SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T C"/1) | (@(roleclean,performerclean) "T C")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2824 matches on Roles/Actors, 1326 matches on Event Comments, 797 matches on Performance Comments, 110 matches on Performance Title, and 12 matches on Author.

Performances

Mainpiece Title: The Prize; Or, 2

Afterpiece Title: The Child of Nature

Afterpiece Title: High Life below Stairs

Dance: II 3rd piece: Mock Minuet-Palmer, Miss Pope

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Cape St

Song: III: a Masquerade Scene-; with Hark! the Lark at Heaven's Gate sings-Sedgwick, Dignum, Welsh, Master Welsh

Ballet: End: The Labyrinth; or, The Country Madcap. Joseph-Gentili; Robert-Grimaldi; Philip-Master Menage; Rosina-Sga Bossi DelCaro; Countess-Mrs Wild; Lauretta-Miss S. DeCamp

Performances

Mainpiece Title: Zorinski

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Elliston (1st appearance in that character); Anthonio-Aickin; Gratiano-R. Palmer; Lorenzo (with a song)-Davies; Tubal-Waldron; Old Gobbo-Waldron Jun.; Launcelot-Suett; Duke-Davenport; Salanio-Caulfield; Solarino-Trueman; Leonardo-Lyons; Balthazar-Ledger; Bassanio-C. Kemble; Jessica (with a song)-Mrs Bland; Nerissa-Mrs Harlowe; Portia-Miss DeCamp (Their 1st appearance in those characters).

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Children in the Wood

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

Performances

Mainpiece Title: The Italian Monk

Performance Comment: Schedoni-Barrymore (1st appearance in that character); Vivaldi-C. Kemble; Ansaldo-Aickin; Spalatro-R. Palmer; Paullo-Suett; Familiars-Trueman, Abbot; Stiletto-Caulfield; Corvino-Waldron Jun.; Priest-Usher; Guards-Ledger, Chippendale; Marchioness-Mrs Harlowe; Olivia-Miss Heard; Ellena de Rosalba-Miss DeCamp; Abbess-Mrs Hale; Gradisca-Mrs Davenport; Margaritone-Mrs Edward; Fioresca-Mrs Bland; The General Chorus [of Assassins and Nuns]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Ms Menage, Ms Butler, Ms Benson, Ms Masters, Ms Norton, Ms Gawdry, Ms Leserve.

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: Douglas

Performance Comment: Lord Randolph-Holland; Glenalvon-Cory (1st appearance in that character); Norval-C. Kemble (1st appearance in that character); Stranger-Aickin; Donald-Trueman; Officer-Caulfield; Servant-Maddocks; Prisoner-Webb; Matilda-Mrs Siddons; Anna-Miss Heard.

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Castle of Sorrento

Performances

Mainpiece Title: Zorinski

Performance Comment: Zorinski-Barrymore; Casimir-Aickin; Radsano-[J.] Palmer; Rodomsko-Caulfield; Naclo-Trueman; Witzki-Fawcett; Amalekite-Suett; O'Curragh-Johnstone; Zarno-Wathen (1st appearance in that character); Winifred-Mrs Bland; Rachel-Miss DeCamp; Rosolia-Miss Heard.

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-C. Kemble (1st appearance in that character); Figaro-Palmer; Nasil-Trueman; Antonio-Suett; Servants-Abbot, Lyons, Chippendale; Page-Miss DeCamp; Countess-Miss Chapman; Agnes-Miss Menage; Susan-Mrs Gibbs.

Song: End: My Mother bids me bind my Hair (by Haydn)-Master Suett (1st appearance in public)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Embarkation

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Lying Valet

Song: Mainpiece: Vocal Parts-Sedgwick, Dignum, Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Leak, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Saunders, Ms Gawdry, Ms Benson, Ms Coates

Performances

Mainpiece Title: The Belle's Stratagem

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Afterpiece Title: The Castle of Sorrento

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: Zorinski

Afterpiece Title: 'Tis All a Farce

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Force Of Ridicule

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: The Author

Afterpiece Title: HOW TO BE HAPPY