SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "T C"/1) | (@(roleclean,performerclean) "T C")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2824 matches on Roles/Actors, 1326 matches on Event Comments, 797 matches on Performance Comments, 110 matches on Performance Title, and 12 matches on Author.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: The Refusal Or The Ladies Philosophy

Afterpiece Title: The Anatomist

Dance: As17461121

Performances

Mainpiece Title: 1 Henry Iv

Event Comment: There is now in practice...two new dances which are to be perform'd there on Monday next, the first call'd The Turkish Pirate, the second the Laundress's Visiting Day both compos'd by Giuseppe Salomon, and to perform'd by him, Mlle Violette, the Padouana, M. Mechel, Salomon's Son, &c

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Double Disappointment

Performances

Mainpiece Title: The Confederacy

Performance Comment: As17461122, but Clarissa-Mrs Woffington; Araminta-Mrs Mozeen; Corinna-_.

Afterpiece Title: The Anatomist

Song: III: Lowe

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmaskd

Dance: DDance-Cooke

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Double Disappointment

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: The Thirty-second Day. To begin at 6:30 p.m. [Published this month, A Catalogue of Curiosities, Chiefly Theatrical which are to be sold by Auction. Dedicated to Foote by Peter Skewball. A twenty-two-page pamphlet containing suggestive comments about certain actresses. "Lot 13 Two young Actresses of different complections, who having been two years under the care of a certain physician are warranted sound, very little the worse for use...Lot 33 a Coquet Crying by Mrs C-; Lot 34 A Venus half naked at See Saw by Mrs W-; Lot 35 A Very Stanch actress, somewhat overfed, and of great Virtue (Mrs Pritchard?)." N.B.: This is the greatest curiosity in the Catalogue.

Performances

Mainpiece Title: Auction Of Pictures

Event Comment: To the Author of the General Advertiser. Sir: When I read the letter in your paper [see 7 Nov.] concerning Tom Harbin's intention of having a Benefit at Covent Garden, I own I was much pleas'd, as it would give me the opportunity of making him merry, who has often made me so: But I have since been in some concern to hear he was to perform himself--I would not have him appear in an Ill-Light; and as it is easy to conceive what confusion a Man unus'd to the stage must be in, to appear on it, I would in Friendship advise him to desist from that design.-If he does it from an opinion of his Capacity, I am sorry for him: but if it is only to draw people together, I think he need not have any Apprehensions on that Account:--For there ever was and ever will be in London, a number of Persons of Fortune and Generosity, sufficient to do what he wants, whenever they have an Inclination to serve a man they like.--And as he is Generally allow'd to be what is call'd a Fiddle in Company, and plays as often as anybody, it would be but right to keep him in tune: For my part I shall use my interest in his Favour and wish him success with his Acquaintance. I am &c. T. Meanwell. Lloyd's Coffee House, 14 Nov. [See 14 Dec.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: Comus

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Performances

Mainpiece Title: The Miser

Performance Comment: As17490125, but Clerimont-_; James-_; Furnish-_; List-_; Mrs Wisely-_; Wheedle-_.

Afterpiece Title: The Triumph of Peace

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Lottery

Dance: Cooke, the Aurettis

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Lying Valet

Dance: I: L'Entree de Flore, as17481027; II: Scotch Dance, as17490118; III: A Harlequin Dance-Matthews, Anne Auretti; V: Louvre and Minuet-Cooke, Anne Auretti

Performances

Mainpiece Title: The Man Of Mode

Afterpiece Title: The King and Miller

Dance: As17490329

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The King and Miller

Dance: IV: Comic Dance-J. Granier, J. Granier's Sister

Event Comment: [Note by Croza says in view of the actions against him he was not the "Undertaker of the Operas" but came under Articles with an English Gentleman, who employed Mr V-i as Director and Mr C-d as Treasurer, that V-i received 3 per cent of the gross every night (General Advertiser). The persons referred to are Vaneschi and Crawford.

Performances

Mainpiece Title: Don Calascione

Performances

Mainpiece Title: The Busy Body

Song: Master Mattocks

Ballet: TThe Savoyard Travellers. As17491110

Dance: End II: by desire a Hornpipe-Matthews

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Chaplet