SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "The Duke of Buckingham"/1) | (@(roleclean,performerclean) "The Duke of Buckingham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1265 matches on Performance Comments, 1053 matches on Event Comments, 402 matches on Author, 331 matches on Performance Title, and 69 matches on Roles/Actors.
Event Comment: WWarner and Fawkes' Booth, facing the Hospital Gate, West Smithfield. Noon to 10 p.m. [Notice repeated 26, 27 August.

Performances

Mainpiece Title: The Happy Hero

Afterpiece Title: All Alive and Merry

Afterpiece Title: Harlequin Incendiary; or, Colombine Cameron

Song: In praise of our successful Hero the Duke of Cumberland-

Performances

Mainpiece Title: The Heroic General; Or, Briton's Darling

Performance Comment: interspers'd with the comical Humours of Awl the Cobler, Sneak the Taylor, Trim the Barber, and Kate Inlist the Serjeant's Wife.

Afterpiece Title: Harlequin Sailor; or, The Wapping Landlady

Song: Song in praise of Duke of Cumberland-

Performances

Mainpiece Title: The Fate Of Villainy; Or, Virtue Triumphant

Afterpiece Title: The Imprisonment of Harlequin

Performance Comment: Harlequin-Cushing; 1st Witch-Harris; 2nd Witch-Mrs Garrick; Squire Numps-Lackit; Colombine-Mrs Cushing; Father-Smith; Clodpole the Clown-Warner.
Cast
Role: Father Actor: Smith
Role: Clodpole the Clown Actor: Warner.

Song: In praise of the Duke of Cumberland-

Music: A good Band of Musick

Event Comment: HHussey and Phillips, New Theatre, Bowling Green. Not performed these Ten Years. Prices 2s. 6d., 1s. 6d., 1s., 6d. [Notice repeated 9, 10, 11 Sept.

Performances

Mainpiece Title: He Constant Couple; Or, The Fop Bit [a Farce]

Afterpiece Title: Harlequin Restor'd; or, Burgomaster Trick'd

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

Music: A grand chorus of kettle Drums-; Hautboys-; French Horns- in praise of our noble Hero, the Duke of Cumberland

Dance: I: Drunken Peasant-Phillips

Song: II: Master Maddox; III: A new Song, Maids have a Care-Bennett

Performances

Mainpiece Title: L'allegro Ed Il Penseroso; And Handel's anthem Composed For The Duke Of Chandos; Alexander's Feast, And The Coronation Anthems

Music: As17760306

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Performances

Mainpiece Title: The Duke Of Milan

Performance Comment: Principal Characters by Henderson, Hull, Whitfield, Peile, L'Estrange, Fearon, Robson, Booth, Thompson, Aickin, Miss Platt, Miss Younge (1st appearance at this theatre). Cast from Morning Chronicle, 11 Nov.: Sforza-Henderson; Cardinal-Hull; Alphonso-Whitfield; Emperor-Peile; Pescara-L'Estrange; Spanish Captains-Fearon, Robson, Booth; Lodovico-Thompson; Francisco-Aickin; Attendant-Miss Platt; Marcelia-Miss Younge; New Prologue-Lee Lewes, Hull (Public Advertiser, 11 Nov.); New Epilogue-Mrs Bulkley (ibid.).

Afterpiece Title: The Touchstone

Event Comment: Afterpiece [1st time; PAST 2, by Richard Josceline Goodenough, altered from his unacted play The Cottagers]: The Overture and Music composed by Baumgarten. [Baumgarten used this overture again in Robin Hood (see cg, 17 Apr. 1784).] Books of the Pastoral to be had at the Theatre. [Wordsworth is identified in the playbill of 22 Dec. Mrs Webb was from the Hay.] Public Advertiser, 24 Nov. 1779: This Day is published William And Nanny (1s.). Receipts: #122 15s. (116.15.6; 5.19.6)

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

Performance Comment: [Principal Characters by A Young Gentleman (1st appearance on any stage Wordsworth]), Wilson, Moody, Mrs Webb (1st appearance at this theatre), Mrs Pitt, Miss Brown. [Cast from text (J. Kearby, 1779) William-A Young Gentleman; Hearty-Wilson; Murtagh Mulrooney-Moody; Dame Hearty-Mrs Webb; Old Woman-Mrs Pitt; Nanny-Miss Brown.

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

Dance: End: The Dockyard, as17790924, but _Langrish, Ratchford

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

Event Comment: By Permission of the Lord Chamberlain. Benefit for Berry. Afterpiece: Written by the late Samuel Foote, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at Mrs Richman's@Masquerade@Warehouse, Oxford-street; of Berry, at the George in the Haymarket; and of Rice at the Theatre, where Places for the Boxes may be taken. No Money to be returned

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Lennet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvidera-Mrs Roberts (1st appearance on this stage).
Cast
Role: Duke Actor: Johnson

Afterpiece Title: Taste; or, Diversion in the Morning

Performance Comment: Carmine-Martin (1st appearance on any stage [see above]); Brush-A Gentleman (from the Theatre Royal, Richmond [unidentified]); Novice-Scott; Lord Dupe-Holiday; Alderman Pentweazel-Well; Caleb-Johnson; Boy-Sharp; Puff-Wilkinson; Lady Pentweazel-Mr Berry (2nd appearance on any stage).

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: Benefit for Mrs Clendining. 1st piece: Not acted these 2 years. 2nd piece: In one Act. Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 22, Southampton-street, Covent-Garden. Receipts: #127 5s. (31.3.6; 6.2.6; tickets: 89.19.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen and I to the Theatre, and there saw The Country Captain, a dull play

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the Theatre to The French Dancing Master, and there with much pleasure gazed upon her (Lady Castlemaine); but it troubles us to see her look dejectedly and slighted by People already. The play pleased us [Pepys and Mrs Pepys] very well; but Lacy's part, the Dancing Master, the best in the world

Performances

Mainpiece Title: The French Dancing Master

Related Works
Related Work: The French Dancing Master Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. This performance is on L. C. lists 5@139, p. 129, and 5@12, p. 17, adds: King here. See also Nicoll, Restoration Drama, p. 344

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Country Captain, which is a very ordinary play. Methinks I had no pleasure therein at all

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: I carried [Mercer and Mrs Gayet] to the King's house...and there saw The Country Captain, a very dull play, that did give us no content, and besides, little company there, which made it very unpleasing

Performances

Mainpiece Title: The Country Captain

Related Works
Related Work: The Country Captain Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: the King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: one of my Lord of Newcastle's for whch printed apoligies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14)

Performances

Mainpiece Title: The Heiress

Performance Comment: The play was not published.
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle
Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.
Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Event Comment: "So much has been curtailed of [The Heiress] that the time of the representation is now three quarters of an hour less than it was on Saturday" (Morning Chronicle, 17 Jan.). Receipts: #250 4s. (227/6/0; 21/6/6; 1/1/6; tickets not come in: 0/10/0)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece The Minuet de la Cour by Hamoir and Miss Stageldoir

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #216 1s. (186/18/0; 27/6/6; 1/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Performance Comment: As17860102, but Miss Collins in place of Mrs Wrighten. [The playbill lists the actors' names only; i.e. the parts are not assigned.] hathi.

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Hurly-Burly

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #307 or. 6d. (283/12/0; 21/16/6; 1/12/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Romp