SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "T C"/1) | (@(roleclean,performerclean) "T C")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2824 matches on Roles/Actors, 1326 matches on Event Comments, 797 matches on Performance Comments, 110 matches on Performance Title, and 12 matches on Author.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: Man and Wife

Dance: End II of Comedy: A Comic Dance, as17711031

Event Comment: Mainpiece: By Desire. Play not acted: theatres closed for death of Augusta Princess Dowager of Wales. [For comment Theatrical Review, II, p. 93 attaches to the evening of 7 Feb.]: Another additional scene was introduc'd this evening, for the first time in which Mr Dunstall, in the character of a Female Ballad Singer, entertained the audience with the following new song, relative to the tricks of the Stockwell Conjuror, which it exposes with some degree fo humour, and which has a good effect, from the manner in which it is introduc'd; but from such poetry, Heaven delvier us!@The Stockwell Wonder@Ye beaux, belles and flirts, who the Pantheon stock well,@Come and see the renown'd Pandemonium at Stockwell.@Where the house and the furniture's all in bon ton@And the pewter and crockery dance cottillon. Derry Down, down, down Derry Down.@A pickling-pan first, which exceeds all belief,@Jumps and skips to the tune of old English Roast Beef;@While a barrel so lively, it cannot be said,@That the beer that is in it can ever be dead, Derry Down &c.@ @The tables, chairs, jars, frisk about too, and soon@The pestle and warming-pan move to some tune;@The clock too chimes in, and we very well know@That a clock that don't stand must undoubtedly go, Derry down, &c.@But let not amazement your fancies perplex@The enchantment arose from th'enchanting fair sex;@A sweet girl was the cause, and girls wonders are rich in@For we all know sweet girls-are extremely bewitching.@Derry down, &c.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Golden Pippin

Dance: IV: The Fingalian Dance with Double Hornpipe, as17720921; End: New Dance, as17730206

Performances

Mainpiece Title: Alfred

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Sylphs; or, Harlequin's Gambols

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Lyar

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Wash'd White

Cast
Role: Servants Actor: Legg, Kear, Cubitt, Carpenter, Garland

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing-Aldridge, Dagueville, Miss Besford, Miss Valois

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: Lun's Ghost

Dance: In mainpiece by Lemercier, Miss M. Stageldoir, &c; In afterpiece by Miss Armstrong, the Miss Stageldoirs, &c

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Shamrock; or, The Anniversary of St

Dance: As17830221

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Henderson; Moneses-Wroughton; Axalla-Whitfield; Omar-Fearon; Dervise-Thompson; Prince of Tanais-Booth; Hali-J. Bates; Stratocles-Davies; Bajazet-Kemble (1st appearance in that character); Selima-Miss Satchell; Arpasia-Mrs Bates. The usual Prologue spoken by Wroughton .

Afterpiece Title: The Poor Soldier

Song: In mainpiece To thee, O, gentle sleep by Brett

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Dead Alive

Dance: As17840730

Monologue: 1784 08 20 As 19 Aug. IMITATIONS. As 30 July

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Florent Carton Dancourt

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performances

Mainpiece Title: A School For Grey-beards; Or, The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece: Minuet de la Cour-Hamoir, Miss Stageldoir

Song: III: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue by the author (Public Advertiser, 19 Mar.). Epilogue by Miles Peter Andrews (Knapp, 81)]: With new Scenery, Dresses, &c. Public Advertiser, 31 Mar. 1787: This Day is published Seduction (1s. 6d.). Receipts: #187 15. (162.14.0; 24.1.6; 0.17.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

Performances

Mainpiece Title: The New Peerage; Or, Our Eyes May Deceive Us

Afterpiece Title: High Life below Stairs