SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T Dutton"/1) | (@(roleclean,performerclean) "T Dutton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9 matches on Performance Comments, 7 matches on Roles/Actors, 4 matches on Performance Title, 1 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Scipio's Triumph; Or, The Siege Of Carthage: With The Comical Humours Of noodle, stitch, puzzle

Performance Comment: Scipio-Mullart; Alucius-Rosco; Lelius-Stoppelaer; Almeyda-Mrs Mullart; Phenissa-Mrs Williamson; Noodle-Jones; Stitch-Dutton; Puzzle-Hippisley.
Cast
Role: Stitch Actor: Dutton

Afterpiece Title: Harlequin's Contrivance; or, The Plague of a Wanton Wife

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Performance Comment: Sharp-Dutton; Gayless-Smith; Melissa-Mrs Lefevre; Kitty Pry (1st time)-Mrs Cuyler .
Cast
Role: Sharp Actor: Dutton

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Dighton; Peachum-L'Estrange; Lockit-Connell; Filch-Dutton; Ben Budge-Owen; Waiter and Gaoler-Besford; Mat o' th' Mint-Gaudry (of CG); Lucy-Mrs Greville; Mrs Peachum-Mrs Henley; Diana Trapes-Mrs Connell; Mrs Vixen-Mrs Elcock; Jenny Diver-Mrs Waldron; Molly Brazen-Miss Barrymore; Mrs Coaxer-Mrs Robinson; Polly-Mrs Pinto (last appearance on the stage [but see CG 22 Apr.]). hathi.but see CG 22 Apr.]). hathi.
Cast
Role: Filch Actor: Dutton

Afterpiece Title: All the World's a Stage

Performance Comment: Sir Gilbert Pumpkin-Connell; Harry Stukely-Cross; Charles Stanley-Benson; Waiter-Johnstone; Hostler-Stevens; William-Jones; Cymon-Owen; Diggory-Dutton; Jenny (the new character)-Mrs Waldron; Miss Sprightly-Mrs Benson; Miss Bridget Pumpkin-Mrs Henley .
Cast
Role: Diggory Actor: Dutton

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

Performances

Mainpiece Title: Amurath The Great, Emperor Of The Turks: Containing The Distress'd Loves Of achmet And selima; Or, The london Prentice's Glory: With The Comical Humours And Surprizing Adventures Of The London 'prentice And Want Brains His Man

Performance Comment: London Prentice-Penkethman; Want Brains-Reynolds; Amurath-Huddy; Achmet-Mullart; Haly-Jones; Selim-Achurch; Aelima-Mrs Newsted; Zara-Mrs Dutton.
Cast
Role: Zara Actor: Mrs Dutton.

Afterpiece Title: Harlequin's Contrivance; or The Plague of a Wanton Wife

Performance Comment: Harlequin-Davenport; Forester-Reynolds; Clumsey-Dove; Colombine-Mrs Nokes; Bawd-Jones; Foresters-Arthur, Achurch, Dutton; Women Peasants-Mrs Dutton, Mrs Clark, Miss Palms.

Performances

Mainpiece Title: Speculation

Afterpiece Title: Marian

Performance Comment: Sir Henry Freeman (with Old Towler)-Incledon; Edward-Hill; Robin-Simmons; Thomas-Denman; Peggy-Mrs Chapman; Patty-Miss Wheatley; Kitty-Mrs Iliff; Fanny-Mrs Sydney; Marian (with a New Song) He has left me-the Youth, the dear youth I adore (Dramatic Censor, II, 198), written by T. Dutton, the Music by Mazzinghi-Miss Waters (1st appearance in that character).

Afterpiece Title: The Soldier's Festival

Song: End II 1st piece: a Musical Address Mark when beneath the western main (Dramatic Censor, II, 197), Written expressly for the occasion by T. Dutton, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters

Performance Comment: Dutton=, A. M., and composed by Mazzinghi-Miss Waters; End III: O Strike the Harp-Incledon, Linton, Miss Waters; accompanied on the Harp-Weippert; End IV: Happy were the Days-Miss Waters; End 1st piece: Sigh no more Ladies-Incledon, Townsend, Linton, Master Slape, Miss Waters.

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Performance Comment: Principal Characters by Reilly, Dutton, Moss, Horwell, Lloyd, Mendez, Swords; Miss Villiers, Miss Blaney, Miss Wood, Miss Carne, Mrs Read, Mrs Hyam. [Text, in The Comic Theatre, Vol. I (Dryden Leach, 1762), lists the parts: Cleon, Moneylove, The Baron, Count Raveline, The Marquis, Justice Florid, Picquet, Pasquin; Julia, Belinda, Arsinoe, Araminta, Belisa, Finesse.] Occasional Prologue spoken by Davis and a Lady in the character of Taste. New Epilogue .

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Prize

Song: End: Strike the Harp-Master Suett, Master Heather, Danby; with an accompaniment of Piano Forte-; [a New Loyal Song Secure within her sea@girt Reign [(Dramatic Censor, II, 243)] (written by Dutton and composed by Moorehead,)-Trueman; End IV: Crazy Jane-Mrs Bland

Event Comment: Benefit for the Humane Society. A new grand Commemorative Oratorio [1st time; in two parts], as originally performed by Busby, in aid of the Fund for the Naval Pillar, including the new Music [by Busby: Song and Chorus, From where the sun; Song, To thy brave sons; Recitative and Song, Peace to the soul, Around the ever-honoured urn], introduced in the Grand National Concert, performed the 28th of May, at the Opera House. Leader of the Band-Cramer. Organ-Russell. The performance to be conducted by Busby, who will preside at the Piano Forte. Tickets, at playhouse prices, to be had at all the principal music shops...and of Busby, No. 9, China Terrace, Vauxhall Road. The Doors to be opened at 6:00. To begin at 7:00. "The words [of Part I] are taken entirely from Gray's well-known Pindaric Ode, The Progress of Poesy," with six introductory lines written by John Gretton andthe concluding stanzas by Thomas Dutton; the text of Part II by Gretton (Dramatic Censor, II, 285-86)

Performances

Mainpiece Title: Britannia