SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Sr Charles Barinton"/1) | (@(roleclean,performerclean) "Sr Charles Barinton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3577 matches on Author, 1575 matches on Performance Comments, 363 matches on Event Comments, 144 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Charles, Master of the French-Horn. 6:30 P.M. 3s

Performances

Mainpiece Title: Concert

Music: By the best Masters. Mr Charles will perform several new Pieces on the French Horn and Clarinet

Performance Comment: Mr Charles will perform several new Pieces on the French Horn and Clarinet .

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Charles-Walker; Antonio-Bullock Sr; Charino-Hall; Clodio-Egleton; Manuel-Boheme; Duart-Ryan; Louisa-Mrs Bullock; Angelina-Mrs Purden; Cholerick-Spiller.
Cast
Role: Charles Actor: Walker

Dance: Lally, Pelling, Newhouse, Mrs Rogier, Mrs Bullock

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Performances

Mainpiece Title: The Busie Body

Performance Comment: Charles-Mills; Sir George-Wilks Jr; Marplot-Miller; Sir Francis Francis-Norris; Sir Jealous-Shepard; Miranda-Mrs Booth; Isabinda-Mrs Younger; A new Epilogue-Miss Lindar.
Cast
Role: Charles Actor: Mills

Song: Singing in Italian-Miss Lindar

Dance:

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Giffard; Cholerick-Morgan; Dismallo-Bullock; Antonio-Norris; Charino-Collett; Governor-W. Giffard; Duart-Smith; Manuel-Havard; Sancho-Rosco; Monsieur-Bardin; Angelina-Mrs Purden; Louisa-Mrs Roberts; Elvira-Mrs Hamilton.
Cast
Role: Charles Actor: Giffard

Dance: FFrench Peasant-D'Valois, Mlle D'Valois; Scot's Dance-Mrs Bullock; Sailor's Dance-Jones

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Giffard; Cholerick-Penkethman, from cg; Dismallo-Bullock; Antonio-Norris; Charino-Collet; Governor-Winstone; Duart-Bardin; Manuel-Havard; Sancho-Rosco; Monsieur-James; Angelina-Mrs Purden; Louisa-Mrs Roberts; Elvira-Mrs Hamilton.
Cast
Role: Charles Actor: Giffard

Dance: CChacone-Mrs Bullock; Sailor's Dance-Jones; Pierot and Pierate-de Vallois and Madam de Vallois; Harlequin by Master LeSac, the first time of his appearing on this stage

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Mrs Charke; Clodio-Bardin; Charino-Jones; Antonio-Dove; Duart-Lacy; Governor-Houghton; Manuel-Walker; Jacques-Whittaker; Lawyer-Machen; Sancho-Lowder; Monsieur-Simpson; Page-Master Littleton; Louisa-Mrs Mullart; Angelina-Mrs Bennet; Elvira-Mrs Morgan; Honoria-Mrs Brett; Lewis-Morgan .
Cast
Role: Charles Actor: Mrs Charke

Afterpiece Title: The Stage Mutineers

Dance: Tambourine by Miss Rogers

Song: Roast Beef Song by Mullart

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Charles-Hale; Clodie-Chapman; Lewis-Hippisley; Duart-Ryan; Elvira-Mrs Stevens; Antonio-Mullart; Charino-James; Manuel-Gibson; Governor-Rosco; Sancho-Woodward; Monsieur-Salway; Jaques-Stevens; Angelina-Mrs Bellamy; Honoria-Miss Burgess; Louisa-Mrs Horton.
Cast
Role: Charles Actor: Hale

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Charles IX-Hale; Duke of Guise-Ryan; Queen Mother-Mrs James; Marguerite-Mrs Hale; Admiral of France-Cashell; Antramont-Mrs Pritchard; Cardinal of Lorraine-Gibson; Duke of Anjou-Anderson; Alberto Gondi-Carr; Ligneroles-Paddick; Cavagues-Ridout; Langorain-Arthur; Queen of Navarre-Mrs Havard; Prince of Navarre-Miss Ferguson; With the Original Prologue-.
Cast
Role: Charles IX Actor: Hale

Afterpiece Title: Pyramus and Thisbe

Performances

Mainpiece Title: The Fair Lunatick Or The Generous Sailor

Performance Comment: Charles-Holtham; Constant-Bridges; Mrs Constant-Mrs Greenwood; Peggy (the Fair Lunatick)-Miss Davies.
Cast
Role: Charles Actor: Holtham

Afterpiece Title: Modern Madness or A Touch of the Times

Afterpiece Title: The Jubilee Ball a Grand Scene

Monologue: 1749 8 24 bf I+Interlude The Jovial Jack Tars, or All Well Match'd. Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough

Dance: TThe Medley of Jokes-; the French Peasants-Master Matthews, Mrs Annesley

Performances

Mainpiece Title: The Busy Body

Performance Comment: Charles-Havard; Sir Jealous-Berry; Busy Body-Woodward; Miranda-Miss Macklin; Sir George-Palmer; Sir Francis-Yates; Isabinda-Mrs Davies; Patch-Mrs Cross.
Cast
Role: Charles Actor: Havard

Afterpiece Title: Harlequin Ranger

Event Comment: Charles II had rope-dancers perform in the Hall at Whitehall. (See Boswell, Restoration Court Stage, p. 25.

Performances

Event Comment: Charles II had begun negotiations for bringing Italian players to England again. See the correspondence in HMC, 7th Report, Appendix, pp. 285, 286, 331; and L. C. 5@144, p. 407, in Boswell, Restoration Court Stage, p. 61. See also HMC, 7th Report, p. 288 (1 May 168O) and Boswell, Restoration Court Stage, p. 125

Performances

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Entertainment: End I: Song-Hartry; II: Tarewoo-M'Donald; III: Hornpipe-; End: A burlesque Tinker's Travels-Hartry

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Song: I: Favourite Song of Terry Woo-M'Donald

Dance: II: Hornpipe-Mas. Mills; IV: Hornpipe-Rawlins

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: Entertainments of Singing and Dancing

Dance: Conclude: reel-the characters

Song: End I: The Banks of the Tweed-Mrs Moss; End III: Rosilind Castle-Mrs Moss; End: The Banks of Invermay-Mrs Moss

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Camp

Dance: End III: The Force of Love, as17781003

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Camp

Performances

Mainpiece Title: Measure For Measure

Related Works
Related Work: Measure for Measure; or, Beauty the Best Advocate Author(s): Charles Gildon

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Camp

Dance: End IV: The Force of Love, as17781003

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Camp