SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Society of Free Masons"/1) | (@(roleclean,performerclean) "Society of Free Masons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 310 matches on Event Comments, 128 matches on Performance Title, 70 matches on Performance Comments, 18 matches on Author, and 2 matches on Roles/Actors.
Event Comment: Benefit for Brother Jacobs. By Particular Desire of the Masons. By Permission. To begin at 6:00 p.m

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Tobacconist

Entertainment: A Variety of New TheatricalImitations-Hutton

Song: End Opera: Several celebrated Catches and Glees by Dr Arne-

Event Comment: By authority of Lord Chamberlin. By Desire of the Masons. With two additional Scenes

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Song: I: Favourite Song of Terry Woo-M'Donald

Dance: II: Hornpipe-Mas. Mills; IV: Hornpipe-Rawlins

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Liverpool Prize

Performances

Mainpiece Title: The Beaux Stratagem

Cast
Role: Sir Charles Freeman Actor: Davies

Afterpiece Title: The Poor Soldier

Dance: As17860527

Performances

Mainpiece Title: Redemption 0, Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Event Comment: The King's Company. There is no indication as to whether this is the first performance of the play. Pepys, Diary: I took my wife out, for I do find that I am not able to conquer myself as to going to plays till I come to some new vowe concerning it, and that I am now come, that is to say, that I will not see above one in a month at any of the publique theatres till the sum of 50s. be spent, and then none before New Year's day next, unless that I do become worth #1,000 sooner than then, and then am free fo come to some other terms.... to the King's house, and there met Mr Nicholson, my old colleague, and saw The Usurper, which is no good play, though better than what I saw yesterday. However, we rose unsatisfied

Performances

Mainpiece Title: The Usurper

Event Comment: The Duke's Company. This date of the premiere is not known, but the presence of Cademan (who was injured in August 1673) in the cast suggests a late spring or early summer production. In addition, two songs, in the play, Beauty no more shall suffer eclipse, and Full round the health good natured and free, both set by Robert Smith, are in Choice Ayres and Songs, 1673 (which was entered in the Stationers' Register, June 1673). It is possible, then, that the play was first given early as May 1673. Downes, Roscius Anglicanus, p. 33: A Comedy call'd The Reformation, Written by a Master of Arts in Cambridge; the Reformation in the Play, being the Reverse to the Laws of Morality and Virtue; it quickly made its Exit, to make way for a Moral one

Performances

Mainpiece Title: The Reformation

Event Comment: On this date the free export of the goods of the French comedians, under Tiberio Fiorelli, was ordered. See Nicoll, Restoration Drama, pp. 118-19

Performances

Event Comment: On this date an order for the Customs Commissions to examine belongings of the French comedians and allow their free export suggests that they left London about this time. See Calendar of Treasury Books, 1676-1679, p. 962, and Boswell, Restoration Court Stage, p. 124

Performances

Event Comment: The Duke's Company. As the play was not printed until 1689, the date of composition is uncertain. In Act I, however, a reference to the death of the Earl of Rochester (26 July 1680) suggests that the play probably followed that even rather closely. On the other hand, the latest likely date for the first production seems set at late 1682 by the fact that Thomas Farmer's music for the play in BM Add. Mss. 19183-19185 is dated December 1682. The play has been placed in September 1680 as the earliest likely date (the presence of an experienced cast makes somewhat unlikely a production in mid-summer 1680). A song, All other blessings are but toys, with music by Thomas Farmer, is in Choice Ayres and Songs, The Fourth Book, 1683. A song, Lovely Selina, innocent and free, with music by John Blow, is in the same collection; and another, Weep all ye nymphs, with music by John Blow, is in The Theater of Music, The First Book, 1685

Performances

Mainpiece Title: The Princess Of Cleve

Event Comment: On this day an order calls for the delivery, customs free, of the properties of the French troupe of the Prince of Orange. See Rosenfeld, Foreign Theatrical Companies, p. 4

Performances

Event Comment: Rich's Company. The date of the first performance is not certain, but the Preface refers to the Long Vacation and a thin house, suggesting a late summer production. As the play was advertised in the Post Boy, 16-18 Nov. 1697, a first performance in October 1697 is probably the latest date for this play, and September seems more likely. Among the songs are several for whom the composer and singer are named: Happy we who free from love, and How calm Eliza are these groves, the music set by Morgan and both sung by Mrs Lindsey. She comes my goddess comes, set by Morgan and sung by Mrs Cibber. Sleep shepherd sleep, the music set by Morgan and sung by Mrs Cross. All four are in A Collection of New Songs, 1697. Preface, Edition of 1698: To serve the wants of a thin Playhouse, and Long Vacation...This hasty Brat...had the Honor of keeping the Stage for five Days Reign. Animadversions on Mr Congreve's late Answer to Mr Collier (1698), pp. 34-35: The mighty Man of Wit [Congreve]...at the Representation of this Play...was seen very gravely with his Hat over his Eyes among his chief Actors, and Actresses, together with the two She Things, call'd Poetesses, which Write for his House, as 'tis nobly call'd; thus seated in State among those and some other of his Ingenious critical Friends, they fell all together upon a full cry of Damnation, but when they found the malicious Hiss would not take, this very generous, obliging Mr Congreve was heard to say, We'll find out a New way for this Spark, take my word there is a way of clapping of a Play down

Performances

Mainpiece Title: Imposture Defeated; Or, A Trick To Cheat The Devil

Event Comment: For the entire Benefit of Mr Penkethman. Note, The Subscribers Tickets have free Admittance in any part of the House that Day' and during the whole Season. To begin exactly at half an Hour after 5, by reason the Gentlemen and Ladies that come from London may have time to return again the same Night. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. [The opening, originally advertised for Monday 12, was deferred to this day.

Performances

Mainpiece Title: Love Makes A Man

Event Comment: Note: The Subscribers Tickets have free Admittance. At 5:30 p.m

Performances

Mainpiece Title: The Fond Husband

Dance: Whimsical Dance between a Miller his Wife and Town Miss-; French Peasant Scaramouch Harlequin Cooper his Wife and others-

Event Comment: At the desire of several Perons of Quality will be perform'd that great and celebrated Scene in Julius Caesar at the table between Brutus and Cassius , Written by the Immortal Shakespeare. And altho' Mr Penkethman is at an extraordinary Charge in providing these Entertainments, to oblige his Friends he lets them in at Common Prices [as 7 Aug.]. Note, The Subscribers' Tickets have free Admittance

Performances

Mainpiece Title: Julius Caesar (one Scene)

Afterpiece Title: Sir Courtly Nice

Entertainment: Rope/Dancing after the French, Italian, and Bohemian Manner-; also a Stiff Rope, Vaulting the Slack Rope beyond Imagination-little Girl of 4 Years of Age

Event Comment: Benefit Mrs Sapsford. The Subscribers have free Admittance. Admission as 7 Aug. At 5:00 p.m

Performances

Mainpiece Title: The Relapse

Event Comment: LLondon Daily Post and General Advertiser, 17 March: This is to inform the Publick, that the new Tragi-Comedy, intitled The Free-Thinker; or, The Fox uncas'd, which was last Summer rehearsed and was to have been play'd at [lif], but by Mr Rich's letting that House to Mr Giffard, for that Season, was prevented, will be acted on the 14th of April next [at yb], by Mr Hallam's Company of Comedians. The Play is writ much in the same Stile and Manner of George Barnwell....The Author hopes that the Generous and Judicious will encourage the Performance, tho' the Company of Players are not dropt down from the Clouds, nor does the Play libel the Government. [No further announcement of the performance has been noted before 28 April.

Performances

Event Comment: LLondon Daily Post and General Advertiser, 28 April: This is to inform the Publick, That the new Tragi-Comedy, entitled, The Free Thinker, or the Fox Uncased, which was to have been play'd on this Day, is oblig'd to be again deferr'd till Friday Se'nnight, being the 6th of May, when it will certainly be play'd [in yb], Pen. Aubin. [See also 14 April.

Performances

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: By Command of their Royal Highnesses Prince George and the Lady Augusta. Benefit Desnoyer. Receipts: money #116 15s. 6d.; seals #105 17s. (Account Book); #230 (Rylands MS.). [According to the Account Book, Desnoyer received a Free Benefit, i.e., no deduction for the nightly charges.

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: SSerious Dance to Favourite Tunes from the Opera of Lothario-Desnoyer; The Matelots-Mechel, Mlle Mechel; Italian Peasants-Desnoyer, Signora Barberini; By Command, The Comic Dance of the Old Woman-with Pierot in the Basket; Louvre, Minuet-Desnoyer, Signora Barberini

Event Comment: Benefit Delane. Mainpiece: Written by the late Sir Richard Steele. Receipts: money #78 12s.; seals #81 10s. (Account Book); #162 (Rylands MS.). [According to the Account Book, Delane received a Free Benefit.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Wooden Shoe Dance-Mechel; III: Kilkenny-Glover, Mlle Roland; V: Italian Peasants-Desnoyer, Signora Barberini

Song: In II: Roberts

Event Comment: Benefit Mrs Horton. Tickets at Mrs Horton's, at the Angel, in Bedford Street. Receipts: money #78; seals #81 17s. (Account Book); #160 (Rylands MS.). [Mrs Horton received a Free Benefit.

Performances

Mainpiece Title: Abra Mule; Or, Love And Empire

Afterpiece Title: The King and the Miller of Mansfield

Dance: LLouvre-Signora Barberini; French Peasant-Mechel; Comic Ballet-Villeneuve, Miss Oates