SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Duke of New Castle"/1) | (@(roleclean,performerclean) "The Duke of New Castle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4081 matches on Event Comments, 3337 matches on Performance Title, 2721 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Mrs Wells. [New Address by Edward Topham (European Magazine, May 1792, p. 389, which also identifies the speaker).] Receipts: #202 19s. (137.12.6; 6.3.0; tickets: 59.4.0) (charge: #105)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

Event Comment: It having appeared to be the Sense of a considerable Part of the Audience on Monday Night that the One Shilling Gallery should be restored, the Proprietor has already given Directions that their Wishes may be obeyed with all possible Expedition. With respect to the other Point, upon which some difference of Opinion still continued throughout the Performance, it is necessary to declare, that without absolute Ruin to the Property, this Theatre cannot be opened at lower Prices of Admission. The Proprietor therefore relies with Confidence on the Justice and Protection of the Public should any Attempt be made again to interrupt the Performance upon this Ground. [The new Upper, or One-Shilling, Gallery was constructed within two weeks, and opened on 1 Oct. The audience accepted The argument for the necessity of raising the prices of admission, which, as they now stood, remained in effect for the remainder of the century. 2nd piece in place of The Suspicious Husband, advertised on playbill of 17 Sept.] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Duenna

Performance Comment: Ferdinand-Johnstone; Isaac-Quick; Don Jerome-Wilson; Anthonio-Marshall; Father Paul-Darley; Lopez-Farley; Carlos-Incledon; The Duenna-Mrs Webb; Louisa (1st Time)-Mrs Blanchard; Clara (1st time)-Miss Broadhurst.
Cast
Role: Father Paul Actor: Darley
Role: The Duenna Actor: Mrs Webb

Afterpiece Title: Modern Antiques; or, The Merry Mourners

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Performance Comment: As17930227, but Conductor-Linley? Sen., Arnold; Preceded by Overture-(Esther).

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

Performances

Mainpiece Title: The Messiah

Afterpiece Title: The Resurrection

Afterpiece Title: A New Grand Selection

Performance Comment: Concerto on the violin-Alday; The Mansion of Peace-Harrison (Webbe); Captivity-Mrs Crouch; Hallelujah! for the Lord God-Chorus (The Messiah); O'er hill and valley-Mrs Harrison; O Phoebus-Miss Leak (Dr Arnold); The soldier tir'd of war's alarms-Miss Poole; The undaunted Britons-Dignum, Chorus; God save Great George our King with new accompaniments by Dr Arnold,-Chorus.
Event Comment: Diary, 3 June: synopsis of action of new ballet

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Les Epoux du Tempe, as17930205; End Opera: a new Pastoral Ballet (1st time; composed by D'Egville) Le Jaloux Puni-Mlle Millerd, D'Egville, Favre Gardel, Mlle Hilligsberg, Mlle Menage, Mlle Gardel, Mlle Hilligsberg Jun [1st appearance]

Event Comment: [Mrs Pollock's 1st two appearances were on 24 Nov. 1792 and 14 Jan. 1793.] Afterpiece: Not acted these 3 years. Being a Collection of Favorite Scenes from the following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, Harlequin Rambler. [Synopsis of Entertainment in Public Advertiser, 3 Oct.] Receipts: #261 11s. (245.5; 16.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Harlequin's Chaplet

Performance Comment: Principal Pantomimic Characters-Simpson, Follett, Farley, Rock, Evatt, Rees, Thompson, Claremont, Hawtin, Mrs Watts, Mrs Follett, Miss Smith, Mrs Ratchford, Mrs Blurton, Miss Paye; Vocal Characters-Linton, Gray, Davies, Street, Little, Sawyer, Kendrick, Spofforth, Tett, Mrs Martyr, Mrs Mountain, Miss Barnett, Miss Leserve, Mrs Masters, Mrs Lloyd. [Partial cast adjusted from playbill of 15 Nov. 1790: Harlequin-Simpson; Clown-Follett; Lover-Farley; Woodcutter-Rock; Bricklayers-Evatt, Thompson; Lover's Servant-Rees; Pantaloon-Claremont; Gardener-Hawtin; Colombine-Mrs Watts; Shepherd, Shepherdess-Mrs Martyr, Mrs Mountain; Same playbill lists the other character: Farmer, Serjeant, Recruits, Carpenter, Sportsmen, Monkey, Peacock, Witches.] Same playbill lists the other character: Farmer, Serjeant, Recruits, Carpenter, Sportsmen, Monkey, Peacock, Witches.]

Entertainment: Afterpiece: [To conclude with Three Entire New Scenes, representing the Town and Harbour of Toulon; with a View of the Manoeuvring of the British, Spanish, and French Fleets, after the Surrender of the Town and Fortifications to the English] on the Twenty-ninth of August [1793]. In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips

Performance Comment: In which, When in War on the Ocean-Davies; an Entire New Song [composed by Shield,-Incledon; The Music- [Selected by Shaw from Pepusch, Dr Arne, Arnold, Fisher, [Michael] Arne, Vincent, Dibdin, Reeve, Shield; The Dances-Byrn, Holland[; The Scenery-Hodgins, Walmsley, Phillips.
Cast
Role: When in War on the Ocean Actor: Davies
Role: The Music Actor:
Role: The Dances Actor: Byrn, Holland
Role: The Scenery Actor: Hodgins, Walmsley, Phillips.
Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder
Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.
Cast
Role: Father Actor: Hull

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: First Night of the 2nd Subscription. Ballet: With entire new Scenes, Dresses and Decorations [see 20 June]

Performances

Mainpiece Title: Alceste

Dance: End Opera: a new Heroic Pantomime Ballet, composed by Onorati, L'Odio vinto dall' Eroismo- see17950620

Event Comment: A Serious Opera (1st time at this Theatre [1st performed at Venice, 1783]); the Music by Bianchi. "The splendour of the Opera this year in point of crowd and fashion surpasses every thing within our memory. It used to be only full on the Saturday evening...Mlle Parisot, a new dancer from Paris, is a most beautiful figure, about 18 years of age...Her balance is postively magical, for her person was almost horizontal while turning as on a pivot on her toe" (Morning Chronicle, 10 Feb.). "[Mlle Parisot's] acting proves what art may effect by beautiful simplicity. She never makes use of those tours de force with which the best female dancers at Paris still endeavour to shine. Every step of Mlle Parisot is marked by the greatest truth and dignity of nature. Every one of her movements is expressive, spirited and harmonious" (Goede, pp. 264-65)

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

Event Comment: A new Comic Opera [1st performed at Naples, 1793]; the music by Cimarosa

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A New Divertissement, as17960209, but Mlle Barre (1st appearance); End Opera: +Paul et Virginie, as17960116

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Performance Comment: Sylvester Daggerwood (with Jacky and the Cow, by permission of Dibdin, who has written the accompaniments)-Bannister Jun.; Fustian-Suett; Apewell [with Imitations (see17960607]-Caulfield.

Afterpiece Title: The Critic

Performance Comment: Dangle-Dodd; Sneer-Benson; Sir Fretful Plagiary (for that night)-Bannister Jun. (1st appearance in that character); Signor Ritornello-Fairbrother; Interpreter-Wewitzer; Puff-King; Mrs Dangle-Mrs Maddocks; Italian Girls-Miss Leak, Miss Granger, Miss DeCamp; [Tragedians:] Don Ferolo Whiskerandos-Bannister Jun. [i.e. doubled Sir Fretful Plagiary]; Nieces-Miss Heard, Miss Mellon; Justice's Lady-Mrs Heard; Confidant-Miss Tidswell; Tilburina-Miss Pope.

Afterpiece Title: The Wedding Day

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT 1, by John Cartwright Cross. Larpent MS 1124; not published]: Founded on the recent and glorious Achievement, at the above French Fort, of Sir Sydney Smith. [On 17 Mar. 1796 a force under Sir William Sydney Smith had destroyed six French vessels in the Bay of Herqui.] To conclude with the British striking the French Colours on the Fort, burning their Corvettes in the Harbour. The new Music by Shield. Oracle, 29 Mar.: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett-court, Bow-street, Covent-Garden. Receipts: #384 11s. 6d. (192.14.0; 10.1.0; tickets: 181.16.6)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Point at Herqui; or, British Bravery Triumphant

Performance Comment: Captain of the Diamond-Incledon; Lieut. O'Liffey-Johnstone; Napkin-Fawcett; Lounger-Munden; Mat Midships-Mrs Martyr; Nancy-Mrs Clendining.

Dance: II: a Negro Dance-; 3rd piece: a new incidental Dance by Byrn-Mlle St.Amand, Holland, Byrn

Song: End I: Sweet Bird-Mrs Serres; accompanied on the German Flute (for this night only)-Ashe, from the Hanover-Square Concert; In Evening: Admiral Benbow-Incledon; 3rd piece: the following songs: The Mid Watch-Incledon; Tippy Bob-Munden; The Waiter-Fawcett; Irish Song-Johnstone; New Loyal Song-Mrs Martyr; Rondo-Mrs Clendining; Ye Gentlemen of England-Linton, Street, Incledon; Rule Britannia-Incledon, Johnstone, Chorus

Event Comment: Benefit for Incledon. 2nd piece: Performed but once [recte twice: on 1 and 8 May 1795]. The Music part new, and part compiled, by Shield. True Briton, 20 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #440 7s. 6d. (245.7.0; 5.18.0; tickets: 189.2.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Sailor's Prize

Afterpiece Title: The Prisoner at Large

Cast
Role: Father Frank Actor: Davenport

Song: End I 1st piece: The Storm-Incledon; In 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden, Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; Black Ey'd Susan-; Hearts of Oak-; Rule Britannia-; End I 3rd piece: Old Towler- [Incledon?]

Event Comment: Benefit for the Voluntary Contributions for the Defense of the Country. 1st piece: An entire new Comic Opera [1st performed at Venice, 1791]. 1st ballet: Compressed into a first Dance

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

Event Comment: By Desire of his Excellency the Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Mrs Martyr. [In 1st piece the playbill retains Fawcett as Trudge, but "Munden, in the absence of Fawcett, sustained the part of Trudge in a manner that gave the audience no cause to regret the change" (Morning Herald, 10 May).] Times, 25 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street. Receipts: #425 4s. (211.6.6; 14.10.0; tickets: 199.7.6)

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Cast
Role: The Argument Actor: .
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

Performance Comment: 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus.
Event Comment: By Command of Their Majesties. [In Percy A. Scholes, The Great Dr. Burney, 1958, II, 351, the title of the new song (misdated 1799) is given as Song on the Naval Victories.] Receipts: #439 (433.17.6; 5.2.6)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile