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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Society of Free British Fisheries"/1) | (@(roleclean,performerclean) "Society of Free British Fisheries")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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679 results for: Keyword - Society of Free British Fisheries
We found 418 matches on Event Comments, 207 matches on Performance Title, 73 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

226
01 October 1781 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Free-Mason

Song: As17810924

227
03 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Chances

Afterpiece Title: Harlequin Free-Mason

228
05 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free-Mason

229
08 October 1781 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Free-Mason

Song: As17810924

230
10 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Harlequin Free-Mason

231
11 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free-Mason

232
15 October 1781 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Free-Mason

Song: As17810924

233
17 October 1781 @ Covent Garden

Performances

Mainpiece Title: Duplicity

Afterpiece Title: Harlequin Free-Mason

234
18 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Free-Mason

Dance: As17811016

235
03 December 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Harlequin Free-Mason

236
10 December 1781 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Harlequin Free-Mason

237
05 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Comus

Dance: As17841116

Song: In afterpiece From tyrant Laws and Customs free by Johnstone and Mrs Martyr; Live and love by Johnstone, Mrs Morton, Mrs Martyr

238
31 March 1778 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Follet, Smith & T. Smith, late of the Bear, Westminster-bridge. Tickets to be had of Follet, No. 20, Little Wild-street, Lincoln's-inn-fields; of T. Smith at the Golden Cross, Charing Cross. T. Smith hopes to be honoured with the company of his brother Free Masons, Bucks, &c., Gentlemen of the Welsh Society, Hereford Society and West-moreland Society

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: Colonel Feignwell-Smith; Sir Philip Modelove-Massey; Periwinkle-Bailey; Freeman-Swindall; Simon Pure-Thompson; Tradelove-Bowles; Sackbut-Kenny; Quaker's Boy-Master Follet; Obadiah Prim-Follet; Ann Lovely-Miss Hale; Betty-Mrs Waldron; Mrs Prim-Mrs Lee.
Cast
Role: Freeman Actor: Swindall

Afterpiece Title: The Mayor of Garratt

Song: Between Acts: Singing, particularly Black Ey'd Susanthe new Hunting Song-T. Smith

Entertainment: Monologue.End: The Farmer's Blunder-Follet

239
05 December 1759 @ Drury Lane Theatre

Event Comment: Benefit for ye Marine Society (Cross). Part of Pit laid into Boxes. Receipts: #200 (Cross). [The Prologue is in Larpent MS 163: @"Ye sons of Freedom view this little Band@They owe their safety to your giving hand@Snatch'd from the paths of vice and branded shame@You ope the door to Honesty and Fame..."@ The Prologue is printed in the British Magazine, Jan., 1760.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Male Coquette

240
30 December 1728 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Daily Journal, 30 Dec.; And we hear, that...the Grand Master and Wardens [for the Free Masons] and most of the Gentlemen present took Tickets to appear in White Gloves at...Drury-Lane, this Evening, where the Play of Henry IV. Part II is to be acted for their Entertainment; and it is said a Prologue and Epilogue will be spoken suitable to the Occasion, and in Honour of that Society

Performances

Mainpiece Title: King Henry The Ivth, Part Ii

Afterpiece Title: Perseus and Andromeda

241
04 May 1734 @ Drury Lane Theatre

Event Comment: For the Benefit of the Editor of Shakespear. For the Entertainment of the Grand Master, and the Antient and Honourable Society of the Free and Accepted Masons. N.B. By Appointment of the Grand Master, the Brethren are desir'd to meet at the Castle Tavern, Drury-Lane, cloath'd; thence to go in Procession, as usual, to the Play

Performances

Mainpiece Title: Henry Iv, Part Ii

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

242
12 June 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Lottery

Performance Comment: Cast not listed. A Prologue and Epilogue on Masonry, to be spoke by the same Gentleman of the Benefit, who is a Member of that Ancient and Honourable Society of the Free and Accepted Masons .

Dance: The English Peasant's Pursuit after the French Harlequin by a Gentleman lately arrived from France. By Miss Brett and Miss Naso [Miss Norsa in Daily Advertiser]

Song: The Masons' Songs

243
18 October 1797 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory; or, The Defeat of the Dutch Fleet by the Gallant Admiral Duncan on the Memorable Eleventh of October

Performance Comment: Scene I. The Deck of a Dutch Man of Warv. The Manner of Boarding it by the British Tars--the Striking of the Dutch Flag, and the Hoisting of the British. Hearts of Oak-Incledon, Chorus; Scene II. A Short Engagement between British and Dutch Sailorsv. Scene III. A Perspective View of the General Engagementv. The Defeat of the Dutch Fleet, with the Bringing Home of the Captured Ships. Scene IV. A View in Portsmouth. The Return of the British Tars. We've bade the restless Seas adieu (composed by Shield)-Incledon, Linton, Street, Gray; With pride we steer'd for England's Coast (composed by Shield)-Incledon; Scene V. The Town of Portsmouthv. With an Illumination. To conclude with Rule Britannia, with two Additional Verses,-Incledon, Townsend, Full Chorus.

Dance: In Scene V 3rd piece: a Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

244
12 February 1798 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Cast
Role: British Officer Actor: Incledon

245
16 February 1798 @ Covent Garden

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: British Officer Actor: Incledon

Music: As17980214

246
30 April 1693 @ Whitehall or St. James's

Event Comment: This celebration of the Queen's Birthday presumably was given on 30 April, her birthday. The music in the Royal Society of Music gives the singers as Mrs Ayliff, The Boy, Turner, Snow, Edwards, Howell, Bowman, Damascene, Bouchier, Williams, Woodeson, Roberts. See Purcell's Works, Purcell Society, XXIV (1926), ii

Performances

Mainpiece Title: Concert

247
10 March 1756 @ Covent Garden

Event Comment: SShakespear Society. Anniversary Meeting of this Society will be held this Day, at the Shakespeare's Head Tavern in Covent Garden. Dinner will be on the table at Three. E.B. Secretary

Performances

Mainpiece Title: Athalia

248
02 March 1757 @ Drury Lane Theatre

Event Comment: SShakespear Society. The Annual feast of this Society will be held this day at the Shakespear's Head Tavern in Covent Garden. Dinner will be on the Table at 3 o'clock (Public Advertiser)

Performances

Mainpiece Title: None

249
04 April 1758 @ Covent Garden

Event Comment: For the Use of the Marine Society, Towards Clothing Men and Boys for Sea. Receipts: #80 12s. 6d. Charges: #84. Deficit to Marine Society, #3 7s. 6d., covered by income from tickets, #56 10s. (boxes 186; pit 28; gallery 58) (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, as17571013

250
30 March 1759 @ Drury Lane Theatre

Event Comment: Benefit for the Use of the Marine Society. Towards collecting clothing and equipping the distressed (both men and boys) who are inclined to serve in the Navy. Boxes 10s. 6d. Pit 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr John Stephens, Secretary to the society, in Princes St., near the Bank; Batson's Coffee House, Cornhill; and of Mr Varney at the Stage Door, where Places may be taken. As this is the Entertainment exhibited this season for this most beneficial undertaking, by which so many distressed Persons as well as Vagabonds have been preserved and rendered useful in the highest degree, it is hoped the polite, the brave and humane, of both sexes, will shew their approbation of this design, by interesting themselves in the promotion of it

Performances

Mainpiece Title: Alfred The Great

Music: I: Concerto on Violin-Pinto; II: Concerto on Hautboy-Vincent; Concerto on Organ-Arne Jr