SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "TThe King"/1) | (@(roleclean,performerclean) "TThe King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3060 matches on Performance Title, 2618 matches on Performance Comments, 1676 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.
Event Comment: John Verney to Sir Ralph Verney, 25 April 1675: The King on Saturday night sent for the keys from the Earl of Clarendon--'tis said the reason is, that last Thursday a play was acted at court, and after orders given that no more should be let in, his lordship came to the door, which the guard refused to open, tho' he told them who he was, on which he broke it open and struck a yeoman of the guard. Some say a chamberlain was never before turned out for beating a yeoman of the guard (HMC, 7th Report, Appendix, [1879], p. 464)

Performances

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345. Although there is no certainty that this is the premiere, the two performances in early May 1675 suggest that this performance and the two following represent the initial run. Dedication to edition of 1676: If Sophonisba receiv'd some applause upon the stage, I arrogate nothing from the merit of the Poem

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Performance Comment: Edition of 1676 (imperfect edition): Hannibal-Moon; Maherbal-Wats; Bomilcar-Haris; Scipio-Kingiston; Lelius-Wintersel; Massinissa-Harte; Massina-Clarke; Sophonisba-Mrs Cosh; Rosalinda-Mrs Damport. Edition of 1681: The Prologue to the University of Oxford, Written by J. Dryden, Esquire. Hannibal-Mohun; Maherbal-Burt; Bomilcar-Wintershul; Scipio-Kynaston; Lelius-Lydall; Varro-Watson; Massinisa-Hart; Trebellius-Powell; Massina-Clark; Menander-Griffin; Sophonisba-Mrs Cox; Rosalinda-Mrs Boutell; Aglave-Mrs Nep; Cumana-Mrs Cory. Epilogue Spoken to Sophonisba at its Playing at Oxford. Downes (Roscius Anglicanus, p. 15): Hannibal-Mohun; Maherbal-Burt; Bomilcar-Wintersel; Scipio-Kynaston; Lelius-Lydall; Massinissa-Hart; Massina-Clark; Sophonisba-Mrs Cox; Rosalinda-Mrs Boutel.
Cast
Role: Scipio Actor: Kingiston
Event Comment: The King's Company. There is no certainty as to when this play was first performed. As it was licensed on 27 May 1675, the month of May is the latest for its premiere, but it was quite possibly presented before May, as the known performances for Drury Lane in May do not provide much opportunity for another play

Performances

Mainpiece Title: The Mock Duellist; Or, The French Vallet

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but it or the preceding Saturday may well be, since Sophonisba seems to have dominated the preceding week

Performances

Mainpiece Title: Love In The Dark; Or, The Man Of Bus'ness

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 215. See also Nicoll, Restoration Drama, p. 345. Marquis of Worcester to the Marchioness, 8 June 1675: I sate up last night at the play in Court--which was to entertaine the Prince of Newbough--till one of the clock in the morning (HMC, 12th Report, Appendix, Beaufort MSS., IX, 65)

Performances

Mainpiece Title: The Island Princess

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Marriage A La Mode

Event Comment: The Bulstrode Papers (I, 302): There is arrived Scaramouchy, ye famous Italien comedian with his crew, to act againe, & are to have ye King's Theatre in Whitehall for their use during their stay, and all people are allowed to come there & see them, playing as they doe at other houses, so yt now a Papist may come to Court for halfe a crowne. This is not much lik'd by our other players, for it will half break both our houses. [See also a Treasury warrant for the importing of their belongings, Calendar of Treasury Books, 1672-1675, p. 757, in Boswell, Restoration Court Stage, p. 121.

Performances

Event Comment: The King's Company. The Prologue and Epilogue are in New Poems, Songs, Prologues and Epilogues. Written by Thomas Duffett, 1676. See also Langbaine, English Dramatick Poets, p. 291

Performances

Mainpiece Title: Every Man Out His Humour

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Mrs Corbett; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: King Andrew Actor: Mrs Corbett
Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until February 1675@6, the references to "Miss-Non-so-Fair," prince Nick, and t'other House Gallants" suggest that it capitalized upon the appearance of Psyche Debauched at dg

Performances

Mainpiece Title: Piso's Conspiracy

Event Comment: The King's Company. The Diary of Robert Hooke, 27 Aug. 1675: Saw Psyche Grand foppery

Performances

Mainpiece Title: Psyche Debauched

Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Performances

Mainpiece Title: Alcibiades

Event Comment: Evelyn, Diary: [I] saw the Italian Scaramucchio act before the King at White-hall; People giving monye to come in, which was very Scandalous, & never so before at Court Diversions: having seene him act before in Italy many years past, I was not averse from seeing the most excellent of that kind of folly

Performances

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Alchymist

Event Comment: The King's Company. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 108

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Sophonisba

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Committee

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this performance is the premiere, but an additional performance on 20 Nov. 1675 and the entry of the play into the Stationers' Register, 29 Nov. 1675, suggest that the first production probably occurred in early or mid-November 1675. Downes (Roscius Anglicanus, pp. 10-11), gives a cast which is identical except for omissions. For Kynaston's acting of Morat (especially in the later years of the century), see Cibber, Apology, ed. Lowe, I, 124-26

Performances

Mainpiece Title: Aureng-zebe

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: Aureng-zebe

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 345

Performances

Mainpiece Title: The Merry Wives Of Windsor

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Conquest Of Granada, Part I

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Sophonisba

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Moor of Venice. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The ffox. See also Nicoll, Restoration Drama, p. 346. The Prologue, which may have been performed on this day, is in R. G. Noyes, A Manuscript Restoration Prologue for Volpone, Modern Language Notes, March 1937, pp. 198-200

Performances

Mainpiece Title: Volpone; Or, The Fox

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Augustus Caesar. See also Nicoll, Restoration Drama, p. 346. The music for a song in act I, scene I, was composed by Nicholas Staggins, and printed in Choice Ayres and Songs, The Second Book, 1679. There is no certainty that this was the premiere, but it may well have been. The play was entered in the Term Catalogues, May 1676

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar