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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Spanish"/1) | (@(roleclean,performerclean) "Spanish")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1091 results for: Keyword - Spanish

We found 647 matches on Roles/Actors, 628 matches on Performance Title, 71 matches on Event Comments, 64 matches on Performance Comments, and 0 matches on Author.

851
13 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Son-in-Law

Dance: End of mainpiece, as17820606

852
24 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Genius of Nonsense

853
26 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

854
13 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Dance: As17820613

855
20 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Dance: As17820613

856
24 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Dance: As17820613

857
02 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Dance: As17820613

858
16 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Female Dramatist

Dance: As17820613

859
17 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

860
27 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

861
03 September 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Monologue: 1782 09 03 End of 2nd piece A Description of the Tombs in Westminster Abbey by Edwin

862
10 September 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: Harlequin Teague

Dance: As17820826

863
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

864
10 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: The Spanish Curate

Dance: After the Monologue The Poney Races, as17830428, but added: Ratchford

Song: In Act II of mainpiece The Pigeon, as17830507

Monologue: 1783 05 10 As 9 May

865
03 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpiece, as17830531

866
12 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Dance: End of mainpiece, as17830611

867
17 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Dance: As17830611

868
26 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Dance: As17830611

869
30 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

870
17 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Dance: As17830703

871
24 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Dance: As17830612

872
01 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

873
18 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Harlequin Teague

874
08 September 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Seeing is Believing

Afterpiece Title: Gretna Green

875
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])