SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T C"/1) | (@(roleclean,performerclean) "T C")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2824 matches on Roles/Actors, 1326 matches on Event Comments, 797 matches on Performance Comments, 110 matches on Performance Title, and 12 matches on Author.
Event Comment: Mainpiece: As originally written by Shakespeare. Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #170 8s. (121/10/0; 48/15/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Comus

Song: In Act III of mainpiece song [Here's to the maiden of bashful fifteen] by Vernon. [This was sung again by Vernon on 9 Oct., but in all subsequent performances by Williams (or Williames; see17811020).]

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece by Harris, Langrish, Miss Matthews, Miss Besford. [This was the same, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17820121, but Dumont [here called Shore]-Trew (1st appearance in that character); Mrs Barnes's name listed in playbill; omitted: Derby . Mrs Barnes's name listed in playbill; omitted: Derby .

Afterpiece Title: Comus

Performance Comment: As17811023, but Comus-Trew; added: Bacchanals-Reinhold, &c; Principal Bacchanal (with the songs of Comus)-A Young Gentleman (1st appearance on any stage [unidentified]) .unidentified]) .

Song: End of Act IV of mainpiece the song of Arionelli from The Son-in-Law, as17820419; In afterpiece The Huntsman's sweet Halloo, as17820226

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Comus

Dance: As17811211

Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Triumph of Mirth

Event Comment: The Clandestine Marriage [announced on playbill of 4 Mar.] is obliged to be deferred on account of the Indisposition of Parsons. Afterpiece: To conclude with a perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #145 4s. (99/7/0; 45/4/6; 0/0/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: Love In A Village

Dance: In Act I of mainpiece, as17821003; End of Act II, as17821016

Event Comment: Benefit for Wild. 1st piece: As altered in 3 Acts by Garrick. 3rd piece [1st time; MF 2, by Leonard Macnally. MS: Larpent 623; not published]: The Music compiled from the most eminent Composers. Receipts: #304 1s. 6d. (222/9/6; tickets: 81/12/0) (charge: #105)

Performances

Mainpiece Title: The Winter's Tale

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: Comus

Song: As17830613

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Lawyer

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Comus

Song: In Act II of mainpiece song by Miss Field

Event Comment: [In afterpiece the playbill assigns Serjeant Drill to Staunton, but on the Kemble playbill a MS annotation substitutes Wilson.] Afterpiece: To conclude with a Perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778. This was included in both subsequent performances]. Receipts: #110 12s. (70/17; 37/0; 0/5; tickets not come in: 2/10)

Performances

Mainpiece Title: Wonder

Event Comment: Mainpiece [1st time; CO 3, by William Jackson. MS: Larpent 638; not published; synopsis of plot in London Magazine, Dec. 1783, pp. 553-54]: With entire new Music composed by Jackson. Receipts: #146 1s. 6d. (121/6/0; 23/11/6; 0/1/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

Event Comment: Mainpiece: Not acted these 3 years. [Mrs Siddons's 1st appearance as the Countess of Salisbury was at Bath, 25 Nov. 1778.] "So thoroughly wretched, so utterly destitute of all Requisites is this Tragedy ... that it excites with Wonder not a little Indignation that the unexampled Genius of such an actress [as Mrs Siddons] should be wasted on Dullness if possible yet more unexampled" {Public Advertiser, 8 Mar.). Receipts: #275 0s. 6d. (256/7/0; 16/19/6; 1/9/0; ticket not come in: 0/5/0)

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Smith; Grey-Aickin; Morton-Farren; Sir Ardolph-Packer; Laroches-Chaplin; Peasant-Wright; Knights-Phillimore, Fawcett, Kenny, &c.; Lord William-Miss Heard; Raymond-Palmer; Eleanor-Miss Kemble; Countess of Salisbury-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: Comus

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Event Comment: Receipts: #265 2s. 6d. (250/11/0; 14/4/0; 0/0/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Apprentice

Song: In Act III of mainpiece an Epithalamium by Miss Stageldoir and Miss Field. [This was sung, as here assigned, in all subsequent performances.]

Event Comment: Receipts: #188 19s. 6d. (174/19/0; 13/1/6; 0/9/0; tickets not come in: 0/10/0)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Author

Dance: As17840918

Song: End of Act I of mainpiece Bright Phoebus has mounted the Chariot of Day by Dignum