SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sr Wm Coventry"/1) | (@(roleclean,performerclean) "Sr Wm Coventry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 589 matches on Performance Comments, 217 matches on Author, 118 matches on Event Comments, 59 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Queen Mab

Dance: III: The Medley, as17641120

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Choice

Dance: I: The Medley, as17641120; End: The Irish Lilt, as17641011

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Witches or Harlequin Cherokee

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Hermit

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Statesman Foild

Dance: As17680530

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns

Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Event Comment: See 27 Feb. and 4 March. Pepys, Diary: [Sir W. Coventry] told me the matter of the play [The Rehearsal] that was intended for his abuse, wherein they foolishly and sillily bring in two tables like that which he hath made, with a round hole in the middle, in his closet, to turn himself in; and he is to be in one of them as master, and Sir J. Duncomb in the other, as his man or imitator: and their discourse in those tables, about the disposing of their books and papers, very foolish. But that, that he is offended with, is his being made so contemptible, so that any should dare to make a gentleman a subject for the mirth of the world; and that therefore he had told Tom Killigrew that he should tell his actors, whoever they were, that did offer any thing like representing him, that he would not complain to my Lord Chamberlain, which was too weak, nor get him beaten, as Sir Charles Sidly is said to do, but that he would cause his nose to be cut

Performances

Event Comment: Memorandum: Mrs Baker, actress, died this day at Coventry on her Journey from Liverpool to London. Paid Mr J. Rich on Account #10. [This is Account or ledger Number 1 (Account Book).] Receipts: #71 11s. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I With The Humours Of Sir John Falstaff

Afterpiece Title: The Devil to Pay

Dance: II: Comic Dance call'd The Pedlar Trick'd-; End: The Cossacks-Sg Maranesi, Sga Maranesi, her 1st appearance there

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete A Medley

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; Beviamo tuttre-_; Italian laughing song-_; Dance of Anticks-_; Dance of Shepherds and Shepherdesses-_; How merrily we live-_; Hecate-_; SCENES I and II as SCENES I and II in A Fete, 25 Apr. SCENE III. A Storm and Shipwreck. Stand to your guns my hearts of oak-Bannister; SCENE THE LAST. An Irish Fair. Teague's Journey to London through Coventry-Moody; Dancing-the Miss Stageldoirs.

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Fair Quaker Or The Humours Of The Navy

Afterpiece Title: A Fete

Performance Comment: As17810425, but Blow high-_; Dance of Sailors-_; A Dance of Shepherds and Shepheresses-_; Hecate-_ SCENE I, as17810425; SCENE II, as17810425; SCENE III as SCENE IV on 25 Apr.; Dance of Anticks-_; SCENE IV. Teague's Journey to London through Coventry-Moody as17810507; The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425. The Butterfly, as17800921; SCENE THE LAST. How merrily we live, as17810425.

Afterpiece Title: Whos the Dupe

Dance: Scene IV: The Butterfly, as17800921

Song: End III: song-Miss Barnes (1st attempt on any stage); End 1st piece: the Grand Naval Review-; Rule Britannia-Gaudry, Edwards, Williams

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Fete

Performance Comment: As17810510, but Teague's Journey to London through Coventry-_; SCENE THE LAST. The Butterfly, as17800921; Hecate-Holcroft.

Afterpiece Title: The Flitch of Bacon

Dance: Scene the Last: The Butterfly, as17800921

Event Comment: By Permission of the Lord Chamberlain. By Desire of the Ancient and Honourable Fraternity of Free and Accepted Masons, who on this occasion will attend in proper cloathing, and the different Regalias of their Order. Afterpiece [1st time; F 2, author unknown. MS: Larpent 685; not published. Author of Prologue unknown]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had at the Globe in Pall-mall; the Black Horse, Coventry-street; the Castle, in Castle-Court, Cornhill; the Rose Coffee-house in the Old Bailey; the Half Moon Tavern, Cheapside; and at the Theatre, where places for the boxes may be taken. Great care will be taken to have the House well aired

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; viz., A Full Piece of the famous Signor Colista-Dean Sr, Holmes, Smith; A Solo for the Arch Lute and Violin by Dean Jr-Dean Sr, Dean Jr; Singing-Gates; A set of Airs for the Arch Lute and Violin-Dean Sr, Dean Jr; Singing to the Lute-Dean Jr; A Solo of the famous Archangelo Corelli-Dean Sr; Also several select Airs Out of Camilla and Thomyris-; with Symphonies-the best Performers

Performances

Mainpiece Title: The Squire Of Alsatia

Dance:

Performances

Mainpiece Title: The Squire Of Alsatia

Dance: SScots Dance-Mrs Bullock; Numidian-Glover, Miss LaTour; Fingalian-Newhouse, Mrs Ogden

Performances

Mainpiece Title: The Mother in law Or The Doctor The Disease

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Afterpiece Title: The Burgomaster Trickd

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Burgomaster Trickd

Dance: As17381202

Performances

Mainpiece Title: The Fortune Hunters Or Two Fools Well Met

Performances

Mainpiece Title: The Constant Lovers With The Humours Of Sir Timothy Little Wit And His Man Trip