs Bland; Attendant-Mrs Taylor; Nuns-Miss Fontenelle, Miss DeCamp, Mrs Edwin, Mrs Powell.
Related Works
Related Work: The Surrender of Calais Author(s): George Colman, the younger

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Bloomfield (from the Theatre Royal, Bath; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Theodore Actor: Bloomfield

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters-Johnstone, Wilson, Blanchard, Incledon, Darley, Cubitt, Rees, Mrs Martyr, Mrs Arnold. Cast adjusted from Songs (For the Author [1790]): Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Squire Thicket-Incledon; Clueline-Darley; Flambeau-Cubitt; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Arnold; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written, and composed (with new accompaniments) by Dibdin: The Lamplighter[, I'm jolly Dick the Lamplighter-Cubitt; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; The Greenwich Pensioner ['Twas in the good ship Rover], Tom Bowling [Here a shere Hulk lies poor Tom Bowling]-Darley; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; Hunting Song[, To Batchelor's Hall-Incledon; Poor Jack[, Go patter to Lubbers-Incledon; The Portrait[, Come, Painter, with thy happiest flight-Incledon; [Conclude Rural Masquerade: Indian Song[, Dear Yanco say, and true he say-Mrs Mountain; Sea Song[, A Sailor's life's a life of woe-Mrs Arnold (1st time); The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus.
Event Comment: 1st piece: With new Scenes and Dresses. And a Procession, representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. As You Like It [advertised on playbill of 21 Sept.] is obliged to be deferr'd, on account of the sudden indisposition of a Principal Performer. Receipts: #156 5s. (151.12.6; 4.12.6)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Little Hunchback

Performance Comment: The Hunchback-Quick; Taylor-Blanchard; Jew Purveyor-Wilson; French Doctor-Marshall; Barber-Macready; Englishman-Powel; Doctor's Man-Rock; Bassa of Bagdad-Davies; Dora-Mrs Rock; Taylor's Wife-Mrs Webb. [For specific names of parts see17890414.]For specific names of parts see17890414.]
Cast
Role: The Hunchback Actor: Quick

Afterpiece Title: Comus

Performance Comment: Comus-Harley; Spirit-Thompson; Brothers-Macready, Evatt; Bacchanals-Incledon, Davies, Darley, Cubitt, Williamson; The Lady-Mrs Wells; Bacchant-Mrs Mountain; Pastoral Nymph-Miss Broadhurst; Sabrina-Miss Barnett; Euphrosyne-Mrs Martyr.
Cast
Role: Brothers Actor: Macready, Evatt
Role: The Lady Actor: Mrs Wells
Related Works
Related Work: Comus Author(s): George Colman, the elder

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke

Event Comment: 2nd piece: The Scenes entirely new, designed and executed by Greenwood. The Music composed principally by Storace, with a few pieces selected from Martini [i.e. Martin y Soler], Salieri, and Paisiello. Receipts: #450 8s. (403.12; 46.12; 0.4)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Siege of Belgrade

Performance Comment: The Seraskier-Kelly; Cohenberg-Palmer; Ismael-Benson; Yuseph-Suett; Leopold-Bannister Jun.; Peter-Dignum; Anselm-Sedgwick; Michael-Hollingsworth; Katherine-Mrs Crouch; Fatima-Miss Hagley; Lilla-Sga Storace; Ghita-Mrs Edwards.
Cast
Role: The Seraskier Actor: Kelly
Role: Katherine Actor: Mrs Crouch

Afterpiece Title: All the World's a Stage

Event Comment: Mainpiece: 14th Time [i.e. in continuation of the reckoning for the previous season]. With new Scenery, &c. Receipts: #212 10s. (207.18; 4.12)

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Afterpiece Title: Robin Hood

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds, based partly on Monsieur Thomas, by John Fletcher. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (see text)]: With new Scenery, Dresses, &c. Public Advertiser, 24 Apr. 1793: This Day is published Notoriety (1s. 6d.). Receipts: #228 8s. (224.0; 4.8)

Performances

Mainpiece Title: Notoriety

Performance Comment: Principal Characters by Lewis, Quick, Johnstone, Farren, Wilson, Munden, Davies, Farley, Mrs Wells, Mrs Webb, Mrs Esten. [Cast from 1st authorized text (T. N. Longman, 1793): Nominal-Lewis; Col. Hubbub-Quick; O'Whack-Johnstone; Clairville-Farren; Sir Andrew Acid-Wilson; Lord Jargon-Munden; Saunter-Davies; James-Farley; Sophia Strangeways-Mrs Wells; Lady Acid-Mrs Webb; Honoria-Mrs Esten; Prologue-Farren; Epilogue-Lewis. [These were spoken, as here assigned, at all subsequent performances, except on 14, 17, 25 Jan. and 28 Apr., when the Prologue was omitted.]These were spoken, as here assigned, at all subsequent performances, except on 14, 17, 25 Jan. and 28 Apr., when the Prologue was omitted.]

Afterpiece Title: Love in a Camp

Cast
Role: Father Luke Actor: Rock
Event Comment: Mainpiece: With Additions [by John Philip Kemble] from Dryden. The Music by Purcell and Dr Arne. With new Airs and Chorusses by Linley Jun. Receipts: #225 8s. 6d. (188.14.6; 34.19.0; 1.15.0)

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Dance: See17911105 [i.e. not listed on playbill]

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Crouch, Mrs Bland, Miss Hagley, Mrs Edwards; V: the Masque of Neptune and Amphitrite-Neptune Sedgwick,; Amphitrite Mrs Edwards

Event Comment: Paid Times, advertising opening, #3 7s. 6d. Afterpiece: With new Dresses and Decorations. Receipts: #292 9s. 6d. (200.4.6; 88.3.0; 4.2.0)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard-Kelly; Blondel-Barrymore; Florestan-Caulfield; Sir Owen-Dignum; Seneschal-Phillimore; Antonio-Mrs Bland; Guillot-Suett; Mathew-Fawcett; William-Banks; Pilgrim-Webb; Matilda-Mrs Jordan; Laurette-Mrs Crouch; Dorcas-Mrs Davis; Julia-Miss DeCamp; Chorus of Knights-Danby, Cooke, Maddocks, Lyons; Chorus of Soldiers-Fawcett, Alfred, Shaw, Dorion.
Cast
Role: Mathew Actor: Fawcett

Dance: In afterpiece: the young D'Egvilles, Miss DeCamp. [Included, as here assigned, in all subsequent performances.

Event Comment: Mainpiece: Not performed these 3 years. With new Dresses and Decorations. Receipts: #255 (251.5; 3.15)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Midnight Hour

Event Comment: Mainpiece [1st time; CO 5, by Hannah Cowley. Author of Prologue unknown. Epilogue by the author (see text)]: With Songs, Duetts, and Chorusses composed by Mazzinghi. With new Scenery, Dresses, and Decorations. Books of the Songs, &c. to be had at the Theatre. [Afterpiece in place of The Padlock, advertised on playbill of 2 Dec.] Morning Herald, 23 Feb. 1792: This day is published A Day in Turkey (1s. 6d.). Receipts: #263 16s. (261.15.6; 2.0.6)

Performances

Mainpiece Title: A Day In Turkey; Or, The Russian Slaves

Performance Comment: Principal Characters by Holman, Farren, Munden, Fawcett, Cubitt, Macready, Thompson, Farley, C. Powell, Cross, Incledon, Mrs Esten, Mrs Mattocks, Mrs Martyr, Mrs Pope. [Cast from text (G. G. J. and J. Robinson, 1792): Ibrahim-Holman; Orloff-Farren; Mustapha-Munden; A La Greque-Fawcett; Azim-Cubitt; Muley-Macready; Old Man-Thompson; Ismael-Farley; 2nd Turk-C. Powell [in text: Evatt (see17911230)]; Son-Cross; Selim-Incledon; Paulina-Mrs Esten; Lauretta-Mrs Mattocks; Fatima-Mrs Martyr; Alexina-Mrs Pope; Female Slaves-Mrs Fawcett, Mrs Rock; Prologue-Harley; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the first 9 performances only (see17920120).]These were spoken, as here assigned, at the first 9 performances only (see17920120).]

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Blanchard; Sir ThomasTesty-Thompson; Dick-Farley; Old Hob-Powel; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Miss Stuart; Flora-Mrs Martyr.
Cast
Role: Hob's Mother Actor: Mrs Pitt
Event Comment: Mainpiece: Not acted these 5 years [acted 16 Jan. 1789]. Afterpiece [1st time at a public theatre (1st acted at Lord Barrymore's private theatre at Wargrave, 13 Apr. 1791); P 2, by Carlo Antonio Delpini. Not published]: With entire new Music, Scenery, Machinery, Dresses, and Decorations. The Music composed by Baumgarten. The Scenes painted by Richards, Hodgins, Pugh, Walmsley, and other assistants. Books of the Songs [W. Woodfall, 1791] to be had at the Theatre. Nothing under Full Price will be taken. "The Piece was last night very incorrectly exhibited...The scenes of the destruction of the cottage by fire, the view of Strawberry-hill, and Blue Beard's infernal palace...are worthy of commendation. The last scene was not grand enough: the wings were by no means in unison" (Public Advertiser, 22 Dec.). Receipts: #279 13s. (249.19; 29.14)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard; or, The Flight of Harlequin

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Dance: see17920111

Event Comment: Mainpiece [1st time in London; T 5, by Hannah Brand, 1st acted at Norwich, 7 Apr. 1791. Again acted at king's on 2 Feb. as Agmunda; text 1st published in Miss Brand's@Plays@and@Poems (Norwich: Beatniffe and Payne, 1798) as Huniades; or, The Siege of Belgrade. Prologue and Epilogue by the author (London Chronicle, 19 Jan. 1792)]: The Dresses, Decorations, &c. entirely new. Receipts: #367 1s. 6d. (314.2.6; 51.8.0; 1.11.0)

Performances

Mainpiece Title: Huniades

Performance Comment: The Christian Characters by Kemble, R. Palmer, Wroughton, Barrymore, Aickin, Dignum, Whitfield, Maddocks, Packer, Bland, Jones, Cooke, Lyons, A Young Lady (Author of the Tragedy; 1st appearance on any stage), Miss Collins. The Mahometan Characters by Palmer, Benson, Webb, Sedgwick, Caulfield. Cast from London Chronicle, 21 Jan.: Hungarians: Huniades-Kemble; Vilach-R. Palmer; Corvinus-Wroughton; Count of Cilley-Barrymore; Campestran-Aickin; Zilugo-Whitfield; Old Officer-Packer; Agmunda-Miss Brand; Ella-Miss Collins; Turks: Mahomet II-Palmer; Mustapha-Benson; Zoganus-Webb; Aga-Sedgwick; Chusanes-Caulfield; Dignum, Maddocks, Bland, Jones, Cooke, Lyons; Prologue-Miss Farren; Epilogue-Bannister Jun.

Afterpiece Title: The Deaf Lover

Event Comment: [Afterpiece in place of The Sultan, advertised on playbill of 31 Jan.] A New Edition of Cymon to be had at the Theatre. Receipts: #340 18s. 6d. (292.14.6; 44.18.0; 3.6.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Virgin Unmask'd

Event Comment: Mainpiece: Altered from the Tragedy of Huniades. [Afterpiece in place of The Pannel, advertised on playbill of 1 Feb.] Morning Herald, 3 Feb., refers to the "new epilogue [probably written by Miss Brand]: a sort of dialogue between an undertaker and a brave British tar." Receipts: #141 12s. 6d. (105.2.6; 32.12.0; 3.18.0)

Performances

Mainpiece Title: Agmunda; Huniades

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber
Event Comment: Mainpiece: Not acted these 3 years. With new Dresses and Decorations. The Characters dressed in the Habits of the Times. [Palmer Jun. was from the hay.] "It is necessary to remind both Macbeth and his Lady that there is a measured declamation, of which the natural utterance of passion knows nothing, and that words and syllables may be divided and subdivided till the fatigue of the ear overcome every other feeling...Between the first and second acts Ca ira was loudly called for from the pit and gallery. The clamour, after preventing the first part of the second act from being heard, subsided as unaccountably as it rose. The performers, in compliance with an admonition from the pit, began the act again, and proceeded without further interruption" (Morning Chronicle, 20 Feb.). "In Macbeth there was too much that was not Shakespeare, too much bad taste and shabbiness in the costumes of the witches, and all in all too much claptrap. He found it insufferable that Banquo should take the part of his own ghost and felt that the audience should behold the specter only in Macbeth's terror, as was the case with the banquet guests. 'Mr Kemble has desired on several occasions to suppress the ghost,' Meister says, 'but has never had the courage to do so.'" (J. H. Meister quoted in J. A. Kelly, 134). For Kemble's eventual courage in this matter see dl, 21 Apr. 1794.] Receipts: #425 6s. (383.2; 40.4; 2.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Song: In: The original Music by Matthew Locke, with full Chorusses and additional Accompaniments-Bannister, Sedgwick, Dignum, Danby, Maddocks, Caulfield, Cooke, Alfred, Shaw, Lyons, Mrs Bland, Mrs Edwards, Miss Hagley, Miss DeCamp, Mrs Shaw, Mrs Edwin, Mrs Butler, Mrs Bramwell, Mrs Gawdry, Miss Kirton

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. The Public are respectfully informed, that on account of the preparation for the New Theatre [i.e. the alterations in cg, for which see 1792-93], the Great Door in Hart-Street is unavoidably obliged to be shut up for the remainder of the Season. Receipts: #289 17s. 6d. (284.1.0; 5.16.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants would-Mrs Crouch; Tyrants ye in vain-Chorus (Athalia); How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); The smiling dawn-Master Welsh (Jephtha); Solo (on the harp)-Meyer; Deeper and deeper still-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto bassoon-Parkinson; Ye men of Gaza-Miss Barclay (Samson); And in that air behold! God is my salvation, Therefore with joy-Reinhold; And in that day, Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Ah chi sa-Kelly, Morelli, Mrs Crouch [Il Barbiere di Siviglia, Paisiello]; With ravish'd ear-Miss Hagley (Alexander's Feast); But bright Cecilia, As from the power-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Cantata-Reinhold (Giordani); But thou didst not leave-Master Welsh (The Messiah); Trio-Kelly, Morelli, Mrs Crouch; Song-Mrs Bland (Attwood); Shake the dome-Chorus (Solomon); Song-Mrs Crouch; accompanied on the harp-Meyer; Little these evils, Why does the God of Israel sleep?-Incledon (Samson); Worthy is the lamb-Chorus (The Messiah).

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Occasional Oratorio)-; O had I Jubal's-Miss Hagley (Joshua); His mighty arm-Kelly (Jephtha); Che vi par-Morelli, Kelly, Mrs Crouch (Sarti); Would you gain-Master Welsh (Acis and Galatea); Wake sons-Sedgwick (R. J. Stevens); Mary's dream-Miss Barclay (Relfe); For unto us a child-Chorus (The Messiah).

Afterpiece Title: Grand Selection 2

Performance Comment: Hautboy concerto (Handel)-; Blooming virgins-Incledon (Athalia); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Fair Rosale-Master Welsh (Linley); Let's imitate-Dignum, Miss Hagley (Alexander's Feast); What though I trace-Mrs Crouch (Solomon); Zadock the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: Eternal God-Reinhold (Isaac, Giordani); The Prince unable-Mrs Bland (Alexander's Feast); Non piu andrai-Morelli (Paisiello [recte Le Nozze di Figaro, Mozart]); Softly rise-Dignum, Chorus (Solomon, Boyce); Sweet bird-Mrs Crouch (L'Allegro); Every day will I give thanks-Incledon (Chandos Anthems); I know that my Redeemer liveth-Master Welsh; Hallelujah for the Lord God-Chorus (The Messiah).

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel; Redemption 0

Cast
Role: Leader of the Band Actor: Shaw.

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants-Mrs Crouch, Chorus [Athalia]; How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); Let me wander, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); The Prince-Mrs Bland (Alexander's Feast); Deeper and-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).

Afterpiece Title: Grand Selection 2

Performance Comment: Justly these evils, Why does the God?-Incledon; Ye men of-Miss Barclay (Samson); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Dead March (Saul)-; Lord remember David-Kelly [Sosarme]; Ah chi sa-Kelly, Mrs Crouch, Morelli; Consider found shepherd-Master Welsh (Acis and Galatea); But bright Cecilia, As from the pow'r-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

Performance Comment: Behold! I tell, The trumpet shall sound-Reinhold (The Messiah); Is not the King?, Nn the charmer fondly gazing-Miss Hagley (Arnold); Non vi par-Morelli, Kelly, Mrs Crouch (Sarti); Fair Rosale-Master Welsh (Linley); Softly rise-Dignum; Ye southern breezes-Chorus (Solomon, Boyce); O magnify the Lord-Mrs Crouch; Every day will I give thanks-Incledon (Coronation Anthems); Worthy is the lamb-Chorus (The Messiah).

Song: End II: Mad Bess-Mrs Crouch (Purcell)

Event Comment: Mainpiece: In II an Ovation, or, Entry of Coriolanus into Rome. In V A Procession of Roman Matrons to the Volscian Camp. A new Edition of Coriolanus to be had at the Theatre. [Afterpiece in place of The Pannel, advertised on playbill of 29 Mar. Diary, 2 Apr. states that this was Kemble's benefit, but it is not referred to as such on the playbill, in the Account-Book or in Kemble Mem.] Receipts: #377 13s. (333.13; 42.13; 1.7)

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: A New Comic Opera composed by Paisiello [but not recorded in any list of his operatic works]; under the direction of Mazzinghi. [Originally ententitled Le Vane Gelosie, this was 1st performed at Naples in 1790. Its libretto, by G. B. Lorenzi, was re-set in 1793 by G. Astarita, and performed at Venice as Le Fallaci Apparenze. The characters in all these versions are identical. See E. Faustini-Fasini, Opere Teatrali di Paisiello, 1940, 137-38, and Morning Herald, 2 Apr. 1792.

Performances

Mainpiece Title: La Discordia Conjugale

Dance: As17920310

Event Comment: Benefit for Baddeley. Kemble Mem.: I believe this is a Farce of Mr Baddeley's writing [which it was]. Morning Herald, 21 Mar.: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #356 12s. (113.3.6; 33.5.0; 3.1.0; tickets: 207.2.6) (charge: #153 18s.)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Swindlers

Performance Comment: Characters-Palmer, Baddeley, Barrymore, Benson, Burton, Banks, Maddocks, Bannister Jun., Caulfield, Phillimore, Packer, Alfred, Webb, Lyons, Mrs Goodall, Mrs Powell, Mrs Booth. [Larpent MS 374 (for 1st performance, 1774) lists the parts: Bubblewell, Isaac Israel, Harry, Lord Smallwitt, Jacob, Alderman Cornish, Doctor Addlebrain, Staytape, Stretch, Constable, Servants, Clerk, Mrs Bubblewell, Miss Bilkall.]Larpent MS 374 (for 1st performance, 1774) lists the parts: Bubblewell, Isaac Israel, Harry, Lord Smallwitt, Jacob, Alderman Cornish, Doctor Addlebrain, Staytape, Stretch, Constable, Servants, Clerk, Mrs Bubblewell, Miss Bilkall.]

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109