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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T and J Egerton"/1) | (@(roleclean,performerclean) "T and J Egerton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1014 matches on Performance Comments, 526 matches on Event Comments, 95 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

Event Comment: Tickets delivered by Chalmers and J. Ledger will be admitted. Receipts: #176 3s. 6d. (116/9/0; 3/16/6; tickets: 55/18/0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece Adelaide de Brabant, as17840508

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece Hornpipe, as17840416

Event Comment: Afterpiece [1st time; MF 2, by Mark Londsale. Prologue by the author {London Chronicle, 10 Nov.)]: The Overture, new Airs and Accompaniments composed by [Thomas] Linley [Sen.]. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1784: This Day is published The Spanish Rivals (1s.). Receipts: #160 2s. 6d. (104/12/0; 54/18/0; 0/12/6)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Brereton; Myrtle-Palmer; Cimberton-Parsons; Mr Sealand-Aickin; Sir John Bevil-Packer; Humphry-Wrighten; Daniel-Burton; Tom-King; Phillis-Mrs Wilson; Lucinda-Miss Field; Isabella-Mrs Hedges; Mrs Sealand-Mrs Love; Indiana-Miss Farren .
Cast
Role: Mr Sealand Actor: Aickin
Role: Mrs Sealand Actor: Mrs Love

Afterpiece Title: The Spanish Rivals

Performance Comment: Principal Characters by Parsons, Baddeley, Barrymore, R. Palmer, Dodd; Mrs Wrighten, Miss Phillips. [Cast from text (J. Almon, 1784): Don Narcisso de Medicis-Parsons; Don Gomez-Baddeley; Don Fernandez-Barrymore; Basto-R. Palmer; Peter-Dodd; Lucett-Mrs Wrighten; Roxella-Miss Phillips.] Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Bannister Jun. [This was spoken, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Don Fernandez Actor: Barrymore

Song: In Act II of mainpiece a song by Miss Stageldoir

Event Comment: [Mainpiece in place of Tamerlane, announced on playbill of 23 Dec] Afterpiece [1st time; P 2 (?), by Ralph Wewitzer and Frederick Pilon. MS not in Larpent; not published. Synopsis of action in Town and Country Magazine, Supp. 1784, p. 717]: With new Scenery, Music, Dresses and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses and the whole Music of the Pantomime new, and composed by Shield. Nothing under Full Price will be taken. The Words of the Songs, &c to be had at the Theatre. "The performance was such as the first performance of pantomimes generally--machinery and scenery not so perfectly executed as when practice has rendered the movements more familiar to those to whom they belong, which, as the beauty of a pantomime depends on the celerity and adroitness of the scene-men, it seldom is discovered on the first night" (Public Advertiser, 28 Dec)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Magic Cavern; or, Virtue's Triumph

Performance Comment: Cast not listed. [Partial cast and names of certain performers from following sources: Songs (J. Almon, 1785) lists Old Man-Davies; Tanner-Doyle; Cooper-Darley; Abdiel-Miss Brett; Colombine-unassigned; the score (Longman and Broderip [1784]) lists Magician [i.e. Old Man?]-Davies; General Advertiser, 28 Dec. assigns Harlequin-Kennedy, and lists Johnstone, Mrs Bannister; Morning Chronicle, 30 Dec. lists Stevens.] hathi. Morning Chronicle, 30 Dec. lists Stevens.] hathi.

Song: In Act I of mainpiece song by Brett

Performances

Mainpiece Title: Nitteti

Related Works
Related Work: Nitteti Author(s): Antonio Andrei

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

Event Comment: Benefit for Quick. Public Advertiser, 5 Mar.: Tickets to be had of Quick, No. 99, High Holbourn. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1763]. Afterpiece [1st time; F 2, by Frederick Pilon]: Altered from [The Comical History of Don Quixote, Part II, by Thomas] D'Urfey. In Act I A Grand Baratarian Procession of Sancho to his Government. The Characters all dressed in the Habits of the Times

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Sir Harry Wildair-Lewis; Beau Clincher-Quick; Young Clincher-Edwin; Alderman Smuggler-Wewitzer; Jubilee Dicky-Stevens; Tim Errand-Fearon; Vizard-Cubitt; Caption-Thompson; Colonel Standard-Wroughton; Angelica-Mrs T. Kennedy; Lady Darling-Miss Platt; Parley-Mrs Wilson; Lady Lurewell-Mrs Bates .
Cast
Role: Tim Errand Actor: Fearon
Role: Colonel Standard Actor: Wroughton

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Performance Comment: Sancho Panca-Quick; Duke-Cubitt; Manuel-Bonnor; Pedro-Thompson; Recorder-Booth; Alonzo-Helme; Smuggler-Stevens; Custom House Officer-Bates; Gardener-Jones; Tailor-Kennedy; Cryer-Besford; Thin Man-Newton; Don Quixote-Davies; Lady Tereza Panca-Mrs Webb; Spanish Lady-Mrs Pitt; Duchess-Mrs Poussin; Mary the Buxom-Mrs Wilson. [Text (J. Almon, 1785) adds: Big Woman-Miss Brangin, and calls Spanish Lady, Rodriguez.] hathi. hathi.

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Performances

Mainpiece Title: Fashionable Levities

Performance Comment: Principal Characters by Henderson, Lewis, Wroughton, Quick, Edwin, Farren, Wewitzer; Mrs Wilson, Mrs Martyr, Mrs Bates, Mrs Webb, Mrs T. Kennedy, Miss Platt, Miss Younge. [Cast from text (G. G. and J. Robinson, 1785): Mr Ordeal-Henderson; Welford-Lewis; Capt. Douglas-Wroughton; Sir Buzzard Savage-Quick; Nicholas-Edwin; Cheaterly-Farren; Colonel Staff-Wewitzer; Grace-Mrs Wilson; Clara-Mrs Martyr; Widow Volatile-Mrs Bates; Honour-Mrs Webb; Constance-Mrs T. Kennedy; Mrs Muslin-Miss Platt; Lady Flippant Savage-Miss Younge.] Prologue spoken by Wroughton. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by Wroughton. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Magic Cavern

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. [Ernst Brandes quoted in J. A. Kelly, p. 109: Brandes has much to say on the subject of Shakespeare ... He regrets that the role of Ophelia is assigned in both theaters on the strength of the candidate's accomplishments as a singer, which he considers relatively unimportant; and that the mania for operettas has been allowed to disfigure several of Shakespeare's plays. The Tempest had been debased to an opera, and a whole army of witches had been added to the cast of Macbeth, so that witches' arias and witches' choruses might be introduced.] Receipts: #241 10s. (131/16/0; 12/17/6; 1/1/6; tickets: 95/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Deuce is in Him

Dance: As17840918

Event Comment: "The great powers of Mrs Jordan cannot be better displayed than in the wonderful contrast of her Country Girl and Viola. In one all archness and vivacity; in the other serious, gentle, tender and sentimental" (Public Advertiser, 16 Nov.). [In afterpiece the playbill retains Parsons as Sir Anthony Halfwit, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wilson's. "Parsons was taken suddenly ill & J. Wilson read his part" (MS annotation on British Museum playbill, in Harris, 11).] Receipts: #108 12s. (79/11/0; 28/13/6; 0/7/6)

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague-cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Staunton; Sebastian-Bannister Jun.; Fabian-R. Palmer; Antonio-Wrighten; Clown (with the original Epilogue Song)-Suett; Malvolio-Bensley; Viola-Mrs Jordan (1st appearance in that character); Maria-Mrs Brereton; Olivia (with songs)-Mrs Crouch .
Cast
Role: Sir Andrew Ague Actor: cheek-Dodd

Afterpiece Title: The Humourist

Dance: As17851103

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Performance Comment: Principal Characters by Dodd, Barrymore, Fawcett, Suett; Miss Stageldoir, Miss Barnes, Mrs Jordan. [Cast from text (W. Lowndes and J. Barker, 1786): Young Cockney-Dodd; Captain Sightly-Barrymore; Old Cockney-Fawcett; Barnacle-Suctt; Penelope-Miss Stageldoir; Miss La Blond-Miss Barnes; Priscilla Tomboy-Mrs Jordan.] dancing and. dancing and.

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.
Cast
Role: Mr Blandish Actor: Bannister Jun.
Role: Mrs Blandish Actor: Mrs Wilson

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

Performances

Mainpiece Title: La Scuola De Gelosi

Performance Comment: Principal Characters by Babbini, Tasca, Morigi, Bartolini, Schinotti; Sga Sestini, Sga Sala, Sga Ferrarese del Bene. [Cast from libretto Q. Almon, 1786): Il Conte di Bandiera-Babbini; Blasio-Tasca; Lumaca-Morigi; Il Tenente-Bartolini; Girandola CafTettiere-Schinotti; La Contessa di Bandiera-Sga Sestini; Carlotta-Sga Sala; Ernestina-Sga Ferrarese del Bene.] hathi. hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

Performance Comment: , the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England) .
Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. "The Captives were set at liberty last night, amidst roars of laughter. I see the doctor [i.e. the author] publishes it this week . . . Cadell bought this sublime piece before it appeared, for fifty pounds, agreeing to make it a hundred on its third representation. It has been played three times, and I dare say old Sanctimony will have no remorse in taking the other fifty." J. P. Kemble to Edmond Malone (Life of Edmond Malone, by Sir James Prior, i860, p. 126). Receipts: #138 13s. 6d. (91/19/0; 40/18/0; 5/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Captives

Performance Comment: As17860311but omitted: Fawcett, Chaplin. Prologue and Epilogue as17860309athi .

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop

Dance: As17860223

Song: As17860309athi

Event Comment: Mainpiece [1st time; CO 3, by A Lady [unidentified], based partly on L'Amitie A l'epreuve, by Charles Simon Favart and Claude Henri de Fusee de Voisenon]: The Overture and the new Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Mar. 1786: This Day at Noon is published The Peruvian (1s. 6d.). [The music was printed under the title of The Fair Peruvian (S. A. & P. Thompson [1786]), which was the original title as given in the MS (Larpent 727).] Receipts: #246 8s. (242/16/6; 3/11/6)

Performances

Mainpiece Title: The Peruvian

Performance Comment: Characters by Johnstone, Quick, Edwin, Palmer, Booth, Darley, Meadows, Mrs Kennedy; Mrs Martyr, Mrs Morton, Mrs Billington. [Cast from text (J. Bell, 1786): Belville-Johnstone; Sir Gregory Craveall-Quick; Dry-Edwin; Frankly-Palmer; Sir Harry Cripplegate-Booth; Captain-Darley; Sailor-Meadows; Blandford-Mrs Kennedy; Servant-Swords; Clara-Mrs Martyr; Susan-Mrs Morton; Coraly-Mrs Billington.] hathi. hathi.
Cast
Role: Blandford Actor: Mrs Kennedy

Afterpiece Title: The Country Wife

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Catherine and Petruchio

Dance: As17860601

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Performance Comment: Principal Characters by Parsons, Baddeley, R. Palmer, Bannister Jun.; Miss Burnett, Mrs Cuyler. [Cast from text (W. Lowndes and J. Barker, 1786): Sir Credule-Parsons; Sceptic-Baddeley; Capt. Nightshade-R. Palmer; Simon-Bannister Jun.; Porter-Painter; Miss Di-Miss Burnett; Kitty-Mrs Cuyler.] hathi. hathi.

Afterpiece Title: The Spanish Barber

Afterpiece Title: Rosin a

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

Event Comment: [As mainpiece the playbill announces Isabella, with Mrs Siddons as Isabella. But she was indisposed, and "the play was changed into The Winter's Tale" (World, 4 May).] Afterpiece [1st time; F 2, by Charles Stuart. Prologue by the author (Public Advertiser, 17 May)]. Receipts: #137 17s. 6d. (93.2.0; 43.7.6; 1.8.0)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Distress'd Baronet

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Too Civil by Half

Dance: End: The Lucky Return-Hamoir, the Miss Stageldoirs