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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Society of Non Common Pleas"/1) | (@(roleclean,performerclean) "Society of Non Common Pleas")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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602 results for: Keyword - Society of Non-Common Pleas
We found 462 matches on Event Comments, 104 matches on Performance Comments, 45 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

376
09 February 1788 @ King's Theatre

Event Comment: Receipts: #203 15s. 6d. [non-subscription]

Performances

Mainpiece Title: Gli Schiavi Per Amore

Ballet: L'Amour et Psiche. As17880129

377
12 February 1788 @ King's Theatre

Event Comment: "Miss Hilligsberg cannot be praised enough for her exertions and sucess in the execution of [the second] ballet, which has given her an opportunity of making herself perfect in her profession [this being her 1st season on the stage]...The scenery has no doubt by Noverre, and if it is not more magnificent it is not for want of genius on his part, but to spare the purse of the Managers...The Palace of Cupidv for the reception of Psiche in the first, and that of Venus in the last act, with the appearance of Jupiter, &c. in the skies, were very well executed, and beautifully arranged by the actors" (Public Advertiser, 7 Feb.). Receipts: #202 11s. (non-subscription]

Performances

Mainpiece Title: La Locandiera

Dance: End I: The Military Dance, as17880115

Ballet: End Opera: L'Amour et Psiche. As17880129

378
16 February 1788 @ King's Theatre

Event Comment: Receipts: #314 3s. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17880212

Ballet: L'Amour et Psiche. As17880212

379
19 February 1788 @ King's Theatre

Event Comment: Receipts: #137 15s. 6d. [non-subscription]

Performances

Mainpiece Title: La Locandiera

Dance: As17880129

Ballet: L'Amour et Psiche. As17880129

380
23 February 1788 @ King's Theatre

Event Comment: Receipts: #281 19s. 6d. [non-subscription]

Performances

Mainpiece Title: Gli Schiavi Per Amore

Song: As17880221

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; a Pas Seul, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; General Dance, as17880221; Pas de Sept, as17880221

381
26 February 1788 @ King's Theatre

Event Comment: Receipts: #172 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

382
01 March 1788 @ King's Theatre

Event Comment: Receipts: #283 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: As17880226, but Les Offrandes a l'Amour-_; End Opera: Les Fetes de Tempe, as17880228, but _Henry

383
04 March 1788 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2, librettist unknown]; the Music composed by Storace. "Signor Storace does not appear to have studied that art [of music] much in Italy; for he has entirely deviated from the usual plan of Italian authors...The overture anneunces entirely a French author, and the finales are in the German style of Gluck, loaded with harsh, terrifying music of trumpeting and drumming" (Public Advertiser, 6 Mar.). Receipts: !162 [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

384
08 March 1788 @ King's Theatre

Event Comment: Receipts: #288 9s. [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End I: New Dance As17880221, but Hornpipe-_

Ballet: End Opera: L'Amour et Psiche. As17880129

385
11 March 1788 @ King's Theatre

Event Comment: Receipts: #140 14s. 6d. [non-subscription]

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17880129

Ballet: L'Amour et Psiche. As17880129

386
15 March 1788 @ King's Theatre

Event Comment: Receipts: #291 6s. [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Euthyme et Eucharis, as17880313End I: New Dance, as17880308Pas de Bernois, as17880308_Didelot, Coulon; +Pas de Trois, as17880308a Pas Seul-Chevalier; Pas de Deux, as17880308Pas Seul, as17880308Pas de Russe, as17880308Hornpipe, as17880308Pas de Cinq, as17880308Pas de Sept, as17880308General Dance, as17880308

387
29 March 1788 @ King's Theatre

Event Comment: The Manager of the Opera House hopes for the Indulgence of the Public, in laying before them the great Complaints which have been made to him, on account of Invoncenience in the Entertainments, arising from the enormous Caps and Bonnets which several Ladies make it a Practice to appear in, within the Pit of this Theatre, excluding thereby that Part which is presentdd from the Dancing in a great Degree. The Manager is therefore under the Necessity of soliciting the Ladies to take the same into their Consideration, and humbly presumes for their Indulgence on the Occasion. Receipts: #246 8s. [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End I: As17880315but Euthyme et Eucharis-_

Ballet: End Opera: L'Amour et Psiche. As17880129

388
01 April 1788 @ King's Theatre

Event Comment: Receipts: #148 5s. [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: As17880329

Ballet: L'Amour et Psiche. As17880329

389
05 April 1788 @ King's Theatre

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

390
08 April 1788 @ King's Theatre

Event Comment: By Command of Their Majesties. Receipts: #254 13s. [non-subscription]

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17880403

391
12 April 1788 @ King's Theatre

Event Comment: Receipts: #342 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Giulio Sabino

Dance: As17880405

392
15 April 1788 @ King's Theatre

Event Comment: Receipts: #192 18s. [non-subscription]

Performances

Mainpiece Title: Giulio Sabino

Dance: As17880405

393
19 April 1788 @ King's Theatre

Event Comment: Receipts: #312 3s. [non-subcription]

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour, as17880417; End Opera: Adela de Ponthieu-Mlle Hilligsberg, Didelot, Mlle Coulon, Chevalier, Vestris

394
22 April 1788 @ King's Theatre

Event Comment: Receipts: #124 0s. 6d. [non-subscription]

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour, as17880417; End Opera: Les Fetes de Tempe, as17880228

395
26 April 1788 @ King's Theatre

Event Comment: Receipts: #278 18s. 6d. [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End I: New Ballet, as17880403, but _Gardel

Ballet: End Opera: L'Amour et Psiche. As17880129

396
29 April 1788 @ King's Theatre

Event Comment: By Command of Their Majesties. Receipts: #258 18s. [non-subscription]

Performances

Mainpiece Title: Giulio Sabino

Dance: As17880422

397
30 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Kemble [who is named in the Account-Book, but not on the playbill.] Mainpiece: Not acted these 5 years. Receipts: #92 14s. (70.12; 21.3; 0.19; tickets: non listed) (charge: #106 9s. 6d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Humourist

Dance: In II: a Masquerade and Dance-proper to the Play

Entertainment: Monologue. End: The Passions an Ode to Music-Kemble

398
03 May 1788 @ King's Theatre

Event Comment: Receipts: #293 2s. 6d. [non-subscription.

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: New Ballet, as17880426; End Opera: Les Fetes de Tempe, as17880228

399
06 May 1788 @ King's Theatre

Event Comment: Receipts: #161 14s. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: As17880426

Ballet: L'Amour et Psiche. As17880426

400
13 May 1788 @ King's Theatre

Event Comment: Receipts: #157 1s. 6d. [non-subscription]

Performances

Mainpiece Title: L'olimpiade

Dance: As17880422